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    Movie Review

    Anne Hathaway gets romantic with younger man in The Idea of You

    Alex Bentley
    May 6, 2024 | 10:00 am
    Nicholas Galitzine and Anne Hathaway in The Idea of You

    Nicholas Galitzine and Anne Hathaway in The Idea of You.

    Photo courtesy of Prime Video

    Despite the fact that she has continued working steadily since winning an Oscar for 2012’s Les Misérables, Anne Hathaway’s status as an A-list Hollywood star has faded somewhat. Following her charming turn in 2015’s The Intern, her recent filmography is mostly full of supporting roles or lesser-known films. Even hits like Alice Through the Looking Glass and Ocean’s 8 have failed to maintain any kind of cultural cachet.

    All of which is to say that it’s great to get a reminder of her notable acting talent, which she shows off in new and interesting ways in The Idea of You. She plays Solène, a 40-year-old art gallery owner who’s also the divorced mother of 17-year-old Izzy (Ella Rubin). When her ex-husband Daniel (Reid Scott) bails on a planned trip to Coachella with Izzy, Solène chaperones instead, leading to a meet-cute with the lead singer of boy band August Moon, the 24-year-old Hayes Campbell (Nicholas Galitzine).

    A follow-up visit by Hayes to Solène’s art gallery leads to them embarking on a love affair, with Hayes convincing Solène to accompany him on the European leg of the band’s tour. Through a sharing of their respective life traumas and a love of art, the two are soon enraptured with each other. They do their best to ignore how the May-December aspect of their relationship will be viewed by the world at large until it inevitably comes to a head.

    Directed by Michael Showalter and written by Showalter and Jennifer Westfeldt, the film may make you look at Hathaway in an entirely new light. Although she has played both a wife and mother in previous roles, she feels like a fully mature woman in this part. Some may quibble with the character’s choices, including fans of Robinne Lee’s source novel, but Hathaway uses Solène’s strengths and vulnerabilities to her advantage, giving her best performance in recent memory.

    Those ruing the lack of romance in modern movies will find plenty to enjoy in this film. Showalter and Westfeldt do an effective job of portraying Hayes and Solène as people who would legitimately be attracted to one another both physically and mentally, and their scenes together have a palpable spark to them. Although the filmmakers give somewhat short shrift to the complicating factors that would affect such a relationship in the real world, the story remains grounded enough to stay believable in the world of the movie.

    Also helpful in establishing the credibility of the story are the songs sung by August Moon, written by Savan Kotecha and Carl Falk. Each of the songs played in the film are legitimate bops, ones you could easily see making the fictional boy band popular enough to be headliners at Coachella. Galitizine is credited as the singer on all of the original songs, and his vocal chops make his performance feel more authentic as well.

    After a solid first hour, the film does become a little fast and loose in the second hour. There’s more telling and less showing of the mother-daughter bond that Solène and Izzy share, and the film rushes through the impact that Solène and Hayes’ relationship has on Izzy. In fact, pretty much every character outside of the main duo could have been fleshed out more to give more feeling to the events toward the end of the film.

    Still, The Idea of You has more hits than misses, with a compelling lead performance by Hathaway, strong chemistry with rising star Galitzine, and songs that could become hits in the real world. With more roles like this, Hathaway could be on her way to a strong second half of her career.

    ---

    The Idea of You is now streaming on Prime Video.

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    Movie Review

    Cheesiness undermines Whalefall's intense survival story

    Alex Bentley
    Oct 16, 2026 | 1:01 pm
    Austin Abrams in Whalefall
    Photo courtesy of 20th Century Studios
    Austin Abrams in Whalefall.

    Austin Abrams has been a professional actor for 15 years, but the 30-year-old seems to just now be getting his due. After years of mostly supporting roles in films like Paper Towns, Brad’s Status, and Weapons, he has been charged with leading two films in 2026 where he’s largely acting by himself: First Resident Evil and now Whalefall.

    Abrams plays Jay Gardiner, who has returned home to California a year after the death of his hard-ass father, Mitt (Josh Brolin). The two had a tempestuous relationship, and while his mom (Elisabeth Shue) and sisters (Jane Levy and Emily Rudd) reminisce fondly about him, Jay finds it difficult to come up with good memories. The two did share a connection with the ocean, and Jay decides to honor him by going scuba diving.

    Ignoring warnings of whale activity in the area, Jay makes his way out into a notoriously dangerous part of the ocean near their home. Soon after he starts swimming, he encounters a sperm whale chasing after a giant squid. Jay inadvertently gets sucked into the enormous creature’s mouth and, ultimately, inside its body. Faced with a seemingly inescapable situation, Jay’s only hope lies in the lessons his father taught him.

    Directed by Brian Duffield and adapted by Duffield and Daniel Kraus from Kraus’ book of the same name, the film is at its best when it depicts Jay struggling to survive within the whale. The claustrophobic nature of the setting and the various obstacles (multiple contracting chambers, the squid, and more) he faces make every scene inside the whale feel as intense and cover-your-eyes scary as any great horror movie.

    Naturally, the entire movie can’t be about his survival efforts, and so the filmmakers toggle back and forth between Jay’s ordeal in the whale to memories of times with his father. Not so coincidentally, these remembrances come with subtle or overt wisdom from Mitt that would serve Jay well in his current situation. More often than not, these flashback scenes are so on-the-nose that they come off as cheesy instead of inspirational.

    It’s also difficult to derive any big emotions from the story other than revulsion at the way Jay’s body is brutalized while he’s inside the whale. None of the characters in the film receive a notable introduction to the audience before big events start happening. It’s next-to-impossible to be invested in their stories when their personalities are being revealed in bits and pieces throughout the movie.

    Abrams does well enough in bringing out the terror Jay feels in the whale and the sullenness/anger he has toward his father in other scenes. But whether it’s because his lines in the whale are hard to understand (he’s often talking around a scuba mouthpiece) or the disconnect the character has with father, there’s just something missing in his performance. Brolin’s performance is one-note, and Shue, Levy, Rudd, and John Ortiz don’t appear enough to make a big impact.

    With Kraus onboard as the co-writer of the film, it may be the case that Duffield was not given leeway to change the story of Whalefall too much. What might have worked in the book doesn’t seem to translate equally to the film, and while Jay’s nightmare in the whale is effective, the rest of his story doesn’t come across as successfully.

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    Whalefall is now playing in theaters.

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