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solange comes home

Solange kicks off international tour of cutting-edge new film at Museum of Fine Arts, Houston

Craig Lindsey
Jul 15, 2019 | 2:30 pm
Solange When I Come Home headshot
Solange is coming home.
Solange/Facebook

Singer, songwriter, visual artist, and little sister to you-know-who, Solange Knowles will launch a new tour this week, beginning right here in Houston. But she won't be singing — at least not live.

Knowles will be sending an extended director's cut of her interdisciplinary performance art film When I Get Home to museums and contemporary arts institutions all across the U.S. and Europe.

It all starts on Wednesday, July 17, at the Museum of Fine Arts, Houston at 5:30 pm. (This actually goes well with the museum's latest exhibition, Icons of Style: A Century of Fashion Photography, which also features photos of both Knowles sisters.)

Knowles directed and edited the film, which debuted earlier this year on Apple Music along with her latest album (also titled When I Get Home). She collaborated with fellow filmmakers (including her husband, music-video director Alan Ferguson) and featured art from Houston artists Autumn Knight and Robert Pruitt.

The director's cut — which is eight minutes longer than the 33-minute original — will feature new scenes and musical arrangements, expanding on the film's exploration of origin and spiritual expedition.

“When I was younger I would fear what the people called the Holy Spirit and what it would do to the men and women around me," Knowles says in a press release. "I never wanted it to catch me, and was terrified on how it might transform me if it did! Much of this film is a surrendering to that fear. After a really tough health year and the loss of the body that I once knew, the film is an invitation for that same spirit to manifest through me and the work I want to continue to create.”

After the Houston showing, Home will hit such spots as New York's Brooklyn Museum, Dallas' Nasher Sculpture Center, the Los Angeles County Museum of Art (LACMA), and Maison Européenne de la Photographie in Paris, before ending its run in Marfa, Texas, as part of Chinati Weekend.

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Movie Review

An all-star cast delivers clever laughs in new comedy The Invite

Alex Bentley
Jul 10, 2026 | 2:30 pm
Olivia Wilde, Seth Rogen, Penelope Cruz, and Edward Norton in The Invite
Photo courtesy of A24
Olivia Wilde, Seth Rogen, Penelope Cruz, and Edward Norton in The Invite.

Once upon a time, well before scandal embroiled him, Woody Allen made great comedies aimed at adults. That type of film — which is different from the raunchy, R-rated comedies of the 21st century — has fallen out of favor in Hollywood, but as the new film The Invite proves, when done well it can be as funny as anything else out there.

Joe (Seth Rogen) and Angela (Olivia Wilde) are an unhappily married couple living in San Francisco. As we meet them, Joe has arrived home to Angela preparing for a visit from their upstairs neighbors, Hawk (Edward Norton) and Piña (Penélope Cruz), who have moved in relatively recently. Their impending arrival starts a new round of arguing between Joe and Angela, something they can barely contain once the other couple comes to their door.

What proceeds is a getting-to-know-you process that is mostly awkward as Joe and Angela continue sniping at each other while Hawk and Piña put in their two cents in a much calmer manner. A sticking point between the two couples — the loud sex Hawk and Piña have on an almost nightly basis — turns the film on its head with an unexpected invitation.

Directed by Wilde and written by Will McCormack and Rashida Jones, the film is a fast-paced chamber piece that takes place almost entirely in Joe and Angela’s apartment. Wilde, the writers, and the actors speed the story along not with action but through almost non-stop dialogue that often has the characters overlapping each other’s lines. The rapidity of the speech fuels the humor of the situation and establishes the differing personalities of each person.

Sex is very much top of mind for each of the characters for most of the film, but the filmmakers approach the topic in such a way that it never feels salacious. Each of the characters is a rational adult who can talk about sex in a mature manner while also acknowledging their unique feelings on the matter. And it’s the discoveries each of them makes along the way that brings about the most comedy.

But, like any comedy for adults, the film also has a dramatic tilt to it, and Wilde edges the story back-and-forth between the two tones extremely well. Joe and Angela fighting is played for laughs at times, but the sadness of their relationship comes through loud and clear. Hawk and Piña are much more intimate with each other, but the funniness of their openness is juxtaposed with a depth that arises through their conversations.

In the 2020s, Rogen has managed to make the transition from goofy stoner to stoner with real acting chops. In a stacked cast, he is the one who sells every moment the best. That’s not to say that Wilde, Norton, and Cruz don’t measure up, though; each of them inhabits their respective roles magnificently. The four actors play off each other as if they had been working together for years.

While The Invite will likely play better to those who have experience with long term relationships, its insights — and occasional bawdiness — make it a comedy that can be appreciated universally. With four actors at the top of their games and a razor-sharp script made even better by some well-done improv, it proves that you don’t need to go low to get great laughs.

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The Invite is now playing in theaters.

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