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    Live Music Now

    13 bold predictions for RodeoHouston's biggest concerts of 2022

    Johnston Farrow
    Johnston Farrow
    Dec 10, 2021 | 9:47 am

    RodeoHouston is finally coming back and CultureMap is guessing who will be performing.

    The entertainment centerpiece to the Houston Livestock Show and Rodeo season announced which music genres will be featured throughout the 2022 season on Thursday. It will mark nearly two years after COVID-19 forced officials to cancel half the 2020 event and cancel the 2021 event altogether.

    Thankfully, the biggest annual music gathering in Texas will make its much-anticipated return on Monday, February 28 with East Texas native Cody Johnson previously announced as the opening act. Three weeks of nightly concerts will culminate with the return of country icon George Strait, closing out RodeoHouston festivities with special guest Ashley McBryde on Sunday, March 20. That follows his record-setting performance in 2019 that drew over 80,000 fans to NRG Stadium.

    In addition, two other Texas artists have been revealed: Trill City icon Bun B will bring in a star-studded hip-hop line-up with his H-Town Takeover on Friday, March 11. Conroe native Parker McCollum performs on Saturday, March 12.

    That leaves 17 slots to be filled, set to be announced on January 5 at a special entertainer reveal ceremony. Once again, country music will take the lion’s share of performances on 13 of the 20 nights. Organizers have always attracted the biggest, best, and buzziest upcoming country acts to the Stars Over Texas stage, so expect a massive roster with some major home runs.

    Other genres featured this year include the first ever Christian act on Thursday, March 3; Latin pop on Friday, March 5; norteño on Sunday, March 7; rock on Thursday, March 10; pop on Tuesday, March 15; R&B/pop on Wednesday, March 16; and the return of the now established EDM genre on Friday, March 18, perfectly placed during spring break for most Houston area students.

    “The 2022 RodeoHouston lineup has something for everyone, and that’s important to us, as we are always hoping to draw newcomers to our event, and hopefully, create new lifelong Rodeo fans,” said Chris Boleman, rodeo president and CEO in a press release.

    Individual RodeoHouston tickets will go on sale to the public Thursday, Jan. 13 at rodeohouston.com. Ticket prices start at $20, plus a $4 convenience fee. Visit the RodeoHouston website for a full rundown of the genre calendar.

    Who else will make an appearance on the star-shaped stage set in the dirt and dust of NRG Stadium? CultureMap's predictions for who will show up on the famed star-shaped stage at include the following:

    Kane Brown, Luke Bryan, Brad Paisley, Keith Urban, Chris Stapleton
    When it comes to programming this year’s country acts, it’s a matter of following the K.I.S.S principle — Keep It Simple Stupid. All five artists listed were set to play RodeoHouston before it tragically went dark due to city-wide lockdown measures.

    Kane Brown, set to make his second headlining appearance, was especially hard – the performer was only hours away from taking the stage. The other gentlemen are as common to RodeoHouston as fried food is to the midway with over 30 appearances between them. Chances are these award-winning artists will be back again in 2022.

    Kasey Musgraves
    The award-winning country-pop starlet absolutely nailed her first appearance at RodeoHouston, opening the 2019 slate. Her profile is even brighter since that performance, recently playing Saturday Night Live, and heading up festivals since the release of the critically acclaimed album, Star-Crossed. Don’t be surprised if she’s back.

    Reba McEntire
    Sure, she hasn’t put out a massive selling album in years, but make no mistake, people love them some Reba. The country legend has a long string of No. 1 hit songs and she’s remained a pop culture force with TV shows, movies, awards-show hosting duties, even a spin as Colonel Sanders in a KFC ad campaign.

    She’s currently playing a Las Vegas residency with fellow legends, Brooks & Dunn, which has seen thousands travel to see her. Also, an appearance at the 2022 edition would be her 20th RodeoHouston performance, something to celebrate.

    Lizzo or Megan Thee Stallion
    One of the biggest regrets of the COVID-addled early closure to the 2020 season was not seeing a Houston-raised Lizzo at the absolute height of her powers strut her “Good As Hell” moves. When CultureMap asked Jason Kane, RodeoHouston manager of entertainment and concert production whether they’d bring back the Grammy award winner, he said it would be a priority.

    “I think we can safely say that we’re going to do everything we can to make sure Lizzo gets to play her hometown,” Kane said.

    If Lizzo isn’t available or if her star has dimmed too much since 2020 (it hasn’t), we predict Megan Thee Stallion will get the nod. The fellow-Houstonian is currently one of the hottest stars in the world right now and fellow “W.A.P.” co-star Cardi B proved that a heavily censored, buttoned-up show is possible while still retaining a high-level of fun.

