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    Movies Are My Life

    Golden Globes surprises, snubs and sure things: 6 things you must know about theOscar warmup

    Joe Leydon
    Dec 13, 2012 | 1:26 pm
    • Deservedly nominated is Leonardo DiCaprio with his sensationally over-the-topperformance as a flamboyant plantation owner in Quentin Tarantino’sjaw-dropping, mind-blowing Django Unchained.
      Photo by Andrew Cooper/The Weinstein Co.
    • Lincoln has copped seven Golden Globe nominations, more than any other filmeligible for accolades this year.
      Photo courtesy of Touchstone Pictures
    • Salmon Fishing in the Yemen had a lasting impact of members of the HollywoodForeign Press Association: They honored the movie with no fewer than threenominations.
      Salmon Fishing in the Yemen/Facebook
    • Zero Dark Thirty is Kathryn Bigelow’s account of the search for Osama Bin Laden.
      Zero Dark Thirty/Facebook
    • The nominations announcement brought very good news to dark horses Richard Gerefor his role in Arbitrage with Susan Sarandon.
      Photo by Myles Aronowitz
    • On the other hand, the news wasn’t nearly so good for Matthew McConaughey (shownhere with Zac Efron in The Paperboy).
      Courtesy photo

    First, the bad news: Ricky Gervais won’t be back this year to unleash his snark at the awards show often viewed as a warmup for the Oscars. This isn’t meant as a slap at Tina Fey and Amy Poehler, who have been signed on as co-hosts instead of Gervais for the 70th annual Golden Globe Awards. But for those us who enjoy hearing rude remarks as much as gushing gratitude at events of this sort, well, we can only hope for at least a cameo appearance by the mischievous Brit wit.

    As for the Golden Globes themselves: If you’re an admirer of Lincoln, Argo and/or Silver Linings Playbook, you’re doubtless feeling jolly, since those films — along with the forthcoming Django Unchained, Les Miserables and Zero Dark Thirty — are among the most-mentioned on the list of Golden Globe nominations announced Thursday.

    Winners won’t be revealed until Fey and Poehler take the stage at the extravaganza set to air Jan. 13 on NBC. But it’s not too early for six utterly random observations.

    A PRESIDENTIAL FRONT RUNNER: For the past few weeks now, some Oscar handicappers have pegged Lincoln as the odds-on fave for Best Picture, reasoning that while other films may have their champions, Steven Spielberg’s sweeping yet intimate historical drama would end up being the consensus choice of Academy voters. Those prognosticators will feel even more confident about their prediction now that Lincoln has copped seven Golden Globe nominations — including Best Drama, Best Director, Best Actor in a Drama (Daniel Day-Lewis), Best Supporting Actor (Tommy Lee Jones) and Best Supporting Actress (Sally Field) — more than any other film eligible for accolades this year.

    GONE FISHING: On the other hand, no one has been predicting much Oscar love for Salmon Fishing in the Yemen, a pleasant romantic comedy that, to be brutally honest, came and went fairly quickly last spring. But it must have had a lasting impact of members of the Hollywood Foreign Press Association — they honored the movie with no fewer than three nominations, for Best Comedy or Musical and for lead players Ewan McGregor and Emily Blunt.

    As Jon Weisman of Variety has duly noted: That’s three times as many Golden Globe nods as Cloud Atlas, Flight, Anna Karenina or Hitchcock can crow about it.

    LEO RISING: The Hollywood Foreign Press Association, they sure love them some star power. Indeed, the organization’s most virulent critics have long dismissed HFPA members as a shameless bunch of star . . . well, as perhaps too obsequious when it comes to dealing with celebrities. But, really, it’s hard to complain too much about any group that celebrates the sensationally over-the-top performance by Leonardo DiCaprio as a flamboyant plantation owner in Quentin Tarantino’s jaw-dropping, mind-blowing Django Unchained.

    It’s worth noting, of course, that in addition to giving DiCaprio a Best Supporting Actor nomination, HFPA voters also nominated his perfectly cast co-star, Christoph Waltz, in the same category. Both actors richly deserve their commendations.

    But while it’s arguable that Waltz’s shrewdly calculated portrayal of a fastidiously polite yet remorselessly proficient bounty hunter is a subtler piece of work, my money is on Leo to bring home the gold.

    THE ELEPHANT IN THE ROOM: Zero Dark Thirty, Kathryn Bigelow’s account of the search for Osama Bin Laden, has been accused — so far, mostly by people who have not actually seen the film — of condoning the use of torture during the “enhanced interrogation” of terrorist suspects by U.S. intelligence agents. It may or may not say something about the validity of those claims that the Hollywood Foreign Press Association has given so many nominations to the film.

