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    Movie Review

    Anne Hathaway gets romantic with younger man in The Idea of You

    Alex Bentley
    May 6, 2024 | 10:00 am
    Nicholas Galitzine and Anne Hathaway in The Idea of You

    Nicholas Galitzine and Anne Hathaway in The Idea of You.

    Photo courtesy of Prime Video

    Despite the fact that she has continued working steadily since winning an Oscar for 2012’s Les Misérables, Anne Hathaway’s status as an A-list Hollywood star has faded somewhat. Following her charming turn in 2015’s The Intern, her recent filmography is mostly full of supporting roles or lesser-known films. Even hits like Alice Through the Looking Glass and Ocean’s 8 have failed to maintain any kind of cultural cachet.

    All of which is to say that it’s great to get a reminder of her notable acting talent, which she shows off in new and interesting ways in The Idea of You. She plays Solène, a 40-year-old art gallery owner who’s also the divorced mother of 17-year-old Izzy (Ella Rubin). When her ex-husband Daniel (Reid Scott) bails on a planned trip to Coachella with Izzy, Solène chaperones instead, leading to a meet-cute with the lead singer of boy band August Moon, the 24-year-old Hayes Campbell (Nicholas Galitzine).

    A follow-up visit by Hayes to Solène’s art gallery leads to them embarking on a love affair, with Hayes convincing Solène to accompany him on the European leg of the band’s tour. Through a sharing of their respective life traumas and a love of art, the two are soon enraptured with each other. They do their best to ignore how the May-December aspect of their relationship will be viewed by the world at large until it inevitably comes to a head.

    Directed by Michael Showalter and written by Showalter and Jennifer Westfeldt, the film may make you look at Hathaway in an entirely new light. Although she has played both a wife and mother in previous roles, she feels like a fully mature woman in this part. Some may quibble with the character’s choices, including fans of Robinne Lee’s source novel, but Hathaway uses Solène’s strengths and vulnerabilities to her advantage, giving her best performance in recent memory.

    Those ruing the lack of romance in modern movies will find plenty to enjoy in this film. Showalter and Westfeldt do an effective job of portraying Hayes and Solène as people who would legitimately be attracted to one another both physically and mentally, and their scenes together have a palpable spark to them. Although the filmmakers give somewhat short shrift to the complicating factors that would affect such a relationship in the real world, the story remains grounded enough to stay believable in the world of the movie.

    Also helpful in establishing the credibility of the story are the songs sung by August Moon, written by Savan Kotecha and Carl Falk. Each of the songs played in the film are legitimate bops, ones you could easily see making the fictional boy band popular enough to be headliners at Coachella. Galitizine is credited as the singer on all of the original songs, and his vocal chops make his performance feel more authentic as well.

    After a solid first hour, the film does become a little fast and loose in the second hour. There’s more telling and less showing of the mother-daughter bond that Solène and Izzy share, and the film rushes through the impact that Solène and Hayes’ relationship has on Izzy. In fact, pretty much every character outside of the main duo could have been fleshed out more to give more feeling to the events toward the end of the film.

    Still, The Idea of You has more hits than misses, with a compelling lead performance by Hathaway, strong chemistry with rising star Galitzine, and songs that could become hits in the real world. With more roles like this, Hathaway could be on her way to a strong second half of her career.

    ---

    The Idea of You is now streaming on Prime Video.

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    news/entertainment

    welcome home, wes

    Wes Anderson's Houston homecoming supports historic theater restoration

    Craig D. Lindsey
    Jul 20, 2026 | 12:30 pm
    Wes Anderson's Houston homecoming supports historic theater restoration

    A fancy, eccentric-looking crowd showed up for the Wes Anderson Homecoming Soirée, held on Friday, July 17, at the Hobby Center for the Performing Arts’s Zilkha Hall.

    Fans of the Houston-born, Oscar-winning auteur paid hundreds of dollars to attend this benefit event. Guys dressed up like characters from The Royal Tenenbaums. Others wore red skull caps and low-top Adidas, like the characters from The Life Aquatic with Steve Zissou. Some people working the event even wore “Lobby Boy” hats, looking like the bellboy character from The Grand Budapest Hotel.

    The people gathered for two reasons: 1) to get a chance to see Anderson in person; and 2) to raise money to renovate and restore the Garden Oaks Theater, a project spearheaded by local nonprofit Arthouse Houston. Top-tier “Founders Experience” ticketholders got a chance to meet Anderson onstage for pics. The St. John's School alum also received a proclamation from Mayor John Whitmire declaring it “Wes Anderson Day.”

    After that, he and actor/fellow SJS alum Michael Maggart (who has appeared in several Anderson films) held a half-hour discussion where they reminisced about making Rushmore here in Houston, Anderson’s days working at the Bookstop on W. Alabama (now a Trader Joe’s), and how he and frequent collaborator Owen Wilson used to sneak into the River Oaks Theatre. (It involved pretending to lose a pair of glasses.)

    Of course, the conversation shifted to Anderson coming back home to support the Garden Oaks project. “I always say you can't build an old building,” Anderson said. “First of all, I mean, a beautiful old place has history, and has people's experiences tied into it, and it has stories involved in it. And I think an old cinema — these things are kind of endangered all over the world, and it's not just an architectural thing. It's not even just a community thing. It's a sort of delivery system for something that’s, to me, deeply important to our country.

    “It’s one thing we can access these things on all these devices,” he continued. “It's a different thing when you go to a place that's designed to help you share the experience of a movie together. It's such a powerful art form. And, anyway, for me, it's worth making a bit of an effort to try to save a place like the Garden Oaks.”

    After the convo, he introduced the quintet of films he curated for the event. (Unfortunately the DCP file for his 2007 short Hotel Chevalier had some technical difficulties and was cut short.) “We wanted to do a screening here, and I don't have a new movie to show,” he said. “I don't have something hot off the presses. So, I thought I'd put together a little something that just was different from what anybody else will see. So it's a sort of mixture… This is just for Texas, this little collection.”

    He eventually left the stage, leaving Arthouse Houston co-founder/director Maureen McNamara and Houston Public Media host Ernie Manouse to auction off perks & gifts and encourage the audience in helping revive another legendary, local movie palace. Among other items, attendees bid for treasures such as a special John Waters backstage VIP experience at his upcoming Christmas Show, dinner with John Cameron Mitchell, and a rare set of photo portraits of a young Anderson and friends, circa Bottle Rocket. Others paid $5,000 for select seats in the future theater and $5,000 to restore one foot of the venue's neon sign.

    Wes Anderson homecoming soiree

    Photo by Alan Nguyen

    Mayor John Whitmire declared Friday as Wes Anderson day in the director's honor.

    So far, the effort has raised approximately $1.3 million of the $4 million required to begin the renovation project. The organization needs to raise $4 million by July 30 for the project to move forward. Those interested in securing naming rights will find more information here.

    “River Oaks has 245 seats,” McNamara informed the crowd. “The Garden has over 700, and that is a place that we don't have in Houston. We have a need for that, for premieres, for performances in your life, for music, for a dynamic learning & exhibition space… So, we're building new on the shoulders of our history. I hope you guys will join us, and we need people to join us in a big way today.”

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    news/entertainment

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