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    Save Our Stages

    Texas independent music venues fight for survival with new legislation

    Johnston Farrow
    Johnston Farrow
    Aug 6, 2020 | 11:30 am

    Struggling through months of shuttered doors and the serious threat of permanent closure, Texas' independent music venues are finding hope in an unlikely place: the United States Congress.

    Two proposed bills, the Save Our Stages Act and RESTART Act, are designed to help music venues stay afloat until the pandemic subsides. Both acts, if passed, will be important steps to save many music spaces that are into five months with no shows, no revenues, and no sign of things getting better.

    For many venues across the country, it's simply too late, with several closing down for good.

    According to a 2019 study by the Texas Music Office, the Texas music industry provides 209,000 permanent jobs, $6.5 billion in earnings, $23.4 billion in annual economic activity, and generates $390 million in annual tax revenues annually. A recent study conducted by the University of Houston's Hobby School of Public Affairs concluded that 90 percent of Austin music venues will close permanently by Halloween without aid.

    The average monthly overhead for a live music venue is $40,000 and many insiders are predicting that large scale shows won't return until 2021, if not longer.

    “I don’t think that would be unique to Austin," says San Antonio-based entertainment lawyer and former band manager, Blayne Tucker, about the UH study. "I think Austin will be hit particularly hard, but I think those en masse closures would extend throughout Texas and nationwide as well. The situation is dire and it’s literally a matter of extinction versus survival.”

    A silent and invisible killer, COVID-19 is not only ravaging the population across the country, but it's slowly decimating many industries that rely on large gatherings of people, and especially those businesses that center on live music. The good news is there is hope for hundreds of Texas establishments thanks to advocacy efforts in Washington that are picking up steam.

    Leading the charge is the National Independent Venue Association, a grassroots, DIY organization of 2,200 independent music venues that started soon after the pandemic forced temporary closures. Tucker, who owns San Antonio area venues such as Limelight, The Mix, Floore's Country Store, and 502 Bar, is co-captain of the Texas chapter of NIVA alongside Austen Bailey, talent buyer for famed Austin haunt Mohawk.

    Other notable Texas members include Houston's Heights Theater, White Oak Music Hall, and Warehouse Live; Austin's Cedar Street Courtyard, The Parish, and Antone's Nightclub; Sam's Burger Joint, Paper Tiger, and Cowboys Dance Hall in San Antonio; and Trees, the Kessler Theater, and Prophet Bar in Dallas.

    "Many of these venues have been around for decades," Bailey tells CultureMap. "We made it through the depression of 2008-2009, but we are now faced with an unprecedented existential threat."

    Donors allowed NIVA to gain a foothold in Washington, D.C. and the organization found a sympathetic ear on Capitol Hill, especially when politicians discovered the potential for long-lasting economic damage, largely due to the connected nature of music venues across the U.S., which act as breeding grounds for local bands, stops for national touring acts as well as serve as non-music event spaces. NIVA got behind the RESTART Act and Save Our Stages Act, both of which are winding their way through the legislative process.

    The RESTART Act is non-industry specific, open to any small business that can show a 25 percent decrease in revenue between 2019 and 2020. Those that qualify are eligible for a forgivable loan up to 90 percent, equivalent to 45 percent of the gross receipts from 2019.

    The Save Our Stages Act defines the criteria of what makes a music venue, such as having a sound engineer or talent booker on staff. The funds allocated to the qualified participants would be paid in the form of grants to cover 45 percent of a venue’s 2019 gross receipts with a budget of $10 billion. The relief package would exclude owners of venues in multiple states and publicly traded companies.

    "We've been mandated by the government to be closed for the greater good of the public," says Edwin Cabaniss, owner of the Heights Theater in Houston and Kessler Theater in Dallas. "We're simply looking for just compensation. We have no means to draw any revenues to speak of if we want to maintain a safe environment until we either find some solution to [COVID-19] like a vaccine or we operate at a 25 to 30 percent capacity range. It's really difficult to make ends meet when you do that."

