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    Young At Heart

    Dolly Parton keeps it Pure & Simple with new album and first concert tour in 25 years

    Tarra Gaines
    Nov 30, 2016 | 11:06 am
    Dolly Parton
    Dolly Parton's first tour in 25 years includes several Texas cities.
    Dolly Parton/Facebook

    Watch out Santa, another consummate giver and joyful spirit is coming to town this December, and she’s bringing lots of musical goodies for young and old Houstonians alike. For the first time in 25 years, Dolly Parton has embarked on a major 60-city tour and she has several Lone Star stops along the way, including her Houston NRG Arena show on December 5. I caught up with the music, television, film, and even Broadway, superstar at a recent tele-press conference for her new Pure & Simple Tour and found out what keeps this 70-year-old music legend young at heart and still dreaming.

    The Pure & Simple album and subsequent tour all began purely and simply enough with two pared-down charity concerts in Nashville. She said those intimate shows got such a wonderful response from the audience and such good reviews, they gave her the idea of going back to basics for both a new album and a new tour.

    “I always felt my personality was pure and simple, and people seem to relate to my stories and to me and my rags to riches, Cinderella story,” she said. With only a few band members joining her on stage, Dolly will play multiple instruments and the format allows her to make deeper connections with the audience.

    A Dolly Connection

    With so many cities and so many different sized venues, I had to ask her how she keeps that intimacy in some of the bigger arena stages. Dolly revealed that it all goes back to family and that down home attitude she maintains in her life.

    “I always just think of it as I’m having people in my house and the bigger the house the better for the people. I look at it as it doesn’t matter because my show is the same and it seems to work in the bigger arenas as well as the intimate ones,” she explained.

    For Dolly, performing is like many other aspects in her life, forming connections.

    “I really feel like I connect with the people, and they’re there for me, and I’m there for them. Everyone seems to feel like we’re all in it together, and it doesn’t seem scattered or too big. I’m from a big family and I guess I think of everything as a big family reunion. Sometimes we’re in a smaller area sometimes we’re in a bigger house,” she said.

    While Dolly loves hitting the road and performing, she said one of the hardest parts of the process comes before the tour begins, when she’s deciding what songs to sing. “There’s a handful that you really have to do,” she said, listing “9 to 5,” “Islands in the Stream” and “Jolene” as songs that she knew had to go on the set list.

    “Then you try to figure out what’s going to be most entertaining. What they call dynamics in a show, the ups and downs and the moods that you set,” she described and then went on to explain that for this tour she also chose some of her favorite songs that would allow her to not just sing but to play. For example, she made sure “Apple Jack” was on the set list so she could play the banjo.

    Home for Christmas

    While her tour is foremost in her mind, Dolly did reveal her holiday plans for when she takes a break. Of course, she’ll go home to get together with family.

    “I think most families have a basic thing that they do, and in our family we get together and sing talk and cook and eat and talk about everybody when they leave the room,” she said laughing, but she also loves to play Santa for her own young nieces and nephews in true Dolly Parton style. She has an elevator in her house they decorate to look like a chimney and she dresses as Santa and delivers presents coming down that chimney elevator.

    “I’m a kid myself at Christmas,” she confessed.

    A Lifetime of Achievements

    In November, Dolly received the Willie Nelson Lifetime Achievement Award at the CMA Awards, and she explained this award seemed particularly special to her because it’s named in honor of her good friend, and one of Texas’ favorite sons.

    “I love Willie as much as I love anybody outside my own family, and he feels like family to me,” she said adding that she’s especially looking forward to getting to Texas just because that’s where Willie is from. She also has fond memories of Texas visits in the past and even filmed a television movie Wild Texas Wind, which she co-wrote the screenplay for, at the Broken Spoke in Austin.

    During her decades in the spotlight, Dolly has received career-spanning awards honoring her many achievements and she’s “proud” of every one of them.

    “It just makes you feel like you might have done something right,” she said but then confessed, “Sometimes it does makes you feel like people think you’re old, but I feel like I’m just now getting started. I feel like I know enough now to do really good work. Everyday I have new dreams.”

    Dolly Parton's Pure & Simple Tour lands at NRG Arena on December 5. For tickets or more information about her tour, which includes five Texas cities, visit her website.

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    Movie Review

    Camp Miasma puts a comedic twist on the classic slasher movie

    Alex Bentley
    Aug 14, 2026 | 3:00 pm
    Hannah Einbinder and Gillian Anderson in Teenage Sex and Death at Camp Miasma
    Photo courtesy of MUBI
    Hannah Einbinder and Gillian Anderson in Teenage Sex and Death at Camp Miasma.

    The horror genre really ramped up in the 1970s and ‘80s, bringing the slasher subgenre that gave audiences new visuals of gore, but also a reliance on sexism and homophobia that would come to define the era. The new film Teenage Sex and Death at Camp Miasma wrestles with that legacy in ways that are funny, thought-provoking, and downright strange.

    Kris (Hannah Einbinder) is a queer filmmaker who has been hired to reboot the moldy IP that is the Camp Miasma franchise, one that was fresh in the 1970s but which numerous shlocky sequels have rendered irrelevant. In an attempt to get to know the property better, Kris has scored a meeting with the reclusive Billy (Gillian Anderson), the star of the original film who has shunned the public eye for decades.

    Turns out that Billy lives deep in the woods at Camp Rivoli, which served as the location for the first film. As Kris tries to get to know Billy and convince her to be a part of the new film, she starts to fall under Billy’s spell and the lore of the franchise as a whole. That includes believing that the movie’s villain, Little Death — a transgender person who has an air conditioning vent as a head/mask — may not just be a character created for the movies.

    Written and directed by Jane Schoenbrun (I Saw the TV Glow), the film at first feels like it’s going to go the straight-up comedy route, with comic explosions of blood, a strange fascination with candy brands, and a production design that does nothing to hide that the two main actors are on a movie set with painted backdrops. This is backed up by Kris’ phone conversations with her girlfriend, Mari (Jasmine Savoy Brown) and her agent (Sarah Sherman), as well as numerous other details.

    But the film starts to go down the surreal route the longer Kris stays at the camp with Billy, especially when they sit down to watch the original Camp Miasma. An extended sequence shows a good amount of that film-within-the-film, demonstrating why Kris and Billy have a love/hate relationship with the property. For Kris, though, the lines between the film and the real world start to blur, and Schoenbrun uses a variety of out-there elements to drive the point home.

    The final act of the film can barely be described as Kris goes deeper down the rabbit hole, with Schoenbrun using her film to comment on the horror genre as a whole, its treatment of women and LGBT people, the movie industry, and more. All the while the “camp” of Camp Miasma maintains a presence, with candy wrappers showing up everywhere and the tongue-in-cheek references to Little Death (the French term La petite mort, which means “the little death,” is a euphemism for orgasm).

    Einbinder, an Emmy winner for Hacks, is the perfect person to inhabit her role. Her established real-life and fictional personas color everything she does in the film, with her enthusiasm and curiosity shining through. Anderson leans heavily into another reference — Norma Desmond from Sunset Boulevard — to create a character that is as mysterious as she is alluring. Supporting actors like Brown, Sherman, Patrick Fischler, Dylan Baker, and Eva Victor keep the movie at the right pitch all the way through.

    While other films have made fun of horror movie tropes before, Teenage Sex and Death at Camp Miasma finds a wholly unique way of doing so. It’s a funny and daring trip into the psyches of two women who may be victims of their own obsessions, and of the movies that made them that way.

    ---

    Teenage Sex and Death at Camp Miasma is now playing in select theaters

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