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    Fitz Makeover

    Big changes for iconic Houston concert venue — beer garden, more parking and better bathrooms!

    Elizabeth Rhodes
    Aug 12, 2015 | 10:15 am

    Following last week's announcement that promotion company Pegstar will no longer host shows at Fitzgerald's — believed to be the city's oldest music venue — many Houstonians feared the worst: The venue was shutting down.

    While Pegstar's final show at the beloved venue will in fact take place on August 29, current Fitzgerald's sound engineer Lauren Oakes — who has worked there since 2004 — will take over and supervise major renovations of the building.

    So what exactly is changing?

    According to Fitzgerald's spokesperson Dutch Small, the building, which was constructed in 1918 and owned by Sara Fitzgerald since the early '70s, will be completely gutted and renovated as soon as the current tenant vacates.

    "Fitzgerald's is not going to become an unrecognizably different place," Small adds. "It will still be Fitzgerald's, it just will no longer be grimy and gritty."

    "We're taking out all the 100-year-old wiring and rewiring the whole building," Small says. "We're completely renovating all of the bathrooms and taking all of the rotten wood off of the exterior and replacing it. The second story balcony will be rebuilt and will wrap around the building.

    "We're going to have a beer garden. We're tearing down several of the houses that are adjacent and turning it into a parking, as well as completely resurfacing the entire parking lot. Most importantly to music fans, we're going to have a significant upgrade of the PA system so the sound and the acoustics — the sonic experience — will be vastly superior."

    Other improvements include a better air-conditioning system, an industrial elevator to assist bands with load-in — bands currently have to carry their equipment up a flight of exterior stairs — and a better backstage area to accommodate the artists.

    "Fitzgerald's is not going to become an unrecognizably different place," Small adds. "It will still be Fitzgerald's, it just will no longer be grimy and gritty."

    Concert celebration

    According to Small, a huge celebratory concert — the artists have yet to be announced — will take place when the venue reopens, currently set for October 3.

    "We've got target dates, but there are realities that no one can control surrounding them," he says. "The reality is that we're not in control of the city, we're not in control of the permitting process, we're not in control of what we find within those rotten walls, we're not in control of a whole lot of things that are going to be part and parcel of this restoration process and it could be that we miss our deadline, but I believe that because everyone loves the venue so much, they would rather see a delay in opening than see it done badly or incompletely."

    "It's Houston's live music church," Oakes says. "We're just making it what it always should have been."

    With Austin-based concert promotion group Transmission — known for Fun Fun Fun Fest and more than 700 events around Austin in 2014 alone — will take over booking shows for Fitzgerald's following the venue's reopening. As for the types of shows that the venue will host, you can expect changes, but nothing earth-shattering, according to Small.

    "We know that Fitzgerald's is a sacred place in the city of Houston," Small says. "We have all grown up there, and not just us, but our audience. It's not going to suddenly become a metal club, it's not going to suddenly become a hip-hop club, it's not going to suddenly become an EDM club. It's going to be Fitzgerald's.

    "We will, as a result of our improved facilities, be able to accommodate bigger acts. That's the most noticeable change in the programming is that the names will be somewhat bigger, but also, because we are all personally involved and have great relationships with local artists, the venue will still remain fully engaged in developing local talent."

    As someone who has frequented the venue since the age of 15, I'm personally excited for all of the changes. Who hasn't had a terrible experience in Fitzgerald's bathrooms or worried that their tire might blow out in their miniscule parking lot?

    Yes, things will be different, but Oakes — who said she's been paying attention to what needs to be fixed at the venue for more than a decade — assures that these changes are all for the best.

    "It's Houston's live music church," Oakes says. "We're just making it what it always should have been."

    A big renovation is planned for the iconic club Fitzgerald's.