    Thankfully, the bills are blessed with rare bipartisan support with a vote on both expected in the coming days or weeks. Congress is due to go on summer recess this weekend but odds are legislators will stay in Washington until they negotiate an agreement on COVID relief measures. One unlikely ally for the cause is Republican Texas senator John Cornyn, who is co-sponsoring the Save Our Stages Act with Democrat Minnesota senator Amy Klobuchar under the auspices of helping small business. Senator Cornyn's voting record points to being an ally of musicians, lending his support to artists in the realm of digital rights.

    “Texas is home to a number of historic and world-class small entertainment venues, many of which remain shuttered after being the first businesses to close,” said Sen. Cornyn in a statement provided to CultureMap. “The culture around Texas dance halls and live music has shaped generations, and this legislation would give them the resources to reopen their doors and continue educating and inspiring Texans beyond the coronavirus pandemic.”

    Those tired of watching their favorite artists perform via live stream or those who simply want to support their favorite local venue can lend their support to the Save Our Stages Act by reaching out to representatives via user-friendly system at the NIVA website. After completing the digital letter, the site provides phone numbers to the offices of local representatives should constituents wish to voice their concern for the future of music in Texas.

    "The best thing anyone can do is letting your representative at every level of government — local, state, and federal — know that you support the independent music industry and want to see it survive past this pandemic," Tucker said.

    White Oak Music Hall in Houston is a member of NIVA, the national organization advocating for independent music venues.

    White Oak Music Hall exterior
    Photo by Eric Sandler
    White Oak Music Hall in Houston is a member of NIVA, the national organization advocating for independent music venues.
    politicsclosingsthe-heightsconcertsmusicnightlifefestivals
    news/entertainment

    One More for the Road

    ZZ Top honors late drummer Frank Beard with Austin tribute concert

    Brianna Caleri
    Aug 20, 2026 | 4:30 pm
    ZZ Top
    ZZ Top/Facebook
    ZZ Top will celebrate their late drummer, Frank Beard (middle, after a show in Canada), at one of his favorite venues.

    Texas rock trio ZZ Top will play a tribute to their late drummer, Frank Beard, at their scheduled Austin tour stops at ACL Live at the Moody Theater on August 22 and 23. Beard died Monday, August 17, at 77.

    The band announced Beard's death in a social media statement.

    Lead vocalist and songwriter Billy Gibbons wrote, "Today, Elwood and I lost a great friend and collaborator, and the world lost one of the most naturally innovative drummers and a great and true son of Texas. His signature backbeat was key to keeping ZZ on top."

    ZZ Top canceled performances in Salt Lake City and Colorado Springs following Beard's death. The Austin shows will be the band's first onstage again, offering a fitting time to celebrate the Texas great. A statement on the band's website calls the Austin City Limits stage "one of Frank’s favorite venues and in a city that had been something of a second home for him."

    Beard was born near Tyler in Frankston, Texas, in 1949. He was raised in Irving, outside Dallas, and the band formed in Houston in 1969. The Austin Chronicle reported in 2013 that Beard was then splitting time between a house on Lake Travis, in Austin, and Houston. He died on his ranch in the Houston suburb of Richmond.

    ZZ Top was known for its large performances and elaborate setup, none more so than the Worldwide Texas Tour, which included a Texas-shaped stage and a collection of live Texas animals.

    In 1974, the band left its mark on Austin — for better or worse — at "ZZ Top’s First Annual Texas Sized Rompin’ Stompin’ Barndance & Bar B.Q." at the University of Texas. It was the first, but also the last, since around 80,000 of the band's "friends" trashed the venue, earned the disapproval of the famous Coach Royal, and were ostensibly responsible for the venue not hosting another rock show until 1995. ZZ Top's two encores had 20 years to ring out after the legendary, if infamous show.

    ZZ Top will make their upcoming Austin appearances as part of The Big One! Tour on Saturday, August 22, at 8 pm and Sunday, August 23, at 7:30 pm. Tickets are still available for both shows at acllive.com.

    live musicmusichistorycelebritiesobituaryacl liveconcerts
    news/entertainment
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