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    Live Music Now

    These are the 5 best concerts in Houston this week

    Johnston Farrow
    Johnston Farrow
    Feb 20, 2019 | 9:00 am

    RodeoHouston is right around the corner, which usually means a dip in larger shows coming through town. Thankfully, rock and hip-hop fans will be satiated with some big name acts before Houston goes all boots and saddles for three weeks, kicking off with a powerhouse multiple Grammy Award winner next Monday.

    CultureMap's best, biggest, and most notable shows of the week are:

    CultureMap show of the week: Muse
    Monster British rock trio Muse got off to a slow start. First compared to Radiohead upon their debut album, Showbiz, in 1999, they made a small dent on the U.K. charts and barely a blip in the U.S. But a tour slot on the 2004 Curiousa Festival bill alongside heavyweights The Cure and a fantastic album, Absolution, started their ascent, eventually culminating in albums and singles placing near or at the top of the U.S. charts and multiple headline festival slots, solidifying them as one of the best live acts in the world.

    Critics may not love them, but there is no denying that Muse can seduce audiences like few other bands with their mix of glam, prog rock, and Queen-like theatrics. This is a can’t miss performance for any rock fan with the group having eight albums to pull a truckload of great tunes from, the latest being 2018’s Simulation Theory..

    Muse takes over Toyota Center, located at 1510 Polk St., on Friday, February 22. Tickets start at $39.50 plus fees. Doors open at 6:30 pm.

    Meek Mill at Revention
    Philly rapper Meek Mill’s career started out promising enough, his debut album, Dreams and Nightmares, reaching No. 2 on the charts. But his long list of run-ins with the law meant that he missed out on possibly millions of dollars in recordings and touring time. But his legal woes seemed to up the spotlight. Following the latest release from prison last year, Mill released his latest album, Championships, which went straight to No. 1, and he was invited to perform on Saturday Night Live. Unfortunately, this show is sold out with the only hopes of getting in the resale ticket market, but the hype is strong with this one.

    Meek Mill is at Revention Music Center, located at 520 Texas Ave., on Saturday, February 23. Tickets start at $85 plus fees on the resale market. Doors open at 7 pm.

    John Oates at Heights Theater
    One-half of the classic ’80s group, Hall and Oates, John Oates is mostly known for his guitar work in that duo, but he’s also an underrated singer. While his first group was a going concern throughout much of the ’80s, Oates spread his wings in the early-2000s with a solo career, producing five albums under his own name. The Rock and Roll Hall of Fame inductee is touring behind 2018’s Arkansas, which is much more influenced by blues, jazz, and gospel than the pop music of his early career.

    John Oates performs at the Heights Theater, located at 339 W 19th St., on Saturday, February 23. Vanessa Peters opens. Tickets start at $24 plus a $6 service charge. Doors open 7 pm.

    Cypress Hill at HOB
    Cypress Hill
    rose to fame in the early-’90s, speaking to a generation of suburban kids with the group’s undeniably catchy melodies and off-the-wall lyrics a la nasal voiced B Real. Singles “How Could I Just Kill a Man,” and “Insane in the Brain” pervaded U.S. youth culture before harder-edged gangster acts shuffled Hill’s stoner-rap to the sidelines. But nostalgia being a powerful motivator and ticket seller, Cypress Hill is back on the road, promoting their latest album, 2018’s Elephants on Acid, sticking largely to their sticky-icky rap playbook.

    Cypress Hill lights up the House of Blues, located at 1204 Caroline St., on Sunday, February 24. Hollywood Undead open. Tickets start at $34.50 plus fees. Doors open at 6:30 pm.

    CultureMap recommends: Kacey Musgraves
    When CultureMap spoke to Jason Kane, managing director of entertainment for the Houston Livestock Show and Rodeo, at the annual RodeoHouston artist line-up announcement in January, he said Kacey Musgraves had been on his radar as a possible performer for the last few years.

    Then she released the critically and commercially acclaimed, Golden Hour. Kane smartly booked the crossover country-pop star to open RodeoHouston festivities and she went on to win four Grammy Awards, including Best Album. Other than Cardi B (set to perform at Rodeo Houston on March 1), no other star is going supernova like Musgraves is right now.

