july on the rooftop

Houston's rooftop and drive-in cinema reveals scorching July lineups

This pandemic summer is more horror than comedy, but one Houston-area movie purveyor is doing its best to salvage July entertainment during COVID-19 and social distancing.

Rooftop Cinema Club has unveiled its summer lineup at its original rooftop venue at BLVD Place in Uptown Houston and the popular Drive-In at Sawyer Yards. The new listings extend the summer schedule through August 2. Meanwhile, Sawyer Yards now features $20 “Late Night Date Night” tickets on weekdays.

The movie club will continue to host its $5 Community Screenings for those impacted by COVID-19 and also those in support of Black Lives Matter. All proceeds from its first film every Monday will be donated directly to the Houston Food Bank and to the Black Lives Matter organization, according to a press release.

Guests can check the film program online for the “Community Screening” banner to find those events and book tickets.

Tickets for the Drive-In at Sawyer Yards start at $28 per vehicle, regardless of occupancy. New for July, Rooftop Cinema is offering “Late Night Date Night” tickets for $20 per vehicle (maximum 2 people) for the second screenings on Sunday through Thursday. Guests have the option to bring their own snacks, choose to order concessions from Rooftop Cinema Club, or food from on-site food trucks all done online for a safe, contactless, experience.

Doors open at 7:15 pm, with the first of two showings each night starting at 8:30 pm. Here is the complete July schedule for Sawyer Yards.

July 1 - Shrek; Pretty Woman
July 2 - The Lego Movie; Boyz N the Hood
July 3 - Jurassic Park; The Terminator
July 5 - Grease; Girls Trip
July 6 - The Muppets (Community Screening); Rocketman
July 7 - Toy Story 4; If Beale Street Could Talk
July 8 - Stand By Me; The Shining
July 9 - The Sandlot; Do the Right Thing
July 10 - The Goonies; Friday
July 11 - Jurassic Park; Con Air
July 12 - Poetic Justice
July 13 - Moana (Community Screening); Grease
July 14 - The Breakfast Club; Bridesmaids
July 15 - How to Train Your Dragon: The Hidden World; A Nightmare on Elm Street
July 16 - The Princess Bride; Knives Out
July 17 - The Lost World: Jurassic Park; Casablanca
July 18 - The Lion King (2019); Eternal Sunshine of The Spotless Mind
July 19 - Grease; Pretty Woman
July 20 - Sister Act (Community Screening); What's Love Got to Do With It
July 21 - The Sandlot; Crazy, Stupid, Love
July 22 - Hocus Pocus; Poltergeist
July 23 - Finding Dory; Grease
July 24 - Friday
July 25 - Love Jones
July 26 - Up; Breakfast at Tiffany's
July 27 - Beauty and The Beast (Community Screening); Purple Rain
July 28 - Grease; Set It Off
July 29 - Friday the 13th
July 30 - Frozen II; Poetic Justice
July 31 - Space Jam; Fight Club
August 1 - The Goonies; Beverly Hills Cop
August 2 - The Sandlot; Dirty Dancing

New for July, Rooftop Cinema at BLVD Place has added a second screening after 11pm on Fridays and Saturdays. Tickets start at $17 per person for a one-person lounge seat. Tickets for couples, or anyone looking for a roomier loveseat, plus large popcorn, are $24 per person. Student discounts are also available starting at $15.30 per ticket, with valid I.D. required the night of the event.

