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    Movies Are My Life

    Golden Globes surprises, snubs and sure things: 6 things you must know about theOscar warmup

    Joe Leydon
    Dec 13, 2012 | 1:26 pm
    • Deservedly nominated is Leonardo DiCaprio with his sensationally over-the-topperformance as a flamboyant plantation owner in Quentin Tarantino’sjaw-dropping, mind-blowing Django Unchained.
      Photo by Andrew Cooper/The Weinstein Co.
    • Lincoln has copped seven Golden Globe nominations, more than any other filmeligible for accolades this year.
      Photo courtesy of Touchstone Pictures
    • Salmon Fishing in the Yemen had a lasting impact of members of the HollywoodForeign Press Association: They honored the movie with no fewer than threenominations.
      Salmon Fishing in the Yemen/Facebook
    • Zero Dark Thirty is Kathryn Bigelow’s account of the search for Osama Bin Laden.
      Zero Dark Thirty/Facebook
    • The nominations announcement brought very good news to dark horses Richard Gerefor his role in Arbitrage with Susan Sarandon.
      Photo by Myles Aronowitz
    • On the other hand, the news wasn’t nearly so good for Matthew McConaughey (shownhere with Zac Efron in The Paperboy).
      Courtesy photo

    First, the bad news: Ricky Gervais won’t be back this year to unleash his snark at the awards show often viewed as a warmup for the Oscars. This isn’t meant as a slap at Tina Fey and Amy Poehler, who have been signed on as co-hosts instead of Gervais for the 70th annual Golden Globe Awards. But for those us who enjoy hearing rude remarks as much as gushing gratitude at events of this sort, well, we can only hope for at least a cameo appearance by the mischievous Brit wit.

    As for the Golden Globes themselves: If you’re an admirer of Lincoln, Argo and/or Silver Linings Playbook, you’re doubtless feeling jolly, since those films — along with the forthcoming Django Unchained, Les Miserables and Zero Dark Thirty — are among the most-mentioned on the list of Golden Globe nominations announced Thursday.

    Winners won’t be revealed until Fey and Poehler take the stage at the extravaganza set to air Jan. 13 on NBC. But it’s not too early for six utterly random observations.

    A PRESIDENTIAL FRONT RUNNER: For the past few weeks now, some Oscar handicappers have pegged Lincoln as the odds-on fave for Best Picture, reasoning that while other films may have their champions, Steven Spielberg’s sweeping yet intimate historical drama would end up being the consensus choice of Academy voters. Those prognosticators will feel even more confident about their prediction now that Lincoln has copped seven Golden Globe nominations — including Best Drama, Best Director, Best Actor in a Drama (Daniel Day-Lewis), Best Supporting Actor (Tommy Lee Jones) and Best Supporting Actress (Sally Field) — more than any other film eligible for accolades this year.

    GONE FISHING: On the other hand, no one has been predicting much Oscar love for Salmon Fishing in the Yemen, a pleasant romantic comedy that, to be brutally honest, came and went fairly quickly last spring. But it must have had a lasting impact of members of the Hollywood Foreign Press Association — they honored the movie with no fewer than three nominations, for Best Comedy or Musical and for lead players Ewan McGregor and Emily Blunt.

    As Jon Weisman of Variety has duly noted: That’s three times as many Golden Globe nods as Cloud Atlas, Flight, Anna Karenina or Hitchcock can crow about it.

    LEO RISING: The Hollywood Foreign Press Association, they sure love them some star power. Indeed, the organization’s most virulent critics have long dismissed HFPA members as a shameless bunch of star . . . well, as perhaps too obsequious when it comes to dealing with celebrities. But, really, it’s hard to complain too much about any group that celebrates the sensationally over-the-top performance by Leonardo DiCaprio as a flamboyant plantation owner in Quentin Tarantino’s jaw-dropping, mind-blowing Django Unchained.

    It’s worth noting, of course, that in addition to giving DiCaprio a Best Supporting Actor nomination, HFPA voters also nominated his perfectly cast co-star, Christoph Waltz, in the same category. Both actors richly deserve their commendations.

    But while it’s arguable that Waltz’s shrewdly calculated portrayal of a fastidiously polite yet remorselessly proficient bounty hunter is a subtler piece of work, my money is on Leo to bring home the gold.

    THE ELEPHANT IN THE ROOM: Zero Dark Thirty, Kathryn Bigelow’s account of the search for Osama Bin Laden, has been accused — so far, mostly by people who have not actually seen the film — of condoning the use of torture during the “enhanced interrogation” of terrorist suspects by U.S. intelligence agents. It may or may not say something about the validity of those claims that the Hollywood Foreign Press Association has given so many nominations to the film.