    Kacey Musgraves opens RodeoHouston at NRG Stadium, located at 1 NRG Pkwy., on Monday, February 25. Tickets start at $20 plus fees. Doors open at 6:45 pm.

    Country star Kacey Musgraves opens RodeoHouston at NRG Stadium on Monday, February 25.

    Spotify House SXSW party Kacey Musgraves March 2016
    Photo by Anna Webber/Getty Images for Spotify
    Country star Kacey Musgraves opens RodeoHouston at NRG Stadium on Monday, February 25.
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    Movie Review

    Knives Out series takes a more serious turn in Wake Up Dead Man

    Alex Bentley
    Nov 28, 2025 | 4:00 pm
    Josh O'Connor and Josh Brolin in Wake Up Dead Man: A Knives Out Mystery
    Photo by John Wilson/Netflix
    Josh O'Connor and Josh Brolin in Wake Up Dead Man: A Knives Out Mystery.

    Since 2019, writer/director Rian Johnson has essentially turned over his career to murder mysteries, including 2019’s Knives Out, 2022’s sequel Glass Onion, and the just-canceled Peacock series Poker Face. He’s back for another bite of the apple with Wake Up Dead Man: A Knives Out Mystery.

    While private detective Benoit Blanc (Daniel Craig) returns to help investigate a seemingly impossible murder, the majority of the focus of this film is on the employees and parishioners at a small Catholic church in upstate New York. Father Jud Duplenticy (Josh O’Connor) has been assigned to the parish to work under Monsignor Jefferson Wicks (Josh Brolin). Wicks is a fiery orator who relies on intimidation, as well as the help of church aide Martha Delacroix (Glenn Close), to maintain control over his flock.

    That group includes lawyer Vera Draven (Kerry Washington), her politically ambitious brother Cy (Daryl McCormack), Dr. Nat Sharp (Jeremy Renner), writer Lee Ross (Andrew Scott), cellist Simone Vivane (Cailee Spaeny), and groundskeeper Samson Holt (Thomas Haden Church). The tenets of Catholicism, and religion in general, are put to the test as Father Jud challenges Monsignor Jefferson for leadership, and a death changes things even further.

    The free-wheeling and fun nature of the first two Knives Out films gives way to a more methodical and introspective approach in Wake Up Dead Man. While Johnson is interested in presenting a murder mystery, it’s the lives of the various characters that take precedence, especially that of Father Jud. He is shown from the start as someone who wrestles with his faith, which is tested on multiple occasions as he encounters people who challenge him more than expected.

    The arrival of Blanc on the scene turns the film into a type of buddy movie, with Father Jud serving as both investigator and suspect. Neither man embodies the type of behavior one might expect out of their respective professions, and what limited comedy the film has comes from their interactions. They’re reined in by Police Chief Geraldine Scott (Mila Kunis), although her desire to get to the bottom of the murder is somewhat stymied by Blanc and Father Jud’s diversions.

    The lessons learned from two very different types of sources — mystery novels and Catholicism — collide over the course of the film. A book club that very coincidentally includes multiple mystery novels, including John Dickson Carr’s The Hollow Man, plays a key role, as does the devoutness of the various people at the church. Ultimately, as was the case in the first two films, the nature of the whodunit comes in second place to how the characters react to the multiple reveals along the way.

    Craig seems to tone down the over-the-top way he usually plays Blanc in this film, and his performance fits in well with the story being told. O’Connor, a star on the rise after Challengers and more, is asked to carry the film and he does so ably. The strong actors in the supporting cast are not used as well as they could have been, with only Close and Brolin truly making an impact. Geoffrey Wright shows up in a couple of small scenes and makes his presence known quickly.

    Wake Up Dead Man is the least entertaining Knives Out film so far, but that’s not to say that it’s uninteresting. Johnson explores topics that result in more talking than action, but those conversations — especially between Blanc and Father Jud — are consistently engaging and revelatory about the characters and the crime they are investigating.

    ---

    Wake Up Dead Man: A Knives Out Mystery is now playing in select theaters; it debuts on Netflix on December 12.

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