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    Celebration Friday

    Fresh Hell for Star Trek's Data: Brent Spiner owes heavenly career to UH"Legacy" of Cecil Pickett

    Tarra Gaines
    Sep 6, 2012 | 1:16 pm
    • Brent Spiner
      Courtesy Photo
    • Spiner as Lt. Commander Data
      StarTrekDesktopWallpaper.com

    There are certainly many ways alumni can support a beloved school, but for successful television, film, and Broadway stars who started out as decidedly unknown theater students at the University of Houston, sometimes the best way to give back is with a song and story.

    In an attempt to do just that, some of the University of Houston’s most celebrated graduates come back Friday for “Legacy: A Celebration of the UH School of Theatre & Dance,” an evening benefiting the scholarship endowment fund named after one of the program’s most beloved professors, Cecil J. Pickett.

    "I’ve done several Broadway shows and off Broadway, movies and television and all that, and I can’t remember an opening night ever being more exciting as they were at Bellaire High School and later at the University of Houston."

    Headlining the evening along with actors and musicians Brett Cullen, Billy Stritch, Robert Wuhl, Sharon Montgomery and Sally Mayes will be film and television actor Brent Spiner. The Houston born and raised actor, probably best known as Star Trek’s Commander Data, chatted with CultureMap by phone shortly before his trip back home.

    Spiner was given some of his first theater lessons while attending Bellaire High School where Cecil Pickett taught before he moved to the University of Houston. When I asked Spiner if that was when he first heard the theatrical siren’s song that "there’s no business like show business," he said no.

    “I think I pretty much knew I wanted to be an actor from the time when I was 3 and fell down the stairs of our house, got a laugh, and thought: 'This is good. I think I’ll keep doing this,' ” he said.

    The Bellaire High connection to UH through Cecil Pickett does not end with Spiner. Both the high school and university count Dennis and Randy Quaid and Cindy Pickett (Cecil's daughter) as alums. When I asked Spiner if he had any theories as how the UH program could produce so many gifted actors, he said in his case he thought it started back at Bellaire with Pickett’s teaching.

    “I think it had a lot to do with Cecil and his encouragement and the fact that we learned a lot from him before we ever got there, and we were just using more and more of it. We had help, too, from Sidney Berger who was running the department at the time,” Spiner described.

    Recounting what an extraordinary time it was, he explained, “I’ve done a lot of theater since I left the school many years ago. I’ve done several Broadway shows and off Broadway, movies and television and all that, and I can’t remember an opening night ever being more exciting as they were at Bellaire High School and later at the University of Houston. It was because we knew we had something good. . .I thought, at the time, it must be like this always but it really isn’t.

    "It was just that Cecil was an incredibly talented director and teacher. When we put on a show, we were pretty certain we were doing something that was going to be entertaining.”

    The Theater Bug

    Though Spiner is most identified with his work in science fiction television and film projects, especially Star Trek, he began in and regularly goes back to the theater. He says he loves all of show business and that “acting is just acting. You do it the same way. It’s just you just talk a little louder in the theater.”

    Though there’s hardly been a time when he was completely off, Spiner is back on television as a reoccurring guest baddie on Syfy’s Warehouse 13. He can also be seen in his own web series Fresh Hell where he plays “Brent Spiner,” a once successful actor whose involvement in a mysterious “incident” leaves him broke and an industry pariah. The episodes are rather short, about 10 minutes, but pack some sharp jabs of satire at Hollywood, celebrity, and the need for an actor to act no matter what.

    “People will email what they think of it from all over the world. You don’t have to wait for reviews or for the package to be sold to another country. It’s there immediately."

    “Basically I had this idea and was working with a director on a project, and I told him the idea. He thought it would be fun to do. He knew a writer he thought would be a great addition to the team and so the three of us kind of sculpted this thing and just did it.

    "That’s the beauty of the web. You can do things on your own and still reach a reasonable audience,” Spiner said, describing the web series’ origins.

    Spiner seems to relish jumping back and forth between varying sized screens of film, television and now web. He especially appreciates the “immediate feedback” the Internet gives to his projects.

    “People will email what they think of it from all over the world. You don’t have to wait for reviews or for the package to be sold to another country. It’s there immediately. I get feedback from Russia, France, China, Germany, everywhere,” he said.

    Spiner is a part of a mini-wave of actors playing ironic versions of themselves, and he makes it look easy, but I wondered if creating a subversive version of "Brent Spiner" was actually a bit of a challenge.

