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    save the queen

    Back away from Beyoncé: Why the 'thievery' accusation against Houston's queen is totally unfair

    Craig Lindsey
    Jul 29, 2022 | 6:12 pm
    The Queen, on horseback.
    The Queen, on horseback.
    Beyoncé Instagram

    It seems Kelis hates Beyoncé so much right now.

    The R&B/pop singer, best known for the early-aughts hits “Caught Out There” and “Milkshake,” has beef with the one-and-only Queen Bey. On Thursday, July 28, she went on social media to voice her displeasure with not being notified that her song “Milkshake” (from her 2003 album Tasty) was sampled on “Energy,” a song off Beyoncé's latest and wildly anticipated new album Renaissance.

    Queen Bey's album dropped on Friday, July 29 — complete with a tsunami of fan challenges on an TikTok and a custom and official Twitter emoji.

    Kelis was notified of the usage on a fan's Instagram page, eventually commenting on the “level of disrespect and utter ignorance of all 3 parties involved” — referring to Beyoncé and the song's writers/producers, Pharrell Williams and Chad Hugo (aka The Neptunes).

    She later dropped a couple of Instagram videos where she expounded even further. “It’s not a collaboration,” she said. “It’s called thievery because the definition of collaboration means we are working together. There’s no working together if you are not checking in to see if everything’s cool.”

    Here’s what’s important: While it is debatable whether or not Beyoncé should've given Kelis a heads-up about the sample, Sasha Fierce isn’t legally required to do it. Hugo and Williams are the only credited songwriters on “Milkshake,” which makes them the only people who should be notified and credited on “Energy.”

    Seemingly, this has more to do with Kelis's beef with Williams and Hugo than with her issue withd Beyoncé. A couple of years ago, Kelis did an interview with The Guardian where she stated how much the superstar beatmakers, who produced all of her first two albums and some songs on Tasty, and their management lied to her during those days.

    “I was told we were going to split the whole thing 33/33/33, which we didn’t do,” she said, also mentioning that she made no money off her first two albums. “Their argument is: ‘Well, you signed it.’ I’m like: ‘Yeah, I signed what I was told, and I was too young and too stupid to double-check it.’”

    Kelis isn't the only Black singer to be surprised that one of her hits has been recently sampled by Beyoncé. Robin S. found out from her son that her 1990 dance hit “Show Me Love” was sampled on “Break My Soul.”

    However, unlike Kelis, Robin (who didn't write or produce the song) wasn't offended by the lack of notification. In fact, she was pleased that Beyoncé, well, showed her love. “Thank you so much for giving me my flowers while I’m still alive,” she said in an interview.

    Sure, Kelis has every right to be upset with collaborators who screwed her over in the past. But, she shouldn't be mad at another artist — namely The Queen — for sampling one of her songs and properly crediting the writers and producers, so all of this won't legally blow up in her face.

    Besides, Kelis really doesn't want any smoke with the BeyHive. (Does someone need to remind her of Keri Hilson?)

    Beyoncé is being accused of not crediting an artist on her new album.

    Beyonc\u00e9 Renaissance album cover
    Beyoncé/Instagram
    Beyoncé is being accused of not crediting an artist on her new album.
    musiccelebrities
    news/entertainment

    Riley Green review

    Country singer Riley Green kicks off RodeoHouston with Toby Keith tribute

    Craig Hlavaty
    Mar 2, 2026 | 10:39 pm
    Riley Green RodeoHouston concert 2026
    Courtesy of Houston Livestock Show and Rodeo
    Country singer Riley Green opened RodeoHouston on Monday, March 2.

    Looking like a member of the Dutton clan that grew tired of the ranching business and got really into Toby Keith and duck hunting, Riley Green opened the 2026 edition of the Houston Livestock Show and Rodeo on Monday, March 2 in front of 59,250 attendees.

    The Alabama native and former college football quarterback — because of course he was — strikes a starched jeans balance between the tender, woo-pitchin’ of guys like Merle Haggard and George Jones and the deep, blinding romance of neo-traditionalists Tracy Lawrence and fellow 2026 RodeoHouston performer Tim McGraw, with a cowboy hat resting over his epic flow.

    Speaking of the Taylor Sheridan Television Universe (the TSTU), Green will soon be seen on the Sheridan-produced Yellowstone spin-off series Marshals, which premiered on CBS this past weekend, as a troubled former Navy SEAL.

    The ACM New Male Artist of the Year for 2020, the 37-year-old didn’t get around to playing RodeoHouston until just last year. When Green isn’t in a recording studio, performing onstage, starting a duck hunting brand, or conspicuously vacationing with his shirt off in a tropical climate near other young country stars, he retreats to his farm or deep into a far-flung swamp on a hunting excursion. That being said, if I ever start a country punk band, I’m going to call it Riley Green’s Forearms, because they seem to attract audiences as much as his music.

    Green’s show kicked off just after 9:20 pm with the man himself blowing into a duck call and launching into “Different ‘Round Here,” luckily out of earshot of any ducklings NRG Center potentially bedding down for the night.

    “Hell Of A Way To Go” came with a mid-song disclaimer that it was his grandfather who was a fan of Alabama football, lest any alumni in the crowd get things twisted, before switching it to up Texas.

    Green honored his mentor, Jamey Johnson, with a widescreen cover of the woolly singer-songwriter’s timeless “In Color”. Green’s earliest work was heavily influenced by Johnson, and the pair have become lasting friends.

    He and fellow country star Ella Langley have become inexorably linked since their 2024 chart-topping duet "You Look Like You Love Me” like a nu-country Conway and Loretta. Sadly, there was no convertible riding out onto the rodeo dirt with Langley riding shotgun to jump into the duet, but the female audience members filled in admirably in her stead. "There Was This Girl," his gold-certified debut single, followed it up.

    The late Toby Keith got some shine with a medley of his hits, including Green taking a turn at Keith’s 2002 anthem "Courtesy of the Red, White and Blue," which has earned something of a resurgence due to the USA hockey team singing it at the Winter Olympics.

    Green slowed things down and took a break on a stool for “Jesus Saves” and “Don’t Mind If I Do,” showing off his solo acoustic chops.

    The smoldering bedroom romp “Worst Way” got the biggest squeals of the night, with tall boys hoisted over cowboy hats, while his 2019 hit, "I Wish Grandpas Never Died" — the triple-platinum tribute to his late grandfathers, Lendon Bonds and Buford Green — brought the waterworks and a sea of smartphone flashlights through the stadium.

    Green made his way out of the building with his band’s take on Alabama’s “Dixieland Delight,” jumping into a Ford pickup and into a few thousand fans’ dreams.

    Setlist

    Different ‘Round Here
    Change My Mind
    Hell of a Way To Go
    In Color (Jamey Johnson cover)
    You Look Like You Love Me
    There Was This Girl
    Toby Keith Tribute Set


    • I Should’ve Been A Cowboy
    • Courtesy of the Red, White & Blue

    Jesus Saves
    Don’t Mind If I Do
    Worst Way
    I Wish Grandpas Never Died
    Bury Me in Dixie / Dixieland Delight

    Riley Green RodeoHouston concert 2026

    Courtesy of Houston Livestock Show and Rodeo

    Country singer Riley Green opened RodeoHouston on Monday, March 2.

    rodeohoustonconcert review
    news/entertainment

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