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    Movie Review

    Anne Hathaway gets romantic with younger man in The Idea of You

    Alex Bentley
    May 6, 2024 | 10:00 am
    Nicholas Galitzine and Anne Hathaway in The Idea of You

    Nicholas Galitzine and Anne Hathaway in The Idea of You.

    Photo courtesy of Prime Video

    Despite the fact that she has continued working steadily since winning an Oscar for 2012’s Les Misérables, Anne Hathaway’s status as an A-list Hollywood star has faded somewhat. Following her charming turn in 2015’s The Intern, her recent filmography is mostly full of supporting roles or lesser-known films. Even hits like Alice Through the Looking Glass and Ocean’s 8 have failed to maintain any kind of cultural cachet.

    All of which is to say that it’s great to get a reminder of her notable acting talent, which she shows off in new and interesting ways in The Idea of You. She plays Solène, a 40-year-old art gallery owner who’s also the divorced mother of 17-year-old Izzy (Ella Rubin). When her ex-husband Daniel (Reid Scott) bails on a planned trip to Coachella with Izzy, Solène chaperones instead, leading to a meet-cute with the lead singer of boy band August Moon, the 24-year-old Hayes Campbell (Nicholas Galitzine).

    A follow-up visit by Hayes to Solène’s art gallery leads to them embarking on a love affair, with Hayes convincing Solène to accompany him on the European leg of the band’s tour. Through a sharing of their respective life traumas and a love of art, the two are soon enraptured with each other. They do their best to ignore how the May-December aspect of their relationship will be viewed by the world at large until it inevitably comes to a head.

    Directed by Michael Showalter and written by Showalter and Jennifer Westfeldt, the film may make you look at Hathaway in an entirely new light. Although she has played both a wife and mother in previous roles, she feels like a fully mature woman in this part. Some may quibble with the character’s choices, including fans of Robinne Lee’s source novel, but Hathaway uses Solène’s strengths and vulnerabilities to her advantage, giving her best performance in recent memory.

    Those ruing the lack of romance in modern movies will find plenty to enjoy in this film. Showalter and Westfeldt do an effective job of portraying Hayes and Solène as people who would legitimately be attracted to one another both physically and mentally, and their scenes together have a palpable spark to them. Although the filmmakers give somewhat short shrift to the complicating factors that would affect such a relationship in the real world, the story remains grounded enough to stay believable in the world of the movie.

    Also helpful in establishing the credibility of the story are the songs sung by August Moon, written by Savan Kotecha and Carl Falk. Each of the songs played in the film are legitimate bops, ones you could easily see making the fictional boy band popular enough to be headliners at Coachella. Galitizine is credited as the singer on all of the original songs, and his vocal chops make his performance feel more authentic as well.

    After a solid first hour, the film does become a little fast and loose in the second hour. There’s more telling and less showing of the mother-daughter bond that Solène and Izzy share, and the film rushes through the impact that Solène and Hayes’ relationship has on Izzy. In fact, pretty much every character outside of the main duo could have been fleshed out more to give more feeling to the events toward the end of the film.

    Still, The Idea of You has more hits than misses, with a compelling lead performance by Hathaway, strong chemistry with rising star Galitzine, and songs that could become hits in the real world. With more roles like this, Hathaway could be on her way to a strong second half of her career.

    ---

    The Idea of You is now streaming on Prime Video.

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    Movie Review

    Masters of the Universe reboot mistakes nostalgia for good filmmaking

    Alex Bentley
    Jun 5, 2026 | 4:30 pm
    Nicholas Galitzine in Masters of the Universe
    Photo courtesy of Amazon MGM Studios
    Nicholas Galitzine in Masters of the Universe.

    Most children who grew up in the '80s were either a fan of or knew about Masters of the Universe. The property, based on a line of toys from Mattel, spawned a popular-if-short-lived animated TV series, comic books, a comic strip, magazines, and a 1987 live action film starring Dolph Lundgren. It is now the latest IP to get a nostalgic reboot in the form of a new blockbuster film.

    Nicholas Galitzine stars as Prince Adam of the planet Eternia, who as a child is exiled to Earth to protect the Sword of Power from invaders led by the evil Skeletor (voiced by Jared Leto). Years later, Adam is now working in the human resources department of a generic company, well-versed in corporate speak but disconnected from his heritage other than a never-ending desire to find the sword he lost when he crash-landed on Earth.

    Spoiler alert, he recovers the sword and is soon thereafter rescued from Earth by childhood friend Teela (Camila Mendes). Adam’s return to Eternia is less-than-stellar, as the citizens have difficulty believing he’s the long-lost prince, especially because he initially can’t harness the power of the sword. Naturally, he figures it out eventually, leading to a number of face-offs between him and Skeletor’s minions.

    Directed by Travis Knight (Bumblebee) and written by a four-person writing team, the film is yet another cynical attempt at exploiting a certain group’s nostalgia without putting any effort into actually making a good movie. The very first scene of the film is a CGI-filled battle between characters that have barely been introduced, much less explained to the audience. For longtime fans, this will be no issue. For everyone else, though, it immediately signals that the filmmakers don’t care about making them care about anyone or anything in the story.

    Instead, they substitute actual character development with a campy and self-deprecating vibe that’s in line with the original series. That’s all well and good if the intended audience was solely 50-year-olds, but for a movie that presumably wants to bring in younger audiences, it’s a choice that never fully comes through. Some characters try to be funnier than others, and most of the “jokes” land with a thud since the tone hasn’t been properly established.

    Worst of all, there are never any meaningful stakes in the film. Adam is impervious to damage, something that would have been truly funny if commented upon, but instead is just treated as fact for no good reason. Skeletor is not intended to be a fearsome villain, as he often bumbles through scenes or line deliveries, but the lack of a truly terrible enemy keeps the story stuck in neutral. Combined with bloodless PG-13 fight scenes with no sense of realness to them, there is rarely anything about which to get excited.

    Galitzine has turned heads as both a gay (Red, White & Royal Blue) and straight (The Idea of You) romantic interest, but he can never find his footing as the leading man here. The film never allows him to develop into a true action hero, so instead he comes across as a pretender most of the time. Mendes is okay, but she, too, isn’t given the opportunity to become much more than a sidekick. Idris Elba is entirely wasted as Teela’s father Duncan. Leto lets loose, which works because he’s the only character without a recognizable face.

    There may be a world in which rebooting Masters of the Universe makes sense, but it does not exist when the film that is offered doesn’t even try to appeal to anyone who doesn’t have a deeply ingrained knowledge of the decades-old property. By relying on nostalgia instead of good filmmaking, the film may get good box office returns on opening weekend, but it’s difficult to imagine that it will endure.

    ---

    Masters of the Universe opens in theaters on June 5.

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