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    Live Music Now

    These are the 7 best concerts in Houston this week

    Johnston Farrow
    Johnston Farrow
    Jul 2, 2019 | 9:20 am
    ACL Austin City Limits Music Festival 2016 Young the Giant
    Young the Giant is at White Oak Music Hall on Sunday, July 7.
    Photo by Daniel Cavazos

    There's nothing more American than celebrating its independence with some cold brews while taking in a show on a hot summer's day. That's exactly what music fans will get this week, with several high-profile shows set at outdoor venues featuring some of the best and brightest rising talents on the tour circuit right now.

    CultureMap's biggest, best, and most notable shows of the week are:

    Freedom Over Texas
    The official Houston Fourth of July party, Freedom Over Texas, is back with all you need to celebrate the country's independence from royal rule. This is the 30th year the City of Houston has held fireworks and music in Eleanor Tinsley Park and Sam Houston Park, and the always family friendly event usually features some decent talent.

    This year, it's country star Jake Owen and multimedia star Kellie Pickler. Owen has hit No. 1 on the country charts six times for hits such as "Barefoot Blue Jean Night," "Alone with You," and "The One That Got Away." His last No. 1 album was the aptly named 2016 album American Love. Pickler gained fame on reality TV, first on American Idol, then as the winner of Dancing with the Stars with partner Derek Hough. She currently hosts the TV show Pickler & Ben.

    Freedom Over Texas takes place at Eleanor Tinsley Park, located at 18-3600 Allen Pkwy., on Thursday, July 4. Tickets are $8 before July 3, $10 on the day of the show. Gates open at 4 pm.

    Pat Green at 4th Fest
    Texas country fans looking for fun and fireworks will feel at home in New Caney this Fourth of July as part of that fast-growing community's 4th Fest at Valley Ranch Town Center. The dream of developers is for the grassy knoll hosting the event to become the next Cynthia Woods Mitchell Pavilion, with plans to build a 16,000-capacity amphitheater on the same spot. For now, attendees of this patriotic bash will gather to take in some fine Texas country talent, headlined by a Lone Star favorite in Pat Green, along with a barbecue cook-off, cirque acts, and fireworks at 9:45 pm.

    Pat Green headlines the 4th Fest celebration at Valley Ranch Town Center, located at 11985 TX-99 in New Caney, on Thursday, July 4. Max Stalling, Jody Booth, and JB & The Moonshine Band open. Tickets are $25, plus fees. Gates open at 2 pm.

    Houston Symphony does Queen
    "Bohemian Rhapsody" gets the symphonic treatment when the Houston Symphony takes on the best of Freddie Mercury and company with a night of Queen songs. This one will feature a rock band accompaniment and a singer belting out the many hit songs, including "We Will Rock You," "We Are the Champions," "Bicycle Race," "Somebody to Love," and more. Call this performance a warm-up for the real thing: Queen (guitarist Brian May and drummer Roger Taylor) will perform with Adam Lambert at Toyota Center later this month.

    The Houston Symphony plays the music of Queen at Jones Hall, located at 615 Louisiana St. on Friday, July 5, and Saturday, July 6. Tickets start at $43, plus fees. Show starts at 7:30 pm.

    Charly Bliss brings the buzz to HOB
    One of the buzziest bands on the alt-rock circuit, the Connecticut-based Charly Bliss first made waves with their power-pop 2017 debut, Guppy, but made an even stronger artistic statement with this year's follow-up, Young Enough, which critics are hailing as one of the year's best.

    Making music in the vein of mid-'90s alt-rock, the band has opened for bands like Sleater-Kinney, Death Cab for Cutie, and Veruca Salt. They've taken on a much bigger sound with Young Enough, more pop leaning and much bigger in sound, the melodies and guitar crunch complementing the vocals of lead singer Eva Hendricks. Take a listen to "Capacity" or "Hard to Believe" as evidence.

    Charly Bliss headlines the Bronze Peacock at House of Blues, located at 1204 Caroline St., on Friday, July 5. Emily Reo opens. Tickets are $15, plus fees. Doors open at 7 pm.

    Summer Block Party in The Woodlands
    Now this is how you do an R&B and soul throwback show. According to the Cynthia Woods Mitchell Pavilion site, the Summer Block Party has sold out every year since 2015. Based on the line-up, this year will likely be no exception with Grammy Award winner Jill Scott headlining, joined by the smooth sounds of '90s megastars Boyz II Men, and multi-platinum singer Faith Evans, former wife of the Notorious B.I.G.

    Scott was first discovered by The Roots in the late-'90s and went on to collaborate with some of the biggest names in the genre, later winning two Grammys and hitting No. 1 twice behind her soulful sound and personal lyrics. She will be joined by another Philly act that rocketed to stardom in Boyz II Men, who at one point were one of the biggest acts in the world, producing megahits "Motownphilly," "End of the Road," and "On Bended Knee," and essentially paving the way for the late-'90s boy band explosion. Meanwhile, Faith Evans shot to stardom following the death of her hip-hop star husband with the tribute song "I'll Be Missing You" but later establishing her cred as a vocal force on future albums.

    Jill Scott, Boyz II Men, and Faith Evans are at Cynthia Woods Mitchell Pavilion, located at 2005 Lake Robbins Dr. in The Woodlands, on Saturday, July 6. Tickets start at $29.50, plus fees. Gates open at 5 pm.

