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    Movies Are My Life

    Golden Globes surprises, snubs and sure things: 6 things you must know about theOscar warmup

    Joe Leydon
    Dec 13, 2012 | 1:26 pm
    • Deservedly nominated is Leonardo DiCaprio with his sensationally over-the-topperformance as a flamboyant plantation owner in Quentin Tarantino’sjaw-dropping, mind-blowing Django Unchained.
      Photo by Andrew Cooper/The Weinstein Co.
    • Lincoln has copped seven Golden Globe nominations, more than any other filmeligible for accolades this year.
      Photo courtesy of Touchstone Pictures
    • Salmon Fishing in the Yemen had a lasting impact of members of the HollywoodForeign Press Association: They honored the movie with no fewer than threenominations.
      Salmon Fishing in the Yemen/Facebook
    • Zero Dark Thirty is Kathryn Bigelow’s account of the search for Osama Bin Laden.
      Zero Dark Thirty/Facebook
    • The nominations announcement brought very good news to dark horses Richard Gerefor his role in Arbitrage with Susan Sarandon.
      Photo by Myles Aronowitz
    • On the other hand, the news wasn’t nearly so good for Matthew McConaughey (shownhere with Zac Efron in The Paperboy).
      Courtesy photo

    First, the bad news: Ricky Gervais won’t be back this year to unleash his snark at the awards show often viewed as a warmup for the Oscars. This isn’t meant as a slap at Tina Fey and Amy Poehler, who have been signed on as co-hosts instead of Gervais for the 70th annual Golden Globe Awards. But for those us who enjoy hearing rude remarks as much as gushing gratitude at events of this sort, well, we can only hope for at least a cameo appearance by the mischievous Brit wit.

    As for the Golden Globes themselves: If you’re an admirer of Lincoln, Argo and/or Silver Linings Playbook, you’re doubtless feeling jolly, since those films — along with the forthcoming Django Unchained, Les Miserables and Zero Dark Thirty — are among the most-mentioned on the list of Golden Globe nominations announced Thursday.

    Winners won’t be revealed until Fey and Poehler take the stage at the extravaganza set to air Jan. 13 on NBC. But it’s not too early for six utterly random observations.

     A PRESIDENTIAL FRONT RUNNER: For the past few weeks now, some Oscar handicappers have pegged Lincoln as the odds-on fave for Best Picture, reasoning that while other films may have their champions, Steven Spielberg’s sweeping yet intimate historical drama would end up being the consensus choice of Academy voters. Those prognosticators will feel even more confident about their prediction now that Lincoln has copped seven Golden Globe nominations — including Best Drama, Best Director, Best Actor in a Drama (Daniel Day-Lewis), Best Supporting Actor (Tommy Lee Jones) and Best Supporting Actress (Sally Field) — more than any other film eligible for accolades this year.

     GONE FISHING: On the other hand, no one has been predicting much Oscar love for Salmon Fishing in the Yemen, a pleasant romantic comedy that, to be brutally honest, came and went fairly quickly last spring. But it must have had a lasting impact of members of the Hollywood Foreign Press Association — they honored the movie with no fewer than three nominations, for Best Comedy or Musical and for lead players Ewan McGregor and Emily Blunt.

    As Jon Weisman of Variety has duly noted: That’s three times as many Golden Globe nods as Cloud Atlas, Flight, Anna Karenina or Hitchcock can crow about it.

     LEO RISING: The Hollywood Foreign Press Association, they sure love them some star power. Indeed, the organization’s most virulent critics have long dismissed HFPA members as a shameless bunch of star . . . well, as perhaps too obsequious when it comes to dealing with celebrities. But, really, it’s hard to complain too much about any group that celebrates the sensationally over-the-top performance by Leonardo DiCaprio as a flamboyant plantation owner in Quentin Tarantino’s jaw-dropping, mind-blowing Django Unchained.

    It’s worth noting, of course, that in addition to giving DiCaprio a Best Supporting Actor nomination, HFPA voters also nominated his perfectly cast co-star, Christoph Waltz, in the same category. Both actors richly deserve their commendations.

    But while it’s arguable that Waltz’s shrewdly calculated portrayal of a fastidiously polite yet remorselessly proficient bounty hunter is a subtler piece of work, my money is on Leo to bring home the gold.

     THE ELEPHANT IN THE ROOM: Zero Dark Thirty, Kathryn Bigelow’s account of the search for Osama Bin Laden, has been accused — so far, mostly by people who have not actually seen the film — of condoning the use of torture during the “enhanced interrogation” of terrorist suspects by U.S. intelligence agents. It may or may not say something about the validity of those claims that the Hollywood Foreign Press Association has given so many nominations to the film.

