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    Reviewing Parts Unknown Houston

    Anthony Bourdain dispels Houston stereotypes, adds some surprises, in Parts Unknown episode

    Eric Sandler
    Oct 30, 2016 | 10:05 pm
    Anthony Bourdain Plant It Forward
    Anthony Bourdain with Congolese farmers at Plant It Forward in Montrose.
    Photo by a CultureMap reader

    On Sunday night, Anthony Bourdain, the chef-turned author and traveler, debuted the Houston episode of his highly-rated CNN show Anthony Bourdain Parts Unknown.

    Thanks to social media and a few preview clips, we’ve known for awhile some of the places Bourdain visited during his week-long stay in June: dinner at the Plant It Forward farm in Montrose with Congolese refugee farmers; lunch at acclaimed Indo-Pak restaurant Himalaya; a Bollywood dance party at Keemat Grocers; and barbecue at Burns BBQ followed by a slab party with Houston hip hop artist Slim Thug.

    Still, the episode held a few surprises that the previews only hinted at in the form of a quinceanera in Pasadena, a trip to a Lee High School, time with a Vietnamese shrimper in Palacios, and a cricket match in Richmond.

    From the beginning of the episode, Bourdain confronted and dismissed his stereotypes about the city he visited. Instead, he showed the diverse array of immigrants who have come to the city over the last 40 years, and let them tell stories about how they’ve been welcomed into the community.

    “Texas, Houston in particular, is a very different place than you might imagine from the stereotypes and the sound bites of its national political figures,” Bourdain says in a voice over. “Immigrants, refugees and non-white Americans have been transforming the city, the food, and culture of Houston for years.”

    On Parts Unknown, Houston becomes the ultimate melting pot, a place that accepts people from all over the world and makes them feel welcome. Nowhere is this point driven home more clearly than when Bourdain visits Lee High School with principal John Trinh and sits in on an ESL class where the day’s lesson is learning introductions with an emphasis on proper handshakes. Then Trinh hosts Bourdain at his home in Pearland, where Trinh’s extended family serves an only-in-Houston smorgasboard of Vietnamese food, Salvadoran tamales and pupusas, and, of course, Cajun-Viet crawfish.

    Almost as interesting as where Bourdain went and whom he interacted with are the people and places that are missing from the episode. Even people from outside the city who have been paying attention to some of the national food coverage lavished on Houston over the last year by writers like Washington Post critic Tom Sietsema or Eater’s Bill Addison might be surprised not to see Underbelly chef-owner Chris Shepherd appear on the screen. Those looking for Bourdain to dine on the tasting menu at Oxheart or validate Anvil’s place in the global cocktail movement might be disappointed by these omissions, but the high-profile place didn’t fit with the story he wanted to tell.

    Rather than seek out the chefs who are interpreting the food created by Houston’s immigrant communities, Bourdain went to the immigrants themselves. In doing so, he saw a side of Houston that even most residents don’t see.

    Of course, Bourdain has a political point to make, too. With the presidential election barely a week away, his final voiceover weighs in on the current debate over immigration.

    “Some people say make America great again. I say American was great all along,” Bourdain states. “Some of us just forgot why. It’s great because your grandfather and my grandfather and just about everybody’s damn grandfather or great-grandfather crammed, snuck, bought or was dragged onto a boat and allowed themselves eventually to dream. You still can. There’s still room. In some places in America, apparently, you are still welcome. Welcome, stranger. This land is your land.”

    No matter what a person might think about that statement, all people should be able to agree that the city comes off very well in the episode. Starting Monday, expect Burns BBQ and Himalaya to get a whole lot busier.

    celebritieschefstv
    news/entertainment

    welcome home, wes

    Wes Anderson's Houston homecoming supports historic theater restoration

    Craig D. Lindsey
    Jul 20, 2026 | 12:30 pm
    Wes Anderson's Houston homecoming supports historic theater restoration

    A fancy, eccentric-looking crowd showed up for the Wes Anderson Homecoming Soirée, held on Friday, July 17, at the Hobby Center for the Performing Arts’s Zilkha Hall.

    Fans of the Houston-born, Oscar-winning auteur paid hundreds of dollars to attend this benefit event. Guys dressed up like characters from The Royal Tenenbaums. Others wore red skull caps and low-top Adidas, like the characters from The Life Aquatic with Steve Zissou. Some people working the event even wore “Lobby Boy” hats, looking like the bellboy character from The Grand Budapest Hotel.

    The people gathered for two reasons: 1) to get a chance to see Anderson in person; and 2) to raise money to renovate and restore the Garden Oaks Theater, a project spearheaded by local nonprofit Arthouse Houston. Top-tier “Founders Experience” ticketholders got a chance to meet Anderson onstage for pics. The St. John's School alum also received a proclamation from Mayor John Whitmire declaring it “Wes Anderson Day.”

    After that, he and actor/fellow SJS alum Michael Maggart (who has appeared in several Anderson films) held a half-hour discussion where they reminisced about making Rushmore here in Houston, Anderson’s days working at the Bookstop on W. Alabama (now a Trader Joe’s), and how he and frequent collaborator Owen Wilson used to sneak into the River Oaks Theatre. (It involved pretending to lose a pair of glasses.)

    Of course, the conversation shifted to Anderson coming back home to support the Garden Oaks project. “I always say you can't build an old building,” Anderson said. “First of all, I mean, a beautiful old place has history, and has people's experiences tied into it, and it has stories involved in it. And I think an old cinema — these things are kind of endangered all over the world, and it's not just an architectural thing. It's not even just a community thing. It's a sort of delivery system for something that’s, to me, deeply important to our country.

    “It’s one thing we can access these things on all these devices,” he continued. “It's a different thing when you go to a place that's designed to help you share the experience of a movie together. It's such a powerful art form. And, anyway, for me, it's worth making a bit of an effort to try to save a place like the Garden Oaks.”

    After the convo, he introduced the quintet of films he curated for the event. (Unfortunately the DCP file for his 2007 short Hotel Chevalier had some technical difficulties and was cut short.) “We wanted to do a screening here, and I don't have a new movie to show,” he said. “I don't have something hot off the presses. So, I thought I'd put together a little something that just was different from what anybody else will see. So it's a sort of mixture… This is just for Texas, this little collection.”

    He eventually left the stage, leaving Arthouse Houston co-founder/director Maureen McNamara and Houston Public Media host Ernie Manouse to auction off perks & gifts and encourage the audience in helping revive another legendary, local movie palace. Among other items, attendees bid for treasures such as a special John Waters backstage VIP experience at his upcoming Christmas Show, dinner with John Cameron Mitchell, and a rare set of photo portraits of a young Anderson and friends, circa Bottle Rocket. Others paid $5,000 for select seats in the future theater and $5,000 to restore one foot of the venue's neon sign.

    Wes Anderson homecoming soiree

    Photo by Alan Nguyen

    Mayor John Whitmire declared Friday as Wes Anderson day in the director's honor.

    So far, the effort has raised approximately $1.3 million of the $4 million required to begin the renovation project. The organization needs to raise $4 million by July 30 for the project to move forward. Those interested in securing naming rights will find more information here.

    “River Oaks has 245 seats,” McNamara informed the crowd. “The Garden has over 700, and that is a place that we don't have in Houston. We have a need for that, for premieres, for performances in your life, for music, for a dynamic learning & exhibition space… So, we're building new on the shoulders of our history. I hope you guys will join us, and we need people to join us in a big way today.”

    wes andersongarden oaksrushmorehoustonfundraisers
    news/entertainment
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