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    Through Sunday

    Channel 8 livens up pledge drive with Celebrate Houston performances & uniquetie-ins

    Clifford Pugh
    Dec 6, 2011 | 4:12 pm
    • Lisa Trapani Shumate at the Houston PBS 2011 Winter Membership Drive
      Photo by Julie Coan/HoustonPBS
    • Ernie Manouse, from left, and The Daytripper's Chet Garner
      Photo by Julie Coan/HoustonPBS
    • Bill Stubbs
      Photo by Ed Fabry

    Does anyone look forward to pledge drives at Houston's non-commercial stations? The money that comes in is essential to keep the stations on the air, but the incessant begging for bucks can be a real turnoff. (True confessions: In our household, the TV and radio stay silent during every pledge drive.)

    But this time Channel 8 is trying something a little different and results have been promising.

    During the HoustonPBS winter membership campaign, which ends Sunday, the station has kept popular programs in their regular timeslots instead of pre-empting them for special programming as has been done in the past. And they're offered bonus incentives to entice loyal viewers to pony up for an "experience" around their favorite show.

    The opportunity to go on a bus trip to Galveston hosted by The Daytripper's Chet Garner took in $6,248 from 42 people in one night. A broadcast of El Camino Olive Trail, a film about the olive industry along the Mexico/Texas border and beyond, featured a blind taste-test match between olive oils from Texas and Sicily to determine who produces the best (alas, Sicily won) and admission to a seminar on how to grow olives in Texas. It brought in close to $4,000 from 23 pledges.

    Fans of the popular Antiques Roadshow snapped up 500 tickets for a local Appraisal Day event modeled after the hit show, raising $35,000. Houston antiques dealer David Lackey, a popular appraiser on the show, and Bill Stubbs, who hosts the PBS series Moment of Luxury, will offer non-binding appraisals of objects brought in by pledgers.

     

      Fans of the popular Antiques Roadshow snapped up 500 tickets for a local Appraisal Day event modeled after the hit show, raising $35,000.

      "That went over fantastically well," said Houston Public Media executive director/general manager Lisa Trapani Shumate. "We had a real win-win in that we had something to offer and it didn't cost us anything.

    "Essentially the TV pledge has become about the premium — this DVD, that book. That's all fine if that's what the viewer wants. But there is a cost associated with those (offerings). So if you gave $50 not all $50 would go to our mission. So what we've tried to come up with now is a blend of those traditional things — people want their Celtic Thunder tickets — and some new things, like what they did with Antiques Roadshow."

    Trapani Shumate took over the top post at Houston Public Media overseeing Channel 8 and radio stations KUHF-FM and KUHA-FM on Nov. 1, after planning had begun for the pledge drive. She credits the Channel 8 team for coming up the innovative fundraising ideas but added a couple of her own to signal where she hopes to direct the public TV and radio stations.

    At her suggestion, Channel 8 is devoting a chuck of prime time over the next two nights to live studio broadcasts under the banner, Celebrate Houston.

    On Wedneday night, the theme is Science and Technology, with a lineup that includes interviews with Catherine C. Mosbacher of the Center for Houston's Future, The High Tech Texan Michael Garfield, "The Engines of our Ingenuity" host John Lienhard and Houston Technology Center's Adil Jafry. Representatives from Space Center Houston, the Museum of Natural Science, the Children's Museum and the University of Houston's CORE (Coordination of Robotics Education) will perform live demonstrations.

    On Thursday night, the Houston arts scene is the focus, with live performances by Project Grad (STARS Opera Group), Music Box Theater, Ensemble Theater, Theatre Under the Stars Humphrey's School and HSPVA. Among those scheduled to be interviewed: Houston Grand Opera's Ana Maria Martinez, Houston Ballet's Lauren Anderson, Society for the Performing Arts' Karen Watassek, Da Camera's Sarah Rothenberg and Houston Symphony's Mark Hansen.

