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    The CultureMap Interview

    Diana DeGarmo fills Dolly Parton's 'shoes' and wonders why Idol ever pushed outPaula Abdul

    Sarah Rufca
    Nov 2, 2010 | 8:10 am
    • Dolly Parton and Diana DeGarmo
      Photo by Joan Marcus
    • Diana DeGarmo as Doralee Rhodes in "9 to 5" at TUTS
      Photo by Joan Marcus
    • The cast of TUTS' production of "9 to 5"
      Photo by Joan Marcus

    It's 1979. For three working women, their hair was big but their dreams were bigger. Frankly we're not sure why it took nearly 30 years to bring the classic comedy 9 to 5 to the stage, but with a Tony Award-winning score from Dolly Parton, the first-ever national tour of 9 to 5: The Musical stars Broadway vets Dee Hoty, Mamie Parris and American Idol runner-up Diana DeGarmo stepping into the role of Doralee Rhodes originated by Parton herself.

    The Theatre Under The Stars production will run at the Hobby Center for the Performing Arts from November 9-21. CultureMap caught up with DeGarmo to get her thoughts on Parton, country music and the American Idol shakeup.

    CultureMap: Were you a big 9 to 5 fan before?

    Diana DeGarmo: I've been a big fan of the movie because I'm a big Dolly Parton, fan but I really got into it when I saw the Broadway show last year.

    CM: How does it feel to step into Dolly Parton's role?

    DD: It is a big, broad feel, for lack of a better word. It's exciting and it's fun and I know that I'm giving my all and having a great time doing it. Having Dolly's support definitely erased any fears of the role, even though the first couple weeks you always say "What have I gotten myself into?!"

    CM: How much is your performance influenced by her? How have you made the role your own?

    DD: I do my own interpretation, I'm not a Dolly Parton impersonator. Dolly created so many quirks for the role, and many of them are still there. A lot of it is similar to who Dolly is as a person, the accent and the, um, physical traits that I don't really have. [Laughs]

    The rest of it is how Doralee has her own walk, she's got her own little giggle, she's kind of a spice-and-everything-nice girl but you don't want to mess with her because she'll turn a rooster into a hen in one shot.

    CM: How is performing in the theater different from performing on American Idol? Did your experience help you make that transition?

    DD: What's very similar to Idol is you're working all the time. On Idol you may only sing two nights a week but you're preparing or working the other five nights. Theater is the same way, it's a lot of work, we're performing six nights a week and we travel on our day off. Being on tour is even harder, each venue is a little different, each city is different — the South gets more of the Doralee jokes, some other places the jokes might not be understood as well.

    CM: You've been working on a country album, has 9 to 5 inspired you?

    DD: I love playing Doralee, she's the first character who's similar to who I am as a person. It's the first show that's bridged the gap between my musical theater world and my recording world. It's so great to perform country music up on stage, people have been trying to do a country musical for a while now and this is the first one that's really taken off.

    For example, when I perform "Backwoods Barbie," it's the story of Doralee's life and it's also the story of Dolly's life and just such a beautiful song and I love singing it every night.

    CM: It's so refreshing to see a show with three strong female leads. How do you work off each other?

    DD: We really lucked out with casting, we get along really well. When they have to be mean to Doralee it's really hard! But that's how it is at the beginning because people don't really understand Doralee. Jeff Calhoun, the director, says there are two things he does well: tapdancing and casting.

    He really knows how to cast well, to pick people who will work well together. It's fun to see three very different women conquer the world and conquer the workplace. And I should add that guys can come to and crack up. We've come so far the in the way women are treated we can look back at the absurdity and laugh. If things hadn't changed so much it might be a little more uncomfortable.

    CM: Back to Idol, I'm curious what you think about the new judges.

    DD: I'm a big believer that if it ain't broke, don't fix it, and that's what they started doing with the fourth judge, and then taking out Paula (Abdul). I think the three originals will always be the best but it will be exciting with J-Lo and Steven Tyler to see who's gonna take what position.

