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    meet sarah grace

    Meet the 15-year-old bluesy Houstonian who's wowing judges on The Voice

    Johnston Farrow
    Johnston Farrow
    Sep 26, 2018 | 10:34 am

    A star is born, and she hails from Space City — just ask the pop star judges on NBC’s hit reality television program The Voice.

    Sarah Grace, a 15-year-old, blues-influenced singer, recently tried out for the show, outshining around 40,000 hopefuls to get to the blind audition stage. Her performance of Janis Joplin’s “Ball and Chain,” aired on the Season 15 premiere, and to say she crushed it is an understatement.

    The first performer featured on the broadcast, three of the four judges pressed their famed red buttons for a chance to coach her. The first American Idol winner, Kelly Clarkson, swiveling her chair around from the get-go. Country star Blake Shelton also tapped his buzzer, as did another American Idol star, Jennifer Hudson.

    Maroon 5’s Adam Levine declined to hit his buzzer — but let's be honest, who cares about that guy?

    It was Burleson, Texas-raised Clarkson’s enthusiasm that won out in the end, even if the other judges ribbed her for complimenting Sarah Grace for her “stank face.” Clarkson bestowed her with a bright red Team Kelly jacket, which she proudly wore to school the day after the show. She’s a big fan of Clarkson’s music.

    “I wanted a coach who I would have fun hanging out with and collaborating with, and a coach I felt like I can learn from,” Sara Grace says, taking a break from class to speak to CultureMap. “One of the most important things is she is a Texas girl and I’m a Texas girl. I knew she was from Texas, so I knew going in that if Kelly turns, then I’m going with her because us Texans have to stick together.”

    Sarah Grace came into the audition more than prepared. She works on her many musical talents at the Houston High School for the Performing and Visual Arts, focusing on trumpet. She also counts years of performing and being mentored by established musicians in the tight-knit Houston blues scene as a huge benefit.

    Her band, Sarah Grace and the Soul, plays local clubs and events regularly, appearing at House of Blues just last week. It’s a family affair, including her younger sister Reagan Kimberly on drums, joined by friend Daniel Holder on bass.

    The group was named as one of Houston’s Top Bands Under 21 by Houston Press, and was sent to the International Blues Challenge in Memphis twice by the Houston Blues Society, the first time being when Sarah Grace was a spritely 11 years old.

    “I didn’t know I was going to like the blues when I first heard it, it’s a little outdated for me,” Sarah Grace admits. “Then I realized how easy it is to connect with the blues and how supportive the people are, especially in Houston. Houston has a great scene — they took my sister and I under their wings when were very, very young.”

    Sarah Grace credits her grandmother’s love of Janis Joplin as well as her blues background and deep appreciation of multi-genre act Lake Street Dive, and singer-songwriters Sara Bareilles and Susan Tedeschi for her selection of her audition song, “Ball and Chain.” She’s been performing the tune as a show closer with Sarah Grace and the Soul for the last three years.

    “I definitely wanted to do a blues song for my blind [audition],” she says. “But I also have a lot of rock and roots influence in my music, so Janis was the perfect song to go with, because ‘Ball and Chain’ was originally by Big Mama Thornton, which is a classic blues artist. To be able to pull from classic blues and then a little more of the rock side, it was a real treat.”

    In other words, she knows what she’s doing, so the audition was no big thing for someone who’s been a working musician for most of her formative years.

    She will return to Los Angeles in a few weeks for the next round of taping for of The Voice, as one of the final 48 contestants. She will work with Clarkson on a duet with another member of Team Kelly, matching jackets and all.

    No doubt, Houston will be watching when she's back under the bright lights, on the big stage.

    Sarah Grace, a native Houstonian, performed Janis Joplin's "Ball and Chain" on the The Voice. Three out of four judges sought to be her coach following the song.

    Sarah Grace The Voice
    Photo courtesy of NBC Universal
    Sarah Grace, a native Houstonian, performed Janis Joplin's "Ball and Chain" on the The Voice. Three out of four judges sought to be her coach following the song.
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    Movie Review

    Jennifer Lawrence plays mom on the edge in artsy drama Die My Love

    Alex Bentley
    Nov 10, 2025 | 11:15 am
    Jennifer Lawrence in Die My Love
    Photo by Kimberley French/courtesy of MUBI
    Jennifer Lawrence in Die My Love.

    Writer/director Lynne Ramsay does not make feel-good movies. Her previous two films —You Were Never Really Here and We Need to Talk About Kevin — were about a traumatized veteran who tracks down missing girls for a living and parents reckoning with a child who might be a sociopath, respectively. Her latest, Die My Love, has a story as dark as its title.

    Grace (Jennifer Lawrence) and Jackson (Robert Pattinson) are a married couple who move into a run-down house that used to belong to Jackson’s uncle, who shot and killed himself on the property. That doesn’t exactly scream “great vibes,” but the somewhat manic duo quickly introduce a child into the equation, an event that forms a schism between two people who previously seemed to be on the same off-kilter wavelength.

    While Jackson works to provide for the family, Grace is left to take care of the baby and herself at the somewhat remote house. She doesn’t appear to be a big fan of the arrangement, engaging in all manner of odd behavior, like crawling around the floor, talking to herself, and taking the baby on miles-long walks to visit her mother-in-law, Pam (Sissy Spacek), who’s not doing well herself after recently losing her husband, Harry (Nick Nolte).

    Ramsay, who co-wrote the film with Enda Walsh and Alice Birch, foregrounds Grace’s experience above all others, but the film is far from straightforward. The idea of post-partum depression is raised as a reason for Grace’s weird behavior, but as both she and Jackson are introduced as two people who skew to the “ab” side of normal, it’s difficult to say that everything she does is due to feelings that arise after giving birth.

    Plus, Grace has plenty to be upset about in general, including living in a death house, being left alone with their child the majority of the time, and Jackson bringing home a yapping dog without even so much as a conversation. But the manifestation of her anger/depression is hard to parse, as Ramsay includes scenes of her carrying around a butcher knife, meeting up with a mysterious figure on a motorcycle, and other strange things that may or may not actually be happening.

    There is clearly a lot of metaphorical work being done by seemingly random things like the reappearance of a black horse on multiple occasions, blaring rock music that accompanies several scenes, and the use of the 1x1 aspect ratio by Ramsay. It’s easy to feel the intensity of the film’s central relationship and their conflicts even if you can’t make heads or tails of the allusions that the filmmaker seems to love.

    Lawrence is put through the wringer almost as much as she was in Darren Aronofsky’s Mother!, and her performance is one that can be felt strongly. Still, because the narrative is unclear, she often appears to be overwrought in certain scenes. Pattinson never fits well with his uncaring and/or oblivious character. Spacek makes a nice impression in a limited amount of screen time, but why Ramsay chose to use the ultra-talented LaKeith Stanfield in the nothing part of the motorcycle rider is baffling.

    Those who love to dig into symbolism and non-linear storytelling will have a field day with the arty Die My Love. But for everyone else, anything Ramsay might have been trying to say about the difficulties of being a mother gets buried under many scenes that don’t make any logical sense and over-the-top acting that’s only fit to match the bizarreness of the film itself.

    ---

    Die My Love is now playing in theaters.

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