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    andy, andy, andy

    CAMH hits the web to bring popular Andy Warhol statue to Houston

    Tyler Rudick
    Sep 9, 2012 | 5:30 pm
    CAMH hits the web to bring popular Andy Warhol statue to Houston
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    The Contemporary Arts Museum Houston is asking for financial support to transport a piece of New York art history to Space City.

    Equipped with a video camera and an online crowd-funding account, CAMH director Bill Arning has mounted a campaign to collect the $32,000 needed to cover the costs of bringing a chromed-out statue of Andy Warhol to the corner of Bissonett and Montrose in late September.

    Designed by artist Rob Pruitt — not to be confused with Robert A. Pruitt of Houston art collective Otabenga Jones — The Andy Monument was commissioned by New York's Public Art Fund to commemorate Warhol's contribution to the city's dynamic downtown cultural scene from the 1960s through the '80s.

    "When I was growing up in New York, Andy sightings were a lways very exciting so this is sort of a special project for me," CAMH director Bill Arning tells CultureMap.

    Unveiled in March 2011, the life-sized silver-colored statue was placed at the northwest corner of Union Square just feet away from the final incarnation of Warhol's Factory studio, which the pop artist used from 1973 until his sudden death in 1987.

    "When I was growing up in New York, Andy sightings were always very exciting so this is sort of a special project for me," Bill Arning tells CultureMap. "I went to high school just around the corner from Union Square. We'd always go over during our lunch break and wait for him to come out of the building. It's funny how it was sort of no big deal at the time."

    Arning remembers a chance encounter with Warhol in the late '70s or early '80s.

    "I used to be friends with Lance Loud from the An American Family documentary on PBS. He was playing with the Mumps at CBGB and called me up, saying Andy was going to be there to hear them. I actually got a chance to meet him and shake his hand. It was amazing. He was just like I'd seen him on TV, very shy and mumbly, but funny and nice."

    And now the museum director will have a chance to meet the pop icon once again … but of course there's the matter of the bill.

    While the CAMH maintains a large and loyal following for its exhibits and parties, temporary art work for the museum's front lawn is a new initiative and has yet to make its way into the institutional budget.

    In light-hearted campaign video, Arning makes his case for The Andy Monument, explaining how the piece became a beloved beacon of public art and how he hopes to recreate that same enthusiasm Warhol fans in Houston.

    "In New York City in Union Square, people used it as a landmark — 'Meet me by the Andy'," he laughs. "People started bringing flowers and little cans of Campbell's soup in tribute. The last time I was there, someone had given Andy a falafel, just in case he got hungry."

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    Movie Review

    Reminders of Him taps into grief, grace, and the power of moving on

    Alex Bentley
    Mar 13, 2026 | 10:30 am
    Maika Monroe and Tyriq Withers in Reminders of HIm
    Photo by Michelle Faye / Universal Pictures
    Maika Monroe and Tyriq Withers in Reminders of HIm.

    Texas author Colleen Hoover has gone from being a popular writer to a full-on celebrity in the 2020s. The new film Reminders of Him marks the third adaptation of her books in just 19 months (a fourth, Verity, is scheduled for release in October 2026). All of her books that have been adapted so far — most notably It Ends With Us — are female-led stories that feature elements of romance and trauma, catnip for studios looking to appeal to the underserved demographic of women.

    Leading the way in this film is Kenna Rowan (Maika Monroe), who returns to her hometown of Laramie, Wyoming after spending years in prison for killing her boyfriend, Scotty (Rudy Pankow), in a car accident. That relationship resulted in a daughter, Diem (Zoe Kosovic), whom Kenna gave birth to while imprisoned and is now being raised by her grandparents, Patrick (Bradley Whitford) and Grace (Lauren Graham).

    Yearning to be a part of Diem’s life, Kenna tries to reconnect with Patrick and Grace, only to be rebuffed by Scotty’s best friend, Ledger (Tyriq Withers), a former NFL player who now owns a local bar. In running interference, Ledger starts to become closer to Kenna, discovering that her tragic mistake shouldn’t be the only thing that defines her.

    Directed by Vanessa Caswill and written by Lauren Levine, the film features mostly surface level examinations of its themes and average performances, yet it winds up being effective thanks to a willingness not to rush through its storytelling beats. The filmmakers take the slow and steady approach toward the coupling of Kenna and Ledger, setting up their bond through a series of heart-to-heart conversations that makes any romance feel earned.

    The majority of the focus is on Kenna reclaiming her place in the world, and on Ledger coming to terms with the fact that the person who killed his best friend is not inherently a bad person. The film definitely could have gone deeper in its explorations of grief and anger, but the sheer amount of time it takes in addressing the characters’ doubts and fears turns out to be sufficient for a film that’s not aiming to be considered a dramatic masterpiece.

    It also helps that Caswill and Levine do a solid job of establishing the variety of characters that inhabit the film. Kenna and Ledger don’t always feel like fully-formed people, but they become so through their interactions with each other and the other townspeople. Lady Diana (Monika Myers), a girl with Down syndrome who lives in Kenna’s apartment complex, and Roman (Nicholas Duvernay), Ledger’s co-worker at his bar, help to broaden the appeal of the two leads.

    Monroe has, to this point, been best known for starring roles in horror films like It Follows and Longlegs. While she does somewhat well in this role, her delivery is often more flat than you’d expect for a character going through what she does. Withers thankfully doesn’t remind viewers of his recent bomb Him, demonstrating a crossover appeal that should serve him well in the future. Whitford and Graham don’t get to do much, but their combined experience gives their roles exactly what is needed.

    It may sound like damning with faint praise, but Reminders of Him is a competently made film that knows how to serve its core audience without insulting anyone who may not automatically be all-in for such a story. The filmmakers don’t try to force any of the key moments down the audience’s throat, and that stands out in a genre that’s not always known for its subtlety.

    ---

    Reminders of Him opens in theaters on March 13.

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