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    Riley Green review

    Country singer Riley Green kicks off RodeoHouston with Toby Keith tribute

    Craig Hlavaty
    Mar 2, 2026 | 10:39 pm
    Riley Green RodeoHouston concert 2026
    Courtesy of Houston Livestock Show and Rodeo
    Country singer Riley Green opened RodeoHouston on Monday, March 2.

    Looking like a member of the Dutton clan that grew tired of the ranching business and got really into Toby Keith and duck hunting, Riley Green opened the 2026 edition of the Houston Livestock Show and Rodeo on Monday, March 2 in front of 59,250 attendees.

    The Alabama native and former college football quarterback — because of course he was — strikes a starched jeans balance between the tender, woo-pitchin’ of guys like Merle Haggard and George Jones and the deep, blinding romance of neo-traditionalists Tracy Lawrence and fellow 2026 RodeoHouston performer Tim McGraw, with a cowboy hat resting over his epic flow.

    Speaking of the Taylor Sheridan Television Universe (the TSTU), Green will soon be seen on the Sheridan-produced Yellowstone spin-off series Marshals, which premiered on CBS this past weekend, as a troubled former Navy SEAL.

    The ACM New Male Artist of the Year for 2020, the 37-year-old didn’t get around to playing RodeoHouston until just last year. When Green isn’t in a recording studio, performing onstage, starting a duck hunting brand, or conspicuously vacationing with his shirt off in a tropical climate near other young country stars, he retreats to his farm or deep into a far-flung swamp on a hunting excursion. That being said, if I ever start a country punk band, I’m going to call it Riley Green’s Forearms, because they seem to attract audiences as much as his music.

    Green’s show kicked off just after 9:20 pm with the man himself blowing into a duck call and launching into “Different ‘Round Here,” luckily out of earshot of any ducklings NRG Center potentially bedding down for the night.

    “Hell Of A Way To Go” came with a mid-song disclaimer that it was his grandfather who was a fan of Alabama football, lest any alumni in the crowd get things twisted, before switching it to up Texas.

    Green honored his mentor, Jamey Johnson, with a widescreen cover of the woolly singer-songwriter’s timeless “In Color”. Green’s earliest work was heavily influenced by Johnson, and the pair have become lasting friends.

    He and fellow country star Ella Langley have become inexorably linked since their 2024 chart-topping duet "You Look Like You Love Me” like a nu-country Conway and Loretta. Sadly, there was no convertible riding out onto the rodeo dirt with Langley riding shotgun to jump into the duet, but the female audience members filled in admirably in her stead. "There Was This Girl," his gold-certified debut single, followed it up.

    The late Toby Keith got some shine with a medley of his hits, including Green taking a turn at Keith’s 2002 anthem "Courtesy of the Red, White and Blue," which has earned something of a resurgence due to the USA hockey team singing it at the Winter Olympics.

    Green slowed things down and took a break on a stool for “Jesus Saves” and “Don’t Mind If I Do,” showing off his solo acoustic chops.

    The smoldering bedroom romp “Worst Way” got the biggest squeals of the night, with tall boys hoisted over cowboy hats, while his 2019 hit, "I Wish Grandpas Never Died" — the triple-platinum tribute to his late grandfathers, Lendon Bonds and Buford Green — brought the waterworks and a sea of smartphone flashlights through the stadium.

    Green made his way out of the building with his band’s take on Alabama’s “Dixieland Delight,” jumping into a Ford pickup and into a few thousand fans’ dreams.

    Setlist

    Different ‘Round Here
    Change My Mind
    Hell of a Way To Go
    In Color (Jamey Johnson cover)
    You Look Like You Love Me
    There Was This Girl
    Toby Keith Tribute Set


    • I Should’ve Been A Cowboy
    • Courtesy of the Red, White & Blue

    Jesus Saves
    Don’t Mind If I Do
    Worst Way
    I Wish Grandpas Never Died
    Bury Me in Dixie / Dixieland Delight

    Riley Green RodeoHouston concert 2026

    Courtesy of Houston Livestock Show and Rodeo

    Country singer Riley Green opened RodeoHouston on Monday, March 2.

    rodeohoustonconcert review
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