    “It really is,” he explained, “because it’s not really you. It’s an imaginary version of you. In the case of my show, blessedly imaginary. My character, meaning me, has plummeted into the depths of hell, career wise and in regards to the rest of the world, too.

    But underneath the satire, Spiner believes,“there’s a subtext in the piece that there’s another incident, that we never mention, that I committed that is much worse even than the other incident. And that is that I made the mistake of getting old. I think that many people have reached that point in their careers and their lives where they feel they’ve been dismissed from a fraternity they’ve always wanted to be a part of. And in the case of my character, he’s desperate to get back and will do any humiliating thing to try to get back to where he once belonged.”

    While the “Brent Spiner” on Fresh Hell is having trouble getting a job teaching acting to porn stars, Brent Spiner is no doubt assured a warm welcome back to the city and university where he was first taught his craft. He says of Houston, “I know it’s hot. I know it’s humid, but it’s home.”

    "Legacy" takes the stage of UH’s Lyndall Finley Wortham Theatre at 8 p.m. Friday. Until then, take a look at “Brent Spiner” hitting up LeVar Burton for money to open a drama school for porn actors.

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    Movie Review

    28 Years Later: The Bone Temple enhances the zombie franchise

    Alex Bentley
    Jan 15, 2026 | 4:30 pm
    Ralph Fiennes in 28 Years Later: The Bone Temple
    Photo by Miya Mizuno
    Ralph Fiennes in 28 Years Later: The Bone Temple.

    It’s not often that a return to a franchise after years of no activity results in an actual good movie, but 2025’s 28 Years Later proved successful by reuniting director Danny Boyle and writer Alex Garland, who made the original 28 Days Later. Another sequel, The Bone Temple, was filmed back-to-back with last year’s film, with Nia DaCosta taking over for Boyle in the directing chair.

    The movie picks up soon after the end of the first film, with the young Spike (Alfie Williams) now an unwilling member of a group called the Jimmies, which are led by a man who calls himself Sir Jimmy Crystal (Jack O’Connell). Unlike the main group in the first film that was just looking to survive the zombie apocalypse, the Jimmies are a bloodthirsty bunch who gleefully attack any zombies they find and brutalize other survivors they come across.

    The story also returns to Dr. Kelson (Ralph Fiennes), whose solitary time at his self-built bone temple is interrupted by a massive zombie he has dubbed Samson (Chi Lewis-Parry). Against the odds — and with the help of some morphine — Kelson is able to bond with Samson, giving Kelson some strange but welcome companionship. But with the Jimmies lurking nearby, any peace he’s found may soon be shattered.

    DaCosta, working from a script by Garland, ably steps into Boyle’s shoes, putting the emphasis on the story rather than trying for lots of stylistic flourishes. That’s not to say that she doesn’t do great work, however. The creepiness and sadistic nature of the Jimmies comes through loud and clear under her direction, and she brings out the campy comedy that comes from the unexpected pairing of Kelson and Samson.

    Like the first 28 Years Later, the story is somewhat of a slow burn. The film doesn’t have many plot developments over its 109 minutes, and so DaCosta must get by on mood rather than action for the most part. But when things do get ramped up, they can get very uncomfortable as the film does not shy away from extreme gore. The damage inflicted by Samson and other zombies is one thing, but when it’s sentient humans going savage, it becomes even more difficult to look at the screen.

    The juxtaposition between the chaos of the Jimmies and the quiet existence of Dr. Kelson works well for the film. Their separation for the bulk of the story gives them plenty of time to have the characters come into their own. Sir Jimmy Crystal is the ringleader, but Jimmy Ink (Erin Kellyman) gets her own showcase. Samson was already a (literally) big presence from the first film, but this film gives him a degree of humanity that gives the story more depth.

    O’Connell made a big impression as the lead vampire in Sinners, and he’s just as interesting/intimidating here. Fiennes plays a character where being over-the-top is the natural reaction, and yet he keeps Kelson grounded in a number of ways that make him much more than one-note. Lewis-Parry was likely cast for his physique, but he brings out more from a zombie than you’d ever expect. Williams fades into the background a bit after his starring role in the first film, but he’s still strong.

    Releasing The Bone Temple in January was not a great sign given the month’s reputation as a dumping ground for bad movies, but it actually proves to be a great choice. With most other releases being Oscar hopefuls or truly awful films, it stands out for being another compelling entry for the franchise, one that will make anticipation high for whenever the third film in the 28 Years Later series comes out.

    ---

    28 Years Later: The Bone Temple opens in theaters on January 16.

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