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    Nerd Talk

    When Earth's Mightiest Heroes collide: Justice League and Avengers sequel amongmany superhero projects planned

    John Bumgardner
    Aug 19, 2012 | 6:00 pm
    • DC Comics' Justice League.
    • Marvel Comics' The Avengers.
    • The Avengers v. The Justice League.

    A number of big news items dropped recenctly regarding the futures of our favorite flying, punching and kicking friends on the big screen. The two major comic book houses, DC and Marvel, announced they are making strides to assemble their flagship superhero teams into the biggest and most lucrative franchises in all of Metropolis.

    Marvel already has a huge lead in the race with the success of this summer's Joss Whedon masterpiece, The Avengers, and the slew of projects announced at San Diego ComicCon last month, including sequels to Captain America, Iron Man and Thor and new offerings featuring Ant-Man and The Guardians of the Galaxy.

    I doubt anyone will ever question Whedon's capabilities as a filmmaker of superhero blockbusters, but you can bet the farm that everyone is shaking in their Spandex over the idea of a weekly serialized superhero show.

    Of course, Christopher Nolan's epic conclusion to the Dark Knight trilogy showed DC is not backing down from the challenge, and the preview for the grittier, Nolan-ized reinterpretation of Superman will undoubtedly put the Man of Steel back in contention as America's favorite superhero.

    But, alas, true believers, there's so much more!

    Disney has announced that it has signed Whedon to write and direct the much-anticipated Avengers sequel as well as to develop a scripted, live-action television series featuring Earth's Mightiest Heroes.

    I doubt anyone will ever question Whedon's capabilities as a filmmaker of superhero blockbusters, but you can bet the farm that everyone is shaking in their Spandex over the idea of a weekly serialized superhero show. Will it get bogged down with the melodrama of Heroes or the CGI hokey-ness of some of the Sci-Fi Channel's offerings?

    Thankfully, Whedon started in TV and made one of the most impossible show concepts into arguably the best cult TV series of all time. So we'll keep a cautiously optimistic eye out for this one.

    Over in the DC Universe, the question was finally answered regarding how they plan to respond to Marvel's Avengers gauntlet. And the answer is: gather their own major players, Superman, Batman, Wonder Woman, Green Lantern and the Flash, in their own Justice League film. (Sorry, Aquaman, everyone realized that talking to fish just isn't cool...)

    We've already swallowed the Batman flavored Kool-Aid entirely and will likely do the same with the Superman variety. And while it wasn't the best example of its genre, Green Lantern wasn't half bad. Now Warner Bros. (the distribution arm for DC the same way Disney does it for Marvel) greenlighted studio films for both Wonder Woman and The Flash.

    As the only prominent superheroine in the batch, Wonder Woman has been in negotiations as both a film and a television series for years now, with directors, writers and stars cycling through like revolving doors. Finally, Green Lantern scribe Michael Goldenberg has been attached to this latest project, and the populist boost from The Avengers' skyrocket is finally going to mean that Princess Diana's lasso of truth will finally make it to the big screen.

    The first director Warner Bros. asked to helm the slated 2013 Justice League film is multi-faceted movie expert Ben Affleck. After showing his knack for gritty street drama in The Town, Affleck seems like a risky first choice for this potential blockbuster.

    Sure, he understands conflicted characters and is a major comic book fan, but he's also incredibly Boston-centric and has it written into his contract that he only directs if he can act in the film. And we all saw what happened to Daredevil.

    If he accepts, will this mean that Affleck be playing The Flash in the upcoming solo movie as well? Marc Guggenheim and Michael Green, also of the Green Lantern writing team, are attached to this project that is being directed by Greg Berlanti, so it should turn out at least middling to better.

    It's tough to imagine The Flash going as dark as Batman, so the question then proposed is whether or not The Justice League as a whole will go the route of Nolan's Dark Knight trilogy, or if he will be brought once more out of the shadows. Is America ready to see the caped crusader jumping around with all these spandex tights types?

    Any way you read it, Marvel is definitely capitalizing on their current momentum and catapulting into an impressive lead over their competition. Longtime rival DC has a lot of catching up to do if they're going to make their lasting mark on Hollywood.

    It will be an amazing (astonishing? incredible? uncanny?) race to watch the two teams battle it out for supremacy at the box office. But what will possibly be left over in the aftermath?

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    Awards Season

    CultureMap critic's guide to the 2026 Oscar Best Picture nominees

    Alex Bentley
    Jan 22, 2026 | 2:00 pm
    Michael B. Jordan and Miles Caton in Sinners
    Photo courtesy of Warner Bros.
    Sinners leads all films at the 2026 Academy Awards with a stunning 16 nominations.

    The nominations for the 2026 Academy Awards have been announced, with 10 films vying for Best Picture. Leading the way is Sinners with an astonishing 16 nominations, the most in Oscars history.

    The other top films include One Battle After Another, which earned 13 nominations, and Marty Supreme, Frankenstein, and Sentimental Value, which each got 9 nominations.

    As a refresher, below are links to the full reviews for each of the nominees covered by CultureMap in the past year, as well as brief thoughts on the films and their various nominations.

    Movie fans will have plenty of time to catch up with each of the nominees, as this year's Oscars ceremony will not take place until Sunday, March 15.

