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    THIS BAND IS ON FIRE

    Shove off Lynyrd Skynyrd: Kings of Leon are the new lords of Southern rock

    Michael D. Clark
    Jul 30, 2011 | 12:04 am
    • Kings of Leon lead singer Caleb Followill
    • Kings of Leon
      Photo courtesy of Kings of Leon

    I would never claim to have the powers of omnipotence and foresight of a Nostradamus, but after perusing some old articles I wrote about rockers Kings of Leon, I have to believe I'm at least as reliable a prophet as faux-Caribbean fortune teller Miss Cleo.

    Check this out:

    For (Kings of Leon's) second album "Aha Shake Heartbreak," Tennessee's Followill brothers (guitarist Caleb, bassist Jared and drummer Nathan) and their cousin (guitarist Matthew) faced a decision: Lose a little twang, move toward the rock 'n' roll mainstream and work on being this generation's version of the Black Crowes or stay rootsy and continue to be underground darlings like My Morning Jacket.

    The Kings appear to have chosen national prominence, though on "Aha Shake Heartbreak" it feels like they're still trying to learn the language.

    - Michael D. Clark, March 6, 2005, Houston Chronicle

    Wow!!! Talk about hitting the nail on the head? What vision. What astute analysis.

    (Now, before you rip me for patting myself on the back, keep in mind that I am well aware of the many band predictions that I have whiffed on over the years too. I'm just not going to republish them for the good readership of CultureMap to see.)

    The Kings of Leon are now quite fluent in the language of rock 'n' roll icons. What I did get wrong, however, back when I was a wee lad of 30ish was the notion that the group's best hope was to rise to the level of the Black Crowes. Never in my wildest dreams did I imagine that that this little family band from Nashville would be redefining the Southern rock experience in the 21st century.

    Then again, that was three years before lead singer Caleb Followill had wrapped his hiccuping nasal tenor around future No. 1 alt-rock hits "Use Somebody" and "Sex on Fire." And it was long before Kings of Leon found radio success again with more recent singles "Radioactive" and "Pyro" from the group's most recent album, Come Around Sundown.

    Never did I think we would talking about Kings of Leon as a band who had sold around seven million albums around the world and had no problem filling amphitheaters as the band will do at the Cynthia Woods Mitchell Pavilion on Saturday.

    Even more amazing is that these four Kings have managed to pillage the rock 'n' roll kingdom with a blend of Southern rock rootsiness and arena rock flourishes and have done it all with all the bravado and hubris of a Christian folk band. I did a broad web search in an effort to track down dirt on any member of the Kings of Leon. The worst offense I could find was a story about bassist Jared Followill being briefly detained at Bonnaroo last year after driving a golf cart around with a cocktail on board.

    That's it? That's the rock 'n' roll equivalent of jaywalking.

    Needless to say the Kings of Leon are well on their way to equaling the success of fellow Southern power band The Black Crowes. With a few more hits (and a little more tabloid-savvy), the band might start inching closer to the kings of that genre: Lynyrd Skynyrd and The Allman Brothers.

    I'll check back in six years and see how that prediction is working for me.

    Kings of Leon

    7 p.m. Saturday at Cynthia Woods Mitchell Pavilion

    Tickets: $36.50-$60.50

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    Riley Green review

    Country singer Riley Green kicks off RodeoHouston with Toby Keith tribute

    Craig Hlavaty
    Mar 2, 2026 | 10:39 pm
    Riley Green RodeoHouston concert 2026
    Courtesy of Houston Livestock Show and Rodeo
    Country singer Riley Green opened RodeoHouston on Monday, March 2.

    Looking like a member of the Dutton clan that grew tired of the ranching business and got really into Toby Keith and duck hunting, Riley Green opened the 2026 edition of the Houston Livestock Show and Rodeo on Monday, March 2 in front of 59,250 attendees.

    The Alabama native and former college football quarterback — because of course he was — strikes a starched jeans balance between the tender, woo-pitchin’ of guys like Merle Haggard and George Jones and the deep, blinding romance of neo-traditionalists Tracy Lawrence and fellow 2026 RodeoHouston performer Tim McGraw, with a cowboy hat resting over his epic flow.

    Speaking of the Taylor Sheridan Television Universe (the TSTU), Green will soon be seen on the Sheridan-produced Yellowstone spin-off series Marshals, which premiered on CBS this past weekend, as a troubled former Navy SEAL.

    The ACM New Male Artist of the Year for 2020, the 37-year-old didn’t get around to playing RodeoHouston until just last year. When Green isn’t in a recording studio, performing onstage, starting a duck hunting brand, or conspicuously vacationing with his shirt off in a tropical climate near other young country stars, he retreats to his farm or deep into a far-flung swamp on a hunting excursion. That being said, if I ever start a country punk band, I’m going to call it Riley Green’s Forearms, because they seem to attract audiences as much as his music.

    Green’s show kicked off just after 9:20 pm with the man himself blowing into a duck call and launching into “Different ‘Round Here,” luckily out of earshot of any ducklings NRG Center potentially bedding down for the night.

    “Hell Of A Way To Go” came with a mid-song disclaimer that it was his grandfather who was a fan of Alabama football, lest any alumni in the crowd get things twisted, before switching it to up Texas.

    Green honored his mentor, Jamey Johnson, with a widescreen cover of the woolly singer-songwriter’s timeless “In Color”. Green’s earliest work was heavily influenced by Johnson, and the pair have become lasting friends.

    He and fellow country star Ella Langley have become inexorably linked since their 2024 chart-topping duet "You Look Like You Love Me” like a nu-country Conway and Loretta. Sadly, there was no convertible riding out onto the rodeo dirt with Langley riding shotgun to jump into the duet, but the female audience members filled in admirably in her stead. "There Was This Girl," his gold-certified debut single, followed it up.

    The late Toby Keith got some shine with a medley of his hits, including Green taking a turn at Keith’s 2002 anthem "Courtesy of the Red, White and Blue," which has earned something of a resurgence due to the USA hockey team singing it at the Winter Olympics.

    Green slowed things down and took a break on a stool for “Jesus Saves” and “Don’t Mind If I Do,” showing off his solo acoustic chops.

    The smoldering bedroom romp “Worst Way” got the biggest squeals of the night, with tall boys hoisted over cowboy hats, while his 2019 hit, "I Wish Grandpas Never Died" — the triple-platinum tribute to his late grandfathers, Lendon Bonds and Buford Green — brought the waterworks and a sea of smartphone flashlights through the stadium.

    Green made his way out of the building with his band’s take on Alabama’s “Dixieland Delight,” jumping into a Ford pickup and into a few thousand fans’ dreams.

    Setlist

    Different ‘Round Here
    Change My Mind
    Hell of a Way To Go
    In Color (Jamey Johnson cover)
    You Look Like You Love Me
    There Was This Girl
    Toby Keith Tribute Set


    • I Should’ve Been A Cowboy
    • Courtesy of the Red, White & Blue

    Jesus Saves
    Don’t Mind If I Do
    Worst Way
    I Wish Grandpas Never Died
    Bury Me in Dixie / Dixieland Delight

    Riley Green RodeoHouston concert 2026

    Courtesy of Houston Livestock Show and Rodeo

    Country singer Riley Green opened RodeoHouston on Monday, March 2.

    rodeohoustonconcert review
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