    Likewise, it may or may not say something about those claims if the movie actually takes home a few Globes

     GOOD NEWS, BAD NEWS: Getting a Golden Globe nomination can raise the profile (and the hopes) of Oscar hopefuls heretofore considered long shots. So Thursday morning brought very good news to dark horses Richard Gere (Arbitrage), Rachel Weisz (The Deep Blue Sea), Jack Black (Bernie) and John Hawkes (The Sessions). On the other hand, the news wasn’t nearly so good for the conspicuously unnominated Matthew McConaughey, who had been considered a Supporting Actor contender for either Magic Mike or Bernie (or, for that matter, The Paperboy).

    Another Texas boy, director Wes Anderson, was similarly slighted, even though his Moonrise Kingdom was nominated in the Best Comedy or Musical category.

     EVERYBODY IS A STAR: Unlike the Motion Picture Academy, the Hollywood Foreign Press Association does not offer awards in technical categories. There are no awards for costumes, make-up, editing, production design, special effects and sound effects — categories in which Les Miserables likely will loom large on Oscar night.

    Which means, of course, there’ll be more than enough time during the Golden Globes telecast for all those awards that go to nominees who toil in TV. (Hey! Let’s give it up for Alec Baldwin!)

    But it also means that, for the most part, people who pick up awards will be people you’ve actually heard of. Unfortunately, this year, Gervais won’t be around to put them in their place.

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    Movie Review

    New Superman movie forges into the future while honoring the past

    Alex Bentley
    Jul 11, 2025 | 3:30 pm
    David Corenswet in Superman
    Photo by Jessica Miglio
    David Corenswet in Superman.

    When the character of Superman was invented in 1938, it was perhaps easier to see the world in good and bad terms. Fascism was already on the rise in Germany under Adolf Hitler, and the idea of an all-powerful superhero who stood up for people in need was a welcome one. In the nearly 90 years since, though, the world and the character have undergone multiple evolutions, and the thought of someone who is purely good is often met with cynicism or worse.

    The new Superman, written and directed by James Gunn, puts the superhero (or metahuman, as the film calls him and similar creatures) squarely in the midst of the modern world, with geopolitical conflicts, mega-corporations, and social media all combining to make the altruism of Superman/Clark Kent (David Corenswet) questionable. That skepticism even extends to his coworker/girlfriend Lois Lane (Rachel Brosnahan), whose knowledge of his exploits puts her in a tricky position personally and professionally.

    Lex Luthor (Nicholas Hoult) is out to dominate the world and take down Superman, with his eponymous corporation and vast group of underlings dedicated to doing both. Superman is generally a one-man fighting crew, but he’s occasionally aided by a group calling themselves the Justice Gang, comprised of heroes many have never heard of like Guy Gardner (Nathan Fillion), a version of Green Lantern; Hawkgirl (Isabela Merced), a flying metahuman; and Mr. Terrific (Edi Gathegi), who knows all kinds of technology.

    One of the best things about this new version of Superman is that it mostly dispenses with introductions, putting the audience in a world where Superman is already a well-known quantity who’s adored by many and hated by some. Gunn has used his new position as co-CEO of DC Studios to honor the past of the hero and take him into the future. With the 1978 John Williams theme song echoing throughout and Corenswet giving off Christopher Reeve vibes, it’s clear Gunn wants audiences to feel nostalgia while still getting something new.

    He also appears to want viewers to fight against the negativity that the modern world can bring. The plot involves manipulation of the public, usually at the hands of Luthor, through bombastic talk shows, political theater, and social media, the latter of which — in a great joke — comes to involve hundreds of typing monkeys. The film could be read as a rebuttal of many real-world ills as, despite Luthor’s machinations, many choose to continue to believe in the goodness of Superman.

    There is a lot going on in the film, but somehow it never comes off as overly complicated. Superman’s relationship with Lois Lane and Luthor’s attempts at taking him down are given the most prominence, with everything else supporting those two main things. The Justice Gang is a fun addition, with Mr. Terrific becoming the breakout hero of the group. The addition of the (CGI) dog Krypto provides levity, poignant moments, and unexpectedly great action scenes. The only part that gets somewhat short shrift is the crew of The Daily Planet, with everyone besides Lois and Jimmy Olsen (Skyler Gisondo) getting little more than face time.

    Being the new Superman is a lot to live up to, but Corenswet is completely up to the job. He, like Reeve, plays the character as someone who is earnest but not naive, a quality that comes through even when he’s in the middle of fight scenes. Brosnahan is also fantastic, providing a nice balance to the relationship while also proving the character’s own worth. Hoult makes for a great new version of Luthor, and Gathegi nearly makes the case that Mr. Terrific should get a starring film of his own.

    Just as he did with the Guardians of the Galaxy trilogy, Gunn has shown that success can be found through making characters people want to see. Not everyone in this Superman will be familiar to viewers, but in the end a group of people working together toward a goal that serves the common good is one worth watching and cheering for.

    ---

    Superman is now playing in theaters.

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