    Likewise, it may or may not say something about those claims if the movie actually takes home a few Globes

    GOOD NEWS, BAD NEWS: Getting a Golden Globe nomination can raise the profile (and the hopes) of Oscar hopefuls heretofore considered long shots. So Thursday morning brought very good news to dark horses Richard Gere (Arbitrage), Rachel Weisz (The Deep Blue Sea), Jack Black (Bernie) and John Hawkes (The Sessions). On the other hand, the news wasn’t nearly so good for the conspicuously unnominated Matthew McConaughey, who had been considered a Supporting Actor contender for either Magic Mike or Bernie (or, for that matter, The Paperboy).

    Another Texas boy, director Wes Anderson, was similarly slighted, even though his Moonrise Kingdom was nominated in the Best Comedy or Musical category.

    EVERYBODY IS A STAR: Unlike the Motion Picture Academy, the Hollywood Foreign Press Association does not offer awards in technical categories. There are no awards for costumes, make-up, editing, production design, special effects and sound effects — categories in which Les Miserables likely will loom large on Oscar night.

    Which means, of course, there’ll be more than enough time during the Golden Globes telecast for all those awards that go to nominees who toil in TV. (Hey! Let’s give it up for Alec Baldwin!)

    But it also means that, for the most part, people who pick up awards will be people you’ve actually heard of. Unfortunately, this year, Gervais won’t be around to put them in their place.

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    Movie Review

    Masters of the Universe reboot mistakes nostalgia for good filmmaking

    Alex Bentley
    Jun 5, 2026 | 4:30 pm
    Nicholas Galitzine in Masters of the Universe
    Photo courtesy of Amazon MGM Studios
    Nicholas Galitzine in Masters of the Universe.

    Most children who grew up in the '80s were either a fan of or knew about Masters of the Universe. The property, based on a line of toys from Mattel, spawned a popular-if-short-lived animated TV series, comic books, a comic strip, magazines, and a 1987 live action film starring Dolph Lundgren. It is now the latest IP to get a nostalgic reboot in the form of a new blockbuster film.

    Nicholas Galitzine stars as Prince Adam of the planet Eternia, who as a child is exiled to Earth to protect the Sword of Power from invaders led by the evil Skeletor (voiced by Jared Leto). Years later, Adam is now working in the human resources department of a generic company, well-versed in corporate speak but disconnected from his heritage other than a never-ending desire to find the sword he lost when he crash-landed on Earth.

    Spoiler alert, he recovers the sword and is soon thereafter rescued from Earth by childhood friend Teela (Camila Mendes). Adam’s return to Eternia is less-than-stellar, as the citizens have difficulty believing he’s the long-lost prince, especially because he initially can’t harness the power of the sword. Naturally, he figures it out eventually, leading to a number of face-offs between him and Skeletor’s minions.

    Directed by Travis Knight (Bumblebee) and written by a four-person writing team, the film is yet another cynical attempt at exploiting a certain group’s nostalgia without putting any effort into actually making a good movie. The very first scene of the film is a CGI-filled battle between characters that have barely been introduced, much less explained to the audience. For longtime fans, this will be no issue. For everyone else, though, it immediately signals that the filmmakers don’t care about making them care about anyone or anything in the story.

    Instead, they substitute actual character development with a campy and self-deprecating vibe that’s in line with the original series. That’s all well and good if the intended audience was solely 50-year-olds, but for a movie that presumably wants to bring in younger audiences, it’s a choice that never fully comes through. Some characters try to be funnier than others, and most of the “jokes” land with a thud since the tone hasn’t been properly established.

    Worst of all, there are never any meaningful stakes in the film. Adam is impervious to damage, something that would have been truly funny if commented upon, but instead is just treated as fact for no good reason. Skeletor is not intended to be a fearsome villain, as he often bumbles through scenes or line deliveries, but the lack of a truly terrible enemy keeps the story stuck in neutral. Combined with bloodless PG-13 fight scenes with no sense of realness to them, there is rarely anything about which to get excited.

    Galitzine has turned heads as both a gay (Red, White & Royal Blue) and straight (The Idea of You) romantic interest, but he can never find his footing as the leading man here. The film never allows him to develop into a true action hero, so instead he comes across as a pretender most of the time. Mendes is okay, but she, too, isn’t given the opportunity to become much more than a sidekick. Idris Elba is entirely wasted as Teela’s father Duncan. Leto lets loose, which works because he’s the only character without a recognizable face.

    There may be a world in which rebooting Masters of the Universe makes sense, but it does not exist when the film that is offered doesn’t even try to appeal to anyone who doesn’t have a deeply ingrained knowledge of the decades-old property. By relying on nostalgia instead of good filmmaking, the film may get good box office returns on opening weekend, but it’s difficult to imagine that it will endure.

    ---

    Masters of the Universe opens in theaters on June 5.

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