Here is the full July schedule for the BLVD Place Rooftop venue:

July 6 - Breakfast at Tiffany's
July 7 - Do the Right Thing
July 8 - Hustlers
July 9 - You've Got Mail
July 10 - If Beale Street Could Talk; The Rocky Horror Picture Show
July 11 - Once Upon A Time… In Hollywood; A Nightmare on Elm Street
July 12 - The Breakfast Club
July 13 - Armageddon
July 14 - Jaws
July 15 - The Great Debaters
July 16 - The Notebook (Open Caption)
July 17 - Love Jones; Raising Arizona
July 18 - Grease; The Craft
July 19 - Clueless
July 20 - The Farewell
July 21 - Selena
July 22 - Hustle & Flow
July 23 - Dirty Dancing
July 24 - When Harry Met Sally; The Room
July 25 - The Great Gatsby; Friday the 13th
July 26 - The Wood
July 27 - Sweet Home Alabama
July 28 - The Sandlot
July 29 - Pulp Fiction
July 30 - Grease (Sing-Along)
July 31 - Dazed and Confused; Friday
August 1 - Love and Basketball; Death Becomes Her
August 2 - Pretty Woman (Open Caption)

Drive up and chill at Sawyer Yards.

Photo courtesy of Rooftop Cinema Club

Drive up and chill at Sawyer Yards.

movies

Movie Review

Margot Robbie ignites provocative new take on Wuthering Heights

Photo courtesy of Warner Bros. Pictures

Jacob Elordi and Margot Robbie in Wuthering Heights.

Emily Brontë’s 1847 novel Wuthering Heights is one of those classic books assigned in high school English classes, and it has received a number of film adaptations over the years — each of which differ in numerous ways from the source material. Purists won’t receive any reprieve from Emerald Fennell’s 2026 adaptation, with a title that is stylized as "Wuthering Heights” for good reason.

Cathy (played as an adult by Margot Robbie) and Heathcliff (Jacob Elordi) have known each other their entire lives, with Cathy’s alcoholic and inveterate gambler father (Martin Clunes) taking in Heathcliff on a whim when he was a boy. The two bond as they grow up together, although Cathy always seems to have an eye on moving up in society from their relatively impoverished lifestyle.

Cathy finally gets her wish when the rich Linton familyled by Edgar (Shazad Latif), moves in down the road, Despite discovering she has feelings for the now grown-up Heathcliff, Cathy sees Edgar as her way out and agrees to marry him. A scorned Heathcliff flees, returning years later as mysteriously wealthy. His reappearance ignites something in Cathy’s soul, and the two engage in a perhaps unwise affair.

Fennell (Promising Young Woman, Saltburn) infuses the dusty material with an energy that’s not typically present in stories set in this particular time and place. Aside from the occasional Charli XCX song (the singer created a whole concept album for the film), the film looks and feels like a period piece, albeit one that doesn’t get bogged down in the drudgery that can sometimes come from films set in the distant past.

Much of that has to do with the lust the filmmaker puts into the story. Even if you’re not familiar with Brontë’s book, you can rest assured that Fennell has strayed far from the text, giving Cathy and Heathcliff thoughts and actions unthinkable in the 19th century. Fennell plays with expectations by opening the film with audio featuring creaking noises and a man grunting, conjuring up a situation far different than what is actually happening, and she also makes liberal use of rain, sweat, and tears to make the actors enticing.

What she can’t do, however, is make the two lead characters compelling. Cathy is a striver who never seems to know what she wants out of life, and Heathcliff goes from a bore to a brute over the course of the film, with no clear indication that he likes anybody, much less Cathy. Anyone expecting some kind of grand romance will be disappointed as Fennell is much more interested in making the film weird, like having the walls of Cathy’s room look like her skin, complete with freckles.

Robbie and Elordi do well enough with the material, and it’s clear that both of them are committed to bringing Fennell’s vision to life. Their styles tend to balance each other out, and if the story had been committed to their characters’ relationship, they might be lauded for their chemistry. In the end, though, the supporting actors feel more interesting, including ones played by Hong Chau, Alison Miller, and Clunes.

This version of Wuthering Heights should never be construed as an alternative to reading the book for any high schoolers out there. While Fennell makes the film interesting with her technical filmmaking choices, the story never finds its footing as it fails to sell the one thing that it seems to promise.

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Wuthering Heights opens in theaters on February 13.

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Movie Review

Margot Robbie ignites provocative new take on Wuthering Heights