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    The Great Whitey Hope

    Johnny Depp is weirdly great — again — as notorious gangster in Black Mass

    Alex Bentley
    Sep 18, 2015 | 3:34 pm
    Johnny Depp is weirdly great — again — as notorious gangster in Black Mass
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    When all is said and done, the one thing that people will remember about the movie Black Mass is Johnny Depp’s performance as James “Whitey” Bulger. Depp has a long history of totally committing to his characters, no matter how outlandish, and his turn as Bulger fits right in with the likes of Edward Scissorhands, Captain Jack Sparrow, and Willy Wonka.

    The film tracks Bulger’s rise from a relatively small-time gangster from South Boston to notorious kingpin. He was unwittingly helped in his ascent by FBI agent John Connolly (Joel Edgerton), who had a shared history with Bulger and his brother, Billy (Benedict Cumberbatch), a state politician.

    When Connolly gets Bulger to agree to be an informant, he thinks he’s hit the mother lode that will help him rise high in the bureau. Instead, he’s merely being used by Bulger to take out Bulger’s rivals. The film juxtaposes their two stories as each tries to play the other into getting what they need.

    Although the two don’t officially share a story, it’s hard not to see a similarity between Black Mass and The Departed, which supposedly took Bulger as inspiration for Jack Nicholson’s character. The two also share the idea of the murky line between cop and criminal, although that’s one that’s been explored ad nauseam in both movies and television.

    Director Scott Cooper and writers Mark Mallouk and Jez Butterworth seem to have a lot of inspirations for the movie, ones that will be very familiar for anyone with even a passing knowledge of gangster films. Of course, it doesn’t matter if something has been done before if it’s done well, and Cooper and his team do an excellent job of putting their own stamp on the genre.

    But without Depp’s performance, the film may not have been anywhere near as successful. By looks alone, with slicked back hair on a balding head, piercing light blue contacts, and a lone stained tooth, Depp is an intimidating presence. But then he actually puts on the performance, and it’s one that puts an indelible mark on your psyche.

    The starry cast, which includes Edgerton, Cumberbatch, Kevin Bacon, Dakota Johnson, and Peter Sarsgaard, among others, all do their best to rise to Depp’s level. The ability of each to affect a Boston accent is hit-and-miss, but the overall acting is never affected by this iffiness.

    Although not quite as engrossing as other gangster movies, Black Mass still emerges a winner thanks to Depp and his seemingly never-ending desire to playing quirky, memorable characters.

    Johnny Depp is on top of his game in Black Mass.

    Johnny Depp in Black Mass
    Photo courtesy of Warner Bros. Pictures
    Johnny Depp is on top of his game in Black Mass.
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    Movie Review

    New horror movie Faces of Death puts a modern twist on cult classic

    Alex Bentley
    Apr 10, 2026 | 4:00 pm
    Dacre Montgomery in Faces of Death
    Photo courtesy of of IFC Films
    Dacre Montgomery in Faces of Death.

    True horror fans will likely be familiar with the 1978 cult film Faces of Death, which purported to be a documentary showing real-life killings in gory detail. It didn’t, of course, but that didn’t stop rumors from continuing to spread for decades. Now, almost 50 years and multiple sequels later, comes a new version of Faces of Death, an actual movie that pays homage to the original in interesting ways.

    Margot (Barbie Ferreira) works at a YouTube-like company called Kino as a content moderator, flagging videos that violate the company’s policies. This means her job often involves seeing some truly despicable things from all manner of depraved people. One day, though, she comes across a video that seems a little too real, and after seeing more similar videos, she starts to believe they’re genuine murders.

    Going against her company NDA, she starts to investigate the videos on her own, which puts her on the radar of Arthur (Dacre Montgomery), who is actually kidnapping people and killing them on camera through methods seen in the original Faces of Death film. It’s not long before Arthur tracks her down, with a plan to make her one of his next victims.

    Written and directed by Daniel Goldhaber (How to Blow Up a Pipeline) and co-written by Isa Mazzei, the film is not so much scary as it is creepy, with the occasional gross-out sequence. The idea of having someone emulate the killings in the cult film is a good idea, and pairing it with the modern-day attention economy — in which content creators go to increasing lengths for clicks — is a clever twist on a concept that other films have done.

    The film as a whole is a commentary on how social media and video sharing sites have often decided to prioritize profits over the well-being of their users. Margot is shown allowing videos involving violence and sexual assault to stay on the site while nixing ones depicting how to use Narcan or demonstrating putting on a condom on a banana. Josh (Jermaine Fowler), Margot’s boss, is even explicit in the company mandate that outrageous videos drive views.

    While Arthur has the makings of a good villain, there are few attempts to make him seem truly diabolical. His kidnappings often seem more spur-of-the-moment than calculated, and even though he has a well thought-out dungeon at home, the house’s location in the suburbs seems to make him vulnerable to easy discovery. Goldhaber and Mazzei leave more than a few unanswered questions along the way that take away from the intensity of the story.

    Ferreira is yet another actor from Euphoria who’s capitalizing on her exposure from that show. She plays Margot’s increasing anxiety well, and when the action ratchets up in the final act, she meets the moment in a satisfying way. Montgomery returns to the vibe he had while playing the evil Billy on Stranger Things, and even though his character doesn’t fully live up to his potential, Montgomery sells his evil for all it’s worth.

    The new Faces of Death may not be what some are expecting given the reputation of the previous films, but it’s a solid horror/thriller that uses the brand as a launching pad into something different. It doesn’t make much of a dent in the scare department, but it does give its violence and gore a degree of relevance in today’s often desensitized world.

    ---

    Faces of Death is now playing in theaters.

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