    Here's the list of Best Picture nominees, in alphabetical order:

    Bugonia
    Yet another off-the-wall film from director Yorgos Lanthimos features two great performances by Emma Stone (nominated for Best Actress) and Jesse Plemons at its center. Written by Will Tracy (nominated for Best Adapted Screenplay), the conspiracy theory film is alternately brutal and funny as the characters played by Stone and Plemons use their form of power to try to manipulate the other. With a fair amount of intrigue and two great actors going head-to-head for much of its running time, it gives even more Oscar pedigree to its filmmakers and stars.

    F1
    The biggest surprise among the Best Picture nominees has to be the racing movie F1. It was a technical marvel, to be sure, as its nominations in Film Editing, Sound, and Visual Affects attest. But the fact that it has no other nominations in any of the above the fold categories indicates that its other qualities are lacking. As a showcase (aka advertisement) for the sport it depicts, the film works relatively well. As a complete movie, though, there’s not much to recommend, to the point that it almost negates any of the positives that come from the racing scenes.

    Frankenstein (not reviewed)
    Writer/director Guillermo del Toro (nominated for Best Adapted Screenplay) loves himself a monster movie, and he takes on one of the classics with his new version of Frankenstein (now streaming on Netflix). Oscar Isaac plays Victor Frankenstein, who brings to life The Creature, played by Jacob Elordi (nominated for Best Supporting Actor). With a slew of nominations in technical categories, there's a chance this film goes home with a lot of awards at this year's ceremony.

    Hamnet (not reviewed)
    Writer/director Chloé Zhao (nominated for Best Director and Best Adapted Screenplay alongside co-writer Maggie O'Farrell) gets back to her Oscar-worthy skills for the first time since 2020's Nomadland (after the unfortunate detour into the MCU with Eternals). A story about love, loss, and grief involving William Shakespeare and his wife, Agnes, the film is most notable for the performances of its two leads, Jessie Buckley (nominated for Best Actress) and Paul Mescal.

    Marty Supreme
    There was no other movie this year, or maybe even this century, like Marty Supreme. Directed and co-written by Josh Safdie (nominated for Best Director and Best Original Screenplay alongside co-writer Ronald Bronstein), the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives. At its center is the fast-talking, powerhouse performance by star Timothée Chalamet (nominated for Best Actor), who cements his status as his generation’s movie star one year after playing the polar opposite role of Bob Dylan in A Complete Unknown. Look for the film to be a strong contender in the inaugural Best Casting category, as Safdie fills the film with non-actors who are crucial to the film's success.

    One Battle After Another
    Writer/director Paul Thomas Anderson (nominated for Best Director and Best Adapted Screenplay) has an acclaimed career going back 30 years, but has yet to actually win an Oscar. That will change this year, as One Battle After Another is one of the favorites to win Best Picture thanks to Anderson's stellar filmmaking, as well as multiple great performances that earned the film four acting nominations (Leonardo DiCaprio for Best Actor, Teyana Taylor for Best Supporting Actress, and Benicio Del Toro and Sean Penn for Best Supporting Actor). Add in a story with a very timely political critique (that's getting more relevant by the day) and you have the recipe for a big winner on Oscar night.

    The Secret Agent (not reviewed)
    No foreign country has quite the influence on the Oscars as Brazil, which for the second straight year has gotten one of its films nominated for both Best International Feature Film and Best Picture. Written and directed by Kleber Mendonça Filho, the film is anchored by the performance of Wagner Moura (nominated for Best Actor) as a technology expert in the late 1970s who flees from a mysterious past to try to find peace in his hometown.

    Sentimental Value (not reviewed)
    For the third year in a row, two international films made the cut in the Best Picture race (but whither It Was Just an Accident?). Directed and co-written by Joachim Trier (nominated for Best Director and Best Original Screenplay alongside co-writer Eskil Vogt), the film is tied for the most acting nominations this year, earning nods for Renate Reinsve for Best Actress, Elle Fanning and Inga Ibsdotter Lilleaas for Best Supporting Actress, and Stellan Skarsgård for Best Supporting Actor.

    Sinners
    It takes a special kind of filmmaker to make movies that are both popular and Oscar-worthy, and writer/director Ryan Coogler (nominated for Best Director and Best Original Screenplay) has done it again, seven years after helming the Oscar-winning Black Panther. Both a tribute to Black music history and a gnarly vampire movie, the film is led by Michael B. Jordan (nominated for Best Actor) in dual roles as twins Smoke and Stack. With a story infused with all manner of subtext and a bunch of great supporting performances, including Best Supporting Actress nominee Wunmi Mosaku, the film demonstrates Coogler's great filmmaking abilities that should keep him in demand for years to come. Amazingly, there was only one category for which it was eligible in which it did not receive a nomination.

    Train Dreams (not reviewed)
    The second Netflix movie this year to be nominated, Train Dreams is a contemplative film about a logger (played by Joel Edgerton) in early 20th century America who tries to adapt to a rapidly-changing world. Nominated for Best Adapted Screenplay for the script by director Clint Bentley and co-writer Greg Kwedar, the film is most notable for the work done by Adolpho Veloso (nominated for Best Cinematography), who showcases the Pacific Northwest in all its glory.

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