    Fitzgerald's Houston place exterior
    Photo via fitzlive.com
    A big renovation is planned for the iconic club Fitzgerald's.
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    welcome home, wes

    Wes Anderson's Houston homecoming supports historic theater restoration

    Craig D. Lindsey
    Jul 20, 2026 | 12:30 pm
    Wes Anderson's Houston homecoming supports historic theater restoration

    A fancy, eccentric-looking crowd showed up for the Wes Anderson Homecoming Soirée, held on Friday, July 17, at the Hobby Center for the Performing Arts’s Zilkha Hall.

    Fans of the Houston-born, Oscar-winning auteur paid hundreds of dollars to attend this benefit event. Guys dressed up like characters from The Royal Tenenbaums. Others wore red skull caps and low-top Adidas, like the characters from The Life Aquatic with Steve Zissou. Some people working the event even wore “Lobby Boy” hats, looking like the bellboy character from The Grand Budapest Hotel.

    The people gathered for two reasons: 1) to get a chance to see Anderson in person; and 2) to raise money to renovate and restore the Garden Oaks Theater, a project spearheaded by local nonprofit Arthouse Houston. Top-tier “Founders Experience” ticketholders got a chance to meet Anderson onstage for pics. The St. John's School alum also received a proclamation from Mayor John Whitmire declaring it “Wes Anderson Day.”

    After that, he and actor/fellow SJS alum Michael Maggart (who has appeared in several Anderson films) held a half-hour discussion where they reminisced about making Rushmore here in Houston, Anderson’s days working at the Bookstop on W. Alabama (now a Trader Joe’s), and how he and frequent collaborator Owen Wilson used to sneak into the River Oaks Theatre. (It involved pretending to lose a pair of glasses.)

    Of course, the conversation shifted to Anderson coming back home to support the Garden Oaks project. “I always say you can't build an old building,” Anderson said. “First of all, I mean, a beautiful old place has history, and has people's experiences tied into it, and it has stories involved in it. And I think an old cinema — these things are kind of endangered all over the world, and it's not just an architectural thing. It's not even just a community thing. It's a sort of delivery system for something that’s, to me, deeply important to our country.

    “It’s one thing we can access these things on all these devices,” he continued. “It's a different thing when you go to a place that's designed to help you share the experience of a movie together. It's such a powerful art form. And, anyway, for me, it's worth making a bit of an effort to try to save a place like the Garden Oaks.”

    After the convo, he introduced the quintet of films he curated for the event. (Unfortunately the DCP file for his 2007 short Hotel Chevalier had some technical difficulties and was cut short.) “We wanted to do a screening here, and I don't have a new movie to show,” he said. “I don't have something hot off the presses. So, I thought I'd put together a little something that just was different from what anybody else will see. So it's a sort of mixture… This is just for Texas, this little collection.”

    He eventually left the stage, leaving Arthouse Houston co-founder/director Maureen McNamara and Houston Public Media host Ernie Manouse to auction off perks & gifts and encourage the audience in helping revive another legendary, local movie palace. Among other items, attendees bid for treasures such as a special John Waters backstage VIP experience at his upcoming Christmas Show, dinner with John Cameron Mitchell, and a rare set of photo portraits of a young Anderson and friends, circa Bottle Rocket. Others paid $5,000 for select seats in the future theater and $5,000 to restore one foot of the venue's neon sign.

    Wes Anderson homecoming soiree

    Photo by Alan Nguyen

    Mayor John Whitmire declared Friday as Wes Anderson day in the director's honor.

    So far, the effort has raised approximately $1.3 million of the $4 million required to begin the renovation project. The organization needs to raise $4 million by July 30 for the project to move forward. Those interested in securing naming rights will find more information here.

    “River Oaks has 245 seats,” McNamara informed the crowd. “The Garden has over 700, and that is a place that we don't have in Houston. We have a need for that, for premieres, for performances in your life, for music, for a dynamic learning & exhibition space… So, we're building new on the shoulders of our history. I hope you guys will join us, and we need people to join us in a big way today.”

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