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    Night of the Living Dead

    Move over sparkly vampires, zombies are reclaiming the supernatural throne

    Minh Vu
    Oct 30, 2011 | 11:27 am
    • The Walking Dead
      Courtesy photo
    • CDC's Zombie Pandemic comic book
    • Zombie Boy for DermaBlend campaign
    • Zombieland
    • Screen grab from the trailer of Dead Island.

    These days, it seems vampires are taking a back seat in pop culture. It appears the days of sparkling nightwalkers can thankfully be put behind us. In their place, zombies are coming back in full force as they begin their march to reclaim the supernatural throne.

    The living dead have been all over the news lately, from breaking ratings records to invading video games and even being at the forefront of cosmetics advertising campaigns — and audiences are buying in.

    The living dead have been all over the news lately, from breaking ratings records to invading video games and even being at the forefront of cosmetics advertising campaigns — and audiences are buying in.

    The Walking Dead smashed records for basic-cable dramas its second season premiere on AMC. It averaged 7.3 million viewers with its first airing, and 11 million overall if you include the repeat that aired right after.
    But that’s not where the record was broken — according to an AMC press release, the season two premiere delivered more adults aged 18 to 49 than any other basic cable drama in television history.

    To put that in perspective, Vulture compared the premiere’s ratings against programming from that week and in the key 18 to 34 demo; The Walking Dead was the No. 1 drama and No. 4 entertainment series on all of television, ahead of established series like Grey’s Anatomy, House, The Good Wife and Dancing with the Stars.

    And just after news hit of the ratings records, Vulture also announced that FOX is currently developing a television series based on the hit movie Zombieland, proving that zombies are indeed coming back — from the dead with a vengeance.

    Also in development is a feature film based on the trailer of a recently released video game, Dead Island. You read that right; the trailer is the basis of the film — a trailer that became viral as soon as it was released, and for good reason.

    But the comeback doesn’t stop there. Even the CDC has joined in on the fun and released a zombie-based comic book detailing what one would do in the case of a zombie apocalypse (which also happens to be the same thing one would do in the event of any natural disaster). This isn’t the first time the CDC has had fun with the living dead, either — back in May they released a more straightforward guide to surviving a zombie apocalypse.

    Finally, DermaBlend Foundations has unveiled a new campaign featuring Rick Genest, aka Zombie Boy, a man most notable for being covered head-to-toe in skeletal tattoos. (OK, so this zombie reference is a bit of a stretch.) In the ad, make-up artists use DermaBlend concealer to cover up all of his tattoos, and the results are incredible. You can check out the ad here.

    So what’s the cause for this zombie resurgence? In explaining the recent ratings success of The Walking Dead, Charlie Collier, president of AMC, says, "The Walking Dead is one of those rare television programs that reaches both a core genre fan as well as broad audiences simply looking for a great, character-based story.”

    Besides, who doesn’t love a good zombie apocalypse?

    The Walking Dead airs Sundays at 8 p.m. on AMC.

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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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