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    The CultureMap Interview

    Diana DeGarmo fills Dolly Parton's 'shoes' and wonders why Idol ever pushed outPaula Abdul

    Sarah Rufca
    Nov 2, 2010 | 8:10 am
    • Dolly Parton and Diana DeGarmo
      Photo by Joan Marcus
    • Diana DeGarmo as Doralee Rhodes in "9 to 5" at TUTS
      Photo by Joan Marcus
    • The cast of TUTS' production of "9 to 5"
      Photo by Joan Marcus

    It's 1979. For three working women, their hair was big but their dreams were bigger. Frankly we're not sure why it took nearly 30 years to bring the classic comedy 9 to 5 to the stage, but with a Tony Award-winning score from Dolly Parton, the first-ever national tour of 9 to 5: The Musical stars Broadway vets Dee Hoty, Mamie Parris and American Idol runner-up Diana DeGarmo stepping into the role of Doralee Rhodes originated by Parton herself.

    The Theatre Under The Stars production will run at the Hobby Center for the Performing Arts from November 9-21. CultureMap caught up with DeGarmo to get her thoughts on Parton, country music and the American Idol shakeup.

    CultureMap: Were you a big 9 to 5 fan before?

    Diana DeGarmo: I've been a big fan of the movie because I'm a big Dolly Parton, fan but I really got into it when I saw the Broadway show last year.

    CM: How does it feel to step into Dolly Parton's role?

    DD: It is a big, broad feel, for lack of a better word. It's exciting and it's fun and I know that I'm giving my all and having a great time doing it. Having Dolly's support definitely erased any fears of the role, even though the first couple weeks you always say "What have I gotten myself into?!"

    CM: How much is your performance influenced by her? How have you made the role your own?

    DD: I do my own interpretation, I'm not a Dolly Parton impersonator. Dolly created so many quirks for the role, and many of them are still there. A lot of it is similar to who Dolly is as a person, the accent and the, um, physical traits that I don't really have. [Laughs]

    The rest of it is how Doralee has her own walk, she's got her own little giggle, she's kind of a spice-and-everything-nice girl but you don't want to mess with her because she'll turn a rooster into a hen in one shot.

    CM: How is performing in the theater different from performing on American Idol? Did your experience help you make that transition?

    DD: What's very similar to Idol is you're working all the time. On Idol you may only sing two nights a week but you're preparing or working the other five nights. Theater is the same way, it's a lot of work, we're performing six nights a week and we travel on our day off. Being on tour is even harder, each venue is a little different, each city is different — the South gets more of the Doralee jokes, some other places the jokes might not be understood as well.

    CM: You've been working on a country album, has 9 to 5 inspired you?

    DD: I love playing Doralee, she's the first character who's similar to who I am as a person. It's the first show that's bridged the gap between my musical theater world and my recording world. It's so great to perform country music up on stage, people have been trying to do a country musical for a while now and this is the first one that's really taken off.

    For example, when I perform "Backwoods Barbie," it's the story of Doralee's life and it's also the story of Dolly's life and just such a beautiful song and I love singing it every night.

    CM: It's so refreshing to see a show with three strong female leads. How do you work off each other?

    DD: We really lucked out with casting, we get along really well. When they have to be mean to Doralee it's really hard! But that's how it is at the beginning because people don't really understand Doralee. Jeff Calhoun, the director, says there are two things he does well: tapdancing and casting.

    He really knows how to cast well, to pick people who will work well together. It's fun to see three very different women conquer the world and conquer the workplace. And I should add that guys can come to and crack up. We've come so far the in the way women are treated we can look back at the absurdity and laugh. If things hadn't changed so much it might be a little more uncomfortable.

    CM: Back to Idol, I'm curious what you think about the new judges.

    DD: I'm a big believer that if it ain't broke, don't fix it, and that's what they started doing with the fourth judge, and then taking out Paula (Abdul). I think the three originals will always be the best but it will be exciting with J-Lo and Steven Tyler to see who's gonna take what position.

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    news/entertainment

    Movie Review

    Twin sisters set out for revenge in Tarantino-esque film 'Is God Is'

    Alex Bentley
    May 15, 2026 | 10:00 am
    Kara Young and Mallori Johnson in Is God Is
    Photo by Patti Perret
    Kara Young and Mallori Johnson in Is God Is.

    The revenge story is one of the most enduring in all of cinema as it can be adapted to multiple different genres. It most naturally fits in the action/thriller genre, but comedies, dramas, Westerns, and more have made good use of characters seeking revenge. The new film Is God Is demonstrates that malleability by detailing an intensely personal story that turns into something bigger.

    Twins Racine (Kara Young) and Anaia (Mallori Johnson) have lived a difficult life, going in and out of foster care and forced to endure stares and taunts because each bears burn scars from a childhood attack. Racine, whose scars are “only” on her left arm, has developed into the protector of Anaia, who suffered burns over much of her face.

    An unexpected call from their mother, Ruby (Vivica A. Fox), who was burned almost beyond recognition in the attack, gives them a purpose: Seeking revenge on the man who ruined their lives. Setting out in a barely working car and with only a small amount of direction, the sisters attempt to fulfill the mission without losing their souls.

    Written and directed by first-time feature filmmaker Aleasha Harris, the film may remind some viewers of Quentin Tarantino’s Kill Bill, and not just because Fox has small roles in both films. Harris has a knack for dialogue, especially between the twins, that ably gets across the story exposition and entertains at the same time. There are many instances where she has the sisters hold silent conversations told on screen via subtitles to convey twin-speak, a method that deepens their connection and draws the viewer in.

    Harris also has her characters engage in the type of shocking violence that Tarantino has used to great effect. The difference here, though, is that even though the story is heightened to a certain degree, the egregious nature of the crime perpetrated upon the girls and their mother makes the whole thing feel bracingly real. This revenge plot is not meant to merely entertain; it’s designed to put the audience in Racine and Anaia’s shoes and fully embrace the call for justice.

    There are a few times when the lack of experience by Harris shows up, especially in the climactic sequence where the stunt work could have used some more precision. But overall, it’s a self-assured filmmaking debut for the playwright-turned-director, who’s adapted her own play with a richness and depth that is not often found from someone stepping behind the camera for the first time.

    Young and Johnson don’t especially look alike, but they embody the essence of twin sisters, and it’s their chemistry together that makes the story as impactful as it is. They’re joined by other strong female performances by Fox, Erika Alexander, and Janelle Monáe, each of whom brings a different vibe. And anyone who loves This is Us or Paradise should prepare themselves for a completely different kind of role for Sterling K. Brown.

    Is God Is uses a variety of inspirations for its storytelling, but in the end it becomes its own thing. The filmmaking world can always stand to have another strong Black voice, and Harris has made an auspicious debut, one that should have cinephiles wondering what she’ll do next.

    ---

    Is God Is opens in theaters on May 15.

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