    Gwen Stefani
    This s**t is bananas. The No Doubt singer and huge solo act in her own right was another victim of COVID’s fallout in 2020. It would make complete sense to bring her back. Additionally, she’s now married to Blake Shelton, who is known to show up to her shows for duets. Who wouldn’t want to see that happen?

    Bad Bunny or J. Balvin
    Over the last half-decade, RodeoHouston officials kept their finger on the pulse of what is popular with listening audiences. Bad Bunny was the most streamed star in 2021 with over 9.1 billion streams on Spotify, up from 8.3 billion in 2022.

    Booking the Puerto Rican star would be a slam dunk and an instant sell-out among the legions of fans in the Greater Houston region. If Bunny is too pricey, Colombian artist J. Balvin would be more than worthy to fill the Latin Pop night slot.

    Dolly Parton
    This likely won’t happen, but one can dream. Every season RodeoHouston is good for a few longtime country faves. And every year, we call for concert organizers to hear our collective calls to bring Dolly Parton to Houston so we can regale her with our adoration.

    Outside of her saintly charitable efforts, Parton is one of the most popular country artists of all time with a songbook to rival anyone. The singalongs to “Jolene,” “9 to 5,” and “I Will Always Love You,” and “Coat of Many Colors” would be major highlight of the 2022 season. Make this happen, RodeoHouston!

    George Strait follows-up a record-breaking 2019 RodeoHouston show by closing out the 2022 edition on March 20.

    RodeoHouston,George Strait concert, March 2013
    Photo by © Michelle Watson/CatchLightGroup.com
    George Strait follows-up a record-breaking 2019 RodeoHouston show by closing out the 2022 edition on March 20.
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    Movie review

    Nick Jonas and Paul Rudd chase their dreams in music-heavy Power Ballad

    Alex Bentley
    Jun 8, 2026 | 10:30 am
    Nick Jonas and Paul Rudd in Power Ballad
    Photo by David Cleary for Lionsgate
    Nick Jonas and Paul Rudd in Power Ballad.

    Writer/director John Carney is one of the great purveyors of movies featuring music (as opposed to musicals) in the 21st century. Starting with Once in 2007 (which was turned into a Broadway musical several years later), he has made music-themed stories like Begin Again, Sing Street, Flora and Son, and now Power Ballad.

    Rick Power (Paul Rudd) is a former wannabe rock star who is now the lead singer of “Ireland’s #1 Wedding Band,” The Bride & Grooves. While they mostly play smaller weddings, a gig at a country estate leads to an encounter with Danny Wilson (Nick Jonas), a former boy band member struggling to make it as a solo artist. Rick and Danny wind up bonding in a booze- and pot-filled jam session, sharing various song ideas.

    After returning to Los Angeles and desperate for a hit, Danny steals one of Rick’s songs, which miraculously turns into the No. 1 “How to Write a Song (Without You).” Rick, initially overjoyed that something he wrote has become big, is crushed when he finds out Danny didn’t give him credit. His quest to find a way to prove his worth sends him into a spiral, upending the ordinary life he had built.

    Co-written by Peter McDonald, the film is a nice exploration of two men trying to hold on to their music dreams. Their individual circumstances could not be more different, but each of them knows the ups and downs of the business as well as the other, as well as the ineffable magic of creating that one great song. While the music scenes are hit-and-miss because of a reliance on lip synching, the scene featuring Rick and Danny trading ideas is electric with creativity.

    Oddly, though, the film could have used a bit less music and more of a focus on the two men’s personal lives. Rick wound up living in Ireland after falling in love with his future wife, Rachel (Marcella Plunkett), while on tour with his former American band. He spends a decent amount of time with her and his daughter, Aja (Beth Fallon), but his story needed a few more family scenes to drive the point home. Danny’s personal life is all but nonexistent, giving his arc less impact than it could have had.

    Instead of loved ones, Carney and McDonald try to give Rick and Danny more depth through friends and business associates. Rick’s bandmate Sandy (McDonald) is a ride-or-die kind of guy for him, but his presence is only good for a few humorous distractions. Danny’s manager Mac (Jack Reynor) is difficult to parse, as he goes to bat for Danny on multiple occasions, but also seems to keep him at arm’s length.

    It’s long been joked that Rudd never ages, and that youthfulness serves him well in this role, in which his character is supposed to be much younger than his actual age of 57. His energy and enthusiasm make his character appealing throughout, even when Rick starts to go off the deep end. Jonas is decent in his role, selling the music side well, but there might be a reason his character doesn’t have many scenes requiring him to show emotions.

    While Power Ballad has all the hallmarks of another great Carney music movie, it’s missing a few pieces that could have put it over the top. It’s still a fun film with an insanely catchy song at its center, but it’s not quite as memorable as most of the filmmaker’s previous efforts.

    ---

    Power Ballad is now playing in theaters.

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