    On both nights, the live broadcasts will take place from 8-10 p.m.

    "We need to make money no doubt about it. But we thought that building the relationships with these two communities in particular was critical. Why not do it in prime time? And why not do it around the idea that it's the end of the year, so let's celebrate," Trapani Schumate said. "Let's talk about these great nonprofits who are out there really forging our future when you're talking about science and technology and the arts.

    "These are things we need to celebrate and embrace."

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    Movie Review

    'I Know What You Did Last Summer' reboot lacks energy or thrills

    Alex Bentley
    Jul 17, 2025 | 2:00 pm
    Sarah Pidgeon, Madelyn Cline and Chase Sui Wonders in I Know What You Did Last Summer
    Photo by Brook Rushton
    Sarah Pidgeon, Madelyn Cline and Chase Sui Wonders in I Know What You Did Last Summer.

    When the original I Know What You Did Last Summer came out in 1997, it was riding the coattails of Scream, which came out in 1996. Like that film, it featured hot young actors of the time, albeit with a story that was much more standard than the inventive Scream. Still, it made enough of an impact for some studio executive to think it was worth reviving nearly 30 years later with its own legacy-quel.

    In the new I Know What You Did Last Summer, a group of five high school friends — Danica (Madelyn Cline), Ava (Chase Sui Wonders), Milo (Jonah Hauer-King), Teddy (Tyriq Withers), and Stevie (Sarah Pidgeon) — have reunited at the engagement party for Danica and Teddy on the 4th of July. While on an impromptu trip to watch fireworks on a twisty road in the nearby hills, Teddy goofs off in the middle of the road, causing a truck to swerve and drive off the cliff.

    A year later, having sworn to each other to not speak of the accident to anybody, they start getting stalked by a mysterious person in a fisherman’s slicker carrying a hook. With Teddy’s rich father, Grant (Billy Campbell), actively trying to cover up what his son did (as well as the fallout), it’s up to the group to figure out who is coming after them and how to stop that person.

    Written and directed by Jennifer Kaytin Robinson, and co-written by Sam Lansky, the film doesn’t try to reinvent the wheel; in fact, it barely builds something that can roll. It might just be the laziest and most incompetent attempt to capitalize on an existing piece of intellectual property. There is almost zero effort put into establishing a connection between the members of the friend group, making them feel like strangers for the entire film.

    It doesn’t help that the young male actors in the film — which grows to include Wyatt (Joshua Orpin), a new fiance for Danica — serve no purpose other than to be generically good-looking. The most impactful of the men in the film is the returning Freddie Prinze, Jr., who — along with Jennifer Love Hewitt — has his old character from the first two films shoehorned into the new story. The filmmakers undercut any good feelings from their return by giving them hardly anything to do and then having Hewitt deliver the line, “Nostalgia is overrated.”

    The film as a whole never has a sense of momentum. The inciting incident is so tame — they even attempt to save the driver before the truck goes off the cliff — that the guilt they feel and the anger of the person going after them doesn’t feel warranted. Once the attacks start, it is shocking at how low-energy the sequences are, providing no sense of suspense or thrills. The filmmakers resort to the lamest of horror movie tropes, turning the film into a paint-by-numbers affair.

    Cline (one of the stars of Netflix’s Outer Banks) and Wonders (The Studio on Apple TV+, Bodies Bodies Bodies) are the clear stars of the film, but their characters are made into inert scream queens, negating any acting talent they possess. Hauer-King, Withers, and Pidgeon don’t bring anything interesting to their characters, existing merely to have someone else for the killer to go after.

    Even the worst films can have some kind of redeeming value if you look hard enough, but the only thing I Know What You Did Last Summer has to offer is that it becomes so comically bad by the end that you can’t help but laugh at its ineptitude. Both fans of the original and fans of horror movies in general will feel cheated by the experience.

    ---

    I Know What You Did Last Summer opens in theaters on July 18.

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