    CultureMap show of the week: Santana
    "It's hard to say what makes a man a legend — until you see him at work." That's what we wrote following one of the best RodeoHouston performances this past year by Santana. Thankfully, the Latin guitar hero returns to the Houston area for an encore, extended performance with his exciting and electrifying band of high caliber musicians, that surely will have the audience grooving along to 50 years(!) of hits.

    Santana's back with the new release Africa Speaks, but it's his long and varied catalog in addition to his next-level skills that will put people in seats. And no doubt, there'll be plenty of doobies at the show. The Doobie Brothers, that is, as the classic rock group makes the perfect complementary act next to Santana's fret-slaying heroics.

    Santana returns to Houston to play the Cynthia Woods Mitchell Pavilion, located at 2005 Lake Robbins Dr. in The Woodlands, on Sunday, July 7. The Doobie Brothers will also perform. Tickets start at $47, plus fees. Gates open at 5:30 pm.

    CultureMap recommends: Fitz the Giant?
    Fans of high energy alt-rock will get their fill with the co-headline lawn show featuring Fitz and the Tantrums and Young the Giant. Both acts have been survivors in an age when many audiences have left this type of music behind. But both are exceptions, producing some of the catchiest pop-rock songs of the last decade.

    Fitz got a huge boost by being named by Ellen DeGeneres as one of her favorite bands and later using the song "The Walker" for promos during her run as an Oscars host. Young the Giant scored a hit with the propulsive 2011 song "My Body" and are on a similar run with their latest, "Superposition (In the Open)," from their latest album, Mirror Master.

    Fitz and the Tantrums and Young the Giant co-headline the lawn at White Oak Music Hall, located at 2915 N. Main St., on Sunday, July 7. Tickets start at $45, plus fees. Gates open at 5 pm.

    Country star Jake Owen headlines Freedom Over Texas on Thursday, July 4.

    Jake Owen Freedom Over Texas lineup
    Photo courtesy of Freedom Over Texas
    Country star Jake Owen headlines Freedom Over Texas on Thursday, July 4.
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    Movie Review

    Over-the-top acting and incoherent plot drag down Her Private Hell

    Alex Bentley
    Jul 23, 2026 | 3:00 pm
    Sophie Thatcher in Her Private Hell
    Photo courtesy of Neon
    Sophie Thatcher in Her Private Hell.

    Danish filmmaker Nicolas Winding Refn is not someone who plays nice with the general film world. His 2011 film Drive introduced him to American audiences in a big way, but that pulsating thriller was followed up with artier films like Only God Forgives and The Neon Demon that eschewed coherent plots in favor of moody, atmospheric pieces.

    Winding Refn, who hasn’t made a feature film in 10 years, has gone fully down the rabbit hole with Her Private Hell. Taking place in a liminal space that kind of resembles Earth but also feels like someone’s dreams/nightmares, the film focuses on Elle (Sophie Thatcher), an actor currently starring in a sci-fi film. Staying at a hotel with newcomer Hunter (Kristine Froseth), the two bond over their shared passion and the legend of Elle’s father, Johnny Thunders (Dougray Scott), who’s now married to Elle’s friend Dominique (Havana Rose Liu).

    After spending a good amount of (mostly incomprehensible) time with that group, Refn introduces Private K (Charles Melton), who seems to be living in post-World War II Japan. He is looking for his daughter, who might have been taken by a mysterious figure known as “Leatherman,” and he will stop at nothing to find her, fighting whoever stands in his way.

    It becomes clear almost right away that Winding Refn has no desire to engage in traditional storytelling in this film. The main characters wander through neon-drenched streets and buildings, which are often surrounded by a mist that is referred to on multiple occasions but never explained. Everyone speaks as if in a constant state of wonderment, and there are many moments where it’s unclear if events are actually happening, part of a movie-within-a-movie, or something else entirely.

    Unlike his previous films, Winding Refn has taken the characters in this film completely out of the real world, with every scene taking place in a sparsely decorated room or street that is obviously a movie set. While there are moments where this decision really works, especially the striking first shot of a human-like figure mixed in with a cityscape and clouds, most of the time it only adds to the stilted nature of the film as a whole.

    In fact, the entire movie has the feel of an avant-garde theater exercise. Every actor seems to be trying to outdo the others with awkward performances and out-sized reactions. Two very specific characters make appearances in both sides of the story for seemingly no reason other than to inject their weirdness into both spaces. The shocking violence that crops up on occasion would have more of an impact if it was related to anything intelligible.

    Thatcher (Companion) and Liu (Tuner) are among the young stars who have had breakout moments in recent years, but neither of them is served well by this hot mess of a movie. They, along with Melton, still demonstrate the talent they possess, but the oddity of the film weighs them down. Scott makes an impression for all the wrong reasons, while Froseth is called upon to play a character who might as well not be there at all.

    If there’s any kind of message that Winding Refn was trying to convey with Her Private Hell, it’s lost among the flashing lights, overload of pink, and jewel-like structures. Filmmakers who try to make art for art’s sake have a place in the world, but this film too often feels like people are making things up as they go, with no real goal in mind.

    ---

    Her Private Hell opens in theaters on July 24.

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