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    Reviewing Parts Unknown Houston

    Anthony Bourdain dispels Houston stereotypes, adds some surprises, in Parts Unknown episode

    Eric Sandler
    Oct 30, 2016 | 10:05 pm
    Anthony Bourdain Plant It Forward
    Anthony Bourdain with Congolese farmers at Plant It Forward in Montrose.
    Photo by a CultureMap reader

    On Sunday night, Anthony Bourdain, the chef-turned author and traveler, debuted the Houston episode of his highly-rated CNN show Anthony Bourdain Parts Unknown.

    Thanks to social media and a few preview clips, we’ve known for awhile some of the places Bourdain visited during his week-long stay in June: dinner at the Plant It Forward farm in Montrose with Congolese refugee farmers; lunch at acclaimed Indo-Pak restaurant Himalaya; a Bollywood dance party at Keemat Grocers; and barbecue at Burns BBQ followed by a slab party with Houston hip hop artist Slim Thug.

    Still, the episode held a few surprises that the previews only hinted at in the form of a quinceanera in Pasadena, a trip to a Lee High School, time with a Vietnamese shrimper in Palacios, and a cricket match in Richmond.

    From the beginning of the episode, Bourdain confronted and dismissed his stereotypes about the city he visited. Instead, he showed the diverse array of immigrants who have come to the city over the last 40 years, and let them tell stories about how they’ve been welcomed into the community.

    “Texas, Houston in particular, is a very different place than you might imagine from the stereotypes and the sound bites of its national political figures,” Bourdain says in a voice over. “Immigrants, refugees and non-white Americans have been transforming the city, the food, and culture of Houston for years.”

    On Parts Unknown, Houston becomes the ultimate melting pot, a place that accepts people from all over the world and makes them feel welcome. Nowhere is this point driven home more clearly than when Bourdain visits Lee High School with principal John Trinh and sits in on an ESL class where the day’s lesson is learning introductions with an emphasis on proper handshakes. Then Trinh hosts Bourdain at his home in Pearland, where Trinh’s extended family serves an only-in-Houston smorgasboard of Vietnamese food, Salvadoran tamales and pupusas, and, of course, Cajun-Viet crawfish.

    Almost as interesting as where Bourdain went and whom he interacted with are the people and places that are missing from the episode. Even people from outside the city who have been paying attention to some of the national food coverage lavished on Houston over the last year by writers like Washington Post critic Tom Sietsema or Eater’s Bill Addison might be surprised not to see Underbelly chef-owner Chris Shepherd appear on the screen. Those looking for Bourdain to dine on the tasting menu at Oxheart or validate Anvil’s place in the global cocktail movement might be disappointed by these omissions, but the high-profile place didn’t fit with the story he wanted to tell.

    Rather than seek out the chefs who are interpreting the food created by Houston’s immigrant communities, Bourdain went to the immigrants themselves. In doing so, he saw a side of Houston that even most residents don’t see.

    Of course, Bourdain has a political point to make, too. With the presidential election barely a week away, his final voiceover weighs in on the current debate over immigration.

    “Some people say make America great again. I say American was great all along,” Bourdain states. “Some of us just forgot why. It’s great because your grandfather and my grandfather and just about everybody’s damn grandfather or great-grandfather crammed, snuck, bought or was dragged onto a boat and allowed themselves eventually to dream. You still can. There’s still room. In some places in America, apparently, you are still welcome. Welcome, stranger. This land is your land.”

    No matter what a person might think about that statement, all people should be able to agree that the city comes off very well in the episode. Starting Monday, expect Burns BBQ and Himalaya to get a whole lot busier.

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    Movie Review

    The Only Living Pickpocket in New York lifts big rewards from small stakes

    Alex Bentley
    Oct 30, 2026 | 10:30 am
    John Turturro in The Only Living Pickpocket in New York
    Photo courtesy of Sony Pictures Classics
    John Turturro in The Only Living Pickpocket in New York.

    John Turturro is one of those people who embodies the term “character actor” the best. With over 120 credits in his nearly 50-year career, Turturro has rarely been the star of any of his projects. Instead, filmmakers have mostly used his unique face, New York accent, and inimitable acting style to help support the lead actors, a role for which Turturro seems well-suited.

    Now 69, Turturro is taking the reins in The Only Living Pickpocket in New York, playing Harry, a long-in-the-tooth thief who still has skills but not as many opportunities. The plucking of wallets isn’t as lucrative in the mostly-cashless modern society, and Harry has little use for smartphones since he doesn’t know how to use them. However, a rare opportunity presents itself when he happens upon Dylan (Will Price), a young man who seems to be as oblivious as he is rich.

    After a clever robbery of Dylan’s vintage car, though, Harry discovers he might be in over his head, especially when he finds a card-shaped USB drive. It's the contents of the drive that soon puts Harry and anyone around him in danger, including his wife, Rosie (Karina Arroyave), who’s suffering from unresponsive wakefulness syndrome; Ben (Steve Buscemi), who helps Harry sell stolen items; and even his estranged daughter Kelly (Tatiana Maslany).

    Written and directed by Noah Segan, the film is a low-key thriller made to emulate the tempo of Harry’s life. While one of the plot points puts a degree of urgency into his actions, for the most part Harry is someone for whom slow and steady always wins the race. He is someone who has developed relationships over decades, including with NYPD Detective Warren (Giancarlo Esposito), and it’s those bonds that help him make it through each day.

    Even though Harry is a criminal, the film treats him as an overall good guy, especially through the way he takes care of Rosie and the generosity he displays with his (stolen) money. Almost no one has a bad thing to say about him, and so Segan comes up with a couple of ways to give him more depth. His one scene with Kelly does the trick, providing a glimpse into a lesser man who clearly existed at one time.

    One of the pleasures of the film for longtime movie fans are the reunions Turturro has with Buscemi (his co-star in The Big Lebowski) and Esposito (his co-star in Do the Right Thing). All three could be all-stars on a team of character actors, with each having made big impressions in all sorts of roles over the past 40 years. Seeing them back together again as very different characters from when they last collaborated underscores the level of talent each of them has.

    Turturro ably carries the load in the lead role, but given his acting style and the type of role he’s called to play, his performance is far from showy. The same goes for Buscemi and Esposito, who are there to give great support to the classic supporting actor. When someone does go over-the-top, as Price does in most of his scenes, it stands out in a bad way. Maslany scores a lot of points in her brief appearance.

    The Only Living Pickpocket in New York is a quiet film with big rewards despite its small ambitions. The beauty of the story lies in its small details, both character-related and not. Turturro rarely disappoints when he’s not the lead actor, and he demonstrates that he’s equally capable of making a movie great when he’s out front.

    ---

    The Only Living Pickpocket in New York opens in theaters on October 30.

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