    Likewise, it may or may not say something about those claims if the movie actually takes home a few Globes

    GOOD NEWS, BAD NEWS: Getting a Golden Globe nomination can raise the profile (and the hopes) of Oscar hopefuls heretofore considered long shots. So Thursday morning brought very good news to dark horses Richard Gere (Arbitrage), Rachel Weisz (The Deep Blue Sea), Jack Black (Bernie) and John Hawkes (The Sessions). On the other hand, the news wasn’t nearly so good for the conspicuously unnominated Matthew McConaughey, who had been considered a Supporting Actor contender for either Magic Mike or Bernie (or, for that matter, The Paperboy).

    Another Texas boy, director Wes Anderson, was similarly slighted, even though his Moonrise Kingdom was nominated in the Best Comedy or Musical category.

    EVERYBODY IS A STAR: Unlike the Motion Picture Academy, the Hollywood Foreign Press Association does not offer awards in technical categories. There are no awards for costumes, make-up, editing, production design, special effects and sound effects — categories in which Les Miserables likely will loom large on Oscar night.

    Which means, of course, there’ll be more than enough time during the Golden Globes telecast for all those awards that go to nominees who toil in TV. (Hey! Let’s give it up for Alec Baldwin!)

    But it also means that, for the most part, people who pick up awards will be people you’ve actually heard of. Unfortunately, this year, Gervais won’t be around to put them in their place.

    unspecified
    news/entertainment

    Movie Review

    Glen Powell stumbles in remake of  sci-fi classic The Running Man

    Alex Bentley
    Nov 14, 2025 | 12:30 pm
    Glen Powell in The Running Man
    Photo courtesy of Paramount Pictures
    Glen Powell in The Running Man.

    For all its cheesy ‘80s greatness, the original version of The Running Man starring Arnold Schwarzenegger was a very loose adaptation of the novel by Stephen King. For the new remake, writer/director Edgar Wright has tried to hue much closer to the story laid out in the book, a decision that has both its positive and negative aspects.

    Glen Powell takes over for Schwarzenegger as Ben Richards, a family man/hothead who can’t seem to hold a job in the dystopian America in which he lives. Desperate to take care of his family, he applies to be on one of the many game shows fed to the masses that promise riches in exchange for humiliation or worse. Thanks to his temper, Ben is chosen for the most popular one of all, The Running Man, in which contestants must survive 30 days while hunters, as well as the general population, track them down.

    Given a 12-hour head start, Ben earns money for every day he survives, as well as every hunter he eliminates. Since he only has a relatively small amount of money to use as he pleases, Ben must rely on friendly citizens who are willing to put their own lives on the line to help him. That’s a task made even more difficult as the gamemakers, led by Dan Killian (Josh Brolin), use advanced AI to manipulate footage of Ben to make him seem like a guy for which no one should root.

    Co-written by Michael Bacall, the film is shockingly uninteresting, working neither as an exciting action film, a fun quippy comedy, or social commentary. The biggest problem is that Wright seems to have no interest in developing any of his characters, starting with Ben. Our introduction to the protagonist is him trying to get his job back, a situation for which there is little context even after we’re beaten over the head with exposition.

    The situation in which Ben finds himself should be easy to make sympathetic, but Wright and Bacall speed through scenes that might have emphasized that aspect in favor of ones that make the story less personal. The filmmakers really want to showcase the supposed antagonistic relationship between Ben and Dan (and the system which Dan represents), but all that effort results in little drama.

    Ben has a number of close calls, and while those scenes are full of action and violence, almost every one of them feels emotionally inert, as if there was nothing at stake. It doesn’t help that Wright doesn’t set the scene well, making it unclear how far Ben has traveled or who/what he’s up against. There are times when Ben feels surrounded and others when he can walk freely, weird for a society that’s supposed to be under almost complete surveillance.

    Powell has been touted as a movie star in the making for several years following his turn in Top Gun: Maverick, but he does little here to make that label stick. With no consistent co-star thanks to the structure of the story, he’s required to carry the film, and he just doesn’t have the juice that a true movie star is supposed to have. Nobody else is served well by the scattershot film, including normally reliable people like Brolin, Colman Domingo, Michael Cera, and Lee Pace.

    The Running Man is a big misfire by Wright and a blow to Powell’s star power. On the surface, it has all the hallmarks of an action thriller with a side of social commentary, but nothing it does or says lands in any meaningful way. Schwarzenegger’s one-liners in the original film may have been goofy and over-the-top, but at least they made the movie memorable, which is way more than can be said of the remake.

    ---

    The Running Man opens in theaters on November 14.

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