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    What's next for Bill?

    Former Houston first lady Andrea White opens new Windows on the World with teensci-fi novels

    Elizabeth Bennett
    Jun 20, 2011 | 3:17 pm
    • Andrea White
    • White's latest book, "Windows on the World," is set in 2083 and charts theintertwining paths of two teenage girls living nearly a century apart.

    “If I don’t write, it’s like pulling my fingernails off,” Andrea White told an interviewer after the publication of her first novel for young adults in 2005.

    Since then, Houston’s former first lady has been happily pounding the keys on her computer and published four more books, including three more novels for teenagers. She also wrote a book about what it was like being a political wife when her husband, Bill White, was mayor of Houston and ran for governor of Texas in 2009 (losing to Rick Perry). Now she has just published her fourth sci-fi novel for teens, Windows on the World, the first in a trilogy.

    Windows on the World is set in 2083 and charts the intertwining paths of two teenage girls living nearly a century apart. One is in danger of dying in the Sept. 11, 2001 catastrophe in Manhattan and the other is trying to save her life. As she has done in her three previous novels, White blends science fiction with actual events and people.

    “All my books have had an historical core,” she says. The first one, Surviving Antarctica, revisited the ill-fated Robert F. Scott 1912 expedition to the South Pole; her second book, Window Boy, weaves the life of Winston Churchill into an American setting of the 1960's; and her third novel, Radiant Girl, explored the Chernobyl nuclear disaster.

    Her second book landed White at a book signing and press conference in China with basketball star Yao Ming when she was Houston’s first lady. “The book was about a boy in a wheelchair who wanted to play basketball,” explains White, “and Yao wrote an endorsement for the book in Chinese.” White and her publisher donated the Chinese rights to the book to the Yao Ming Foundation, an organization Yao founded in 2008 to help victims of the deadly earthquake in China.

    White writes in a comfortable chair in her bedroom with the computer on her lap, she says, and for her, writing “isn’t work. It’s fun!”

    On her Facebook page, she calls herself “a former lawyer who always wanted to be a writer.” She first began writing seriously in the mid-1990s in Washington, D.C. when Bill White was working as deputy energy secretary in the Clinton administration. In an interview with the Dallas Morning News last year, she talked about writing three adult novels that were never published. She kept sending them to agents every few months and getting universally rejected. “The first was terrible, the second was bad and the third was worse,” she said.

    But White never gave up, and her luck changed when she started writing for teens. Her three children used to read her books, but they’re too busy now, she says. One son, Will, is a teacher at Yes Prep school in North Forest, and two younger ones are still in college. Elena is at Rice and working this summer, and Stephen is at Texas A&M and “in training for something called the ‘Death Race,’” White says. “It’s an adventure race in Vermont and his dad is his crew.”

    Her husband is not a fan of science fiction, but Bill White does read her books when they’re published, his wife says. He is also very supportive of her writing and posted a recent notice on his Facebook page pointing out a good review she got on the new book. And Houston’s former mayor is surprisingly active on Facebook, commenting on various topics in the news. Does Bill White, who lost the governor’s race to Rick Perry, still have political ambitions?

    He’s not saying, but he’s busy this summer writing a book about the national debt, which will deal with the politics and economics of federal debt in our nation’s history. He seeks his wife’s comments on his work, he says, and hopes to complete a first draft by the end of summer.

    Meanwhile, Andrea White is working on a second book in the trilogy she’s planning to write, and she tries to sit down at the computer every day.

    “But it doesn’t take discipline,” she says. “I love doing it. Sometimes it takes discipline to do other things.”

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    Movie Review

    Fun final act isn't enough to make Clayface DC's next great movie

    Alex Bentley
    Oct 23, 2026 | 11:30 am
    Tom Rhys Harries and Naomi Ackie in Clayface
    Photo by Parisa Taghizadeh
    Tom Rhys Harries and Naomi Ackie are patient and doctor in Clayface.

    The history of DC Comics in movies has been hit-and-miss, especially when it comes to anything not directly involving Batman or Superman. Over the years, films have been headlined by heroes like Catwoman, Green Lantern, Aquaman, Shazam, the Flash, and more, and while some succeeded, none left a lasting mark on moviegoers’ imaginations.

    Much like they did with Joker, the powers-that-be behind DC Studios productions are trying to entice viewers with a no-holds-barred story in Clayface. Matt Hagen (Tom Rhys Harries) is an A-list movie actor with both critical and commercial appeal. Unfortunately, a night of celebration for his recent Oscar nomination leads to him sleeping with Theresa (Ruby Sear), the girlfriend of Markos Szabo (David Dencik), a prominent mobster in Gotham City. Markos then enacts revenge by taking a razor to Matt’s face.

    Desperate to find a way to look like his old self again, Matt seeks out Dr. Caitlyn Corr (Naomi Ackie), who’s conducting cutting-edge nanotechnology research that can heal any kind of damage. While the solution works on Matt, it also has the side effect of his body doing unintended things, even morphing into those with whom he comes into contact. After initially struggling with his new body, Matt decides to use his powers to enact revenge on those who’ve done him wrong.

    Directed by James Watkins (Speak No Evil) and written by Mike Flanagan (The Life of Chuck) and Hossein Amini, the film is only intermittently entertaining as it tries to sell its ridiculous premise. Right from the start, it seems like the filmmakers have been given a limited budget, as everything from the sets to the CGI to the stilted dialogue feels cheap. For a film coming from a major studio, the whole thing comes off as schlocky and undercooked.

    Watkins and his team try to make up for that shoddiness by delivering R-rated thrills like nudity and body horror, but those elements can only distract for so long. Much of the film is spent dealing with Matt’s trauma, and the downbeat nature of his body issues combined with very little action makes the movie not very fun to watch. The film also tries to make hay with more than a doctor-patient bond between Caitlyn — who has a boyfriend on the police force — and Matt, but like the most of the film, it never connects.

    It’s not until the final third of the movie that the filmmakers land on the tone they should have been using the whole time. Matt’s ability to transform himself, while illogical and confounding, provides multiple over-the-top, funny moments and some legitimately creative kills. Instead of taking forever to set up Matt/Clayface’s origin story, Watkins and his team should have just cut to the chase and let him loose to see what the character could truly do.

    This is the first big role for Welsh actor Harries, and while he’s not exactly magnetic, he proves himself worthy of the lead role. Ackie is also fine, but after several years of trying to advance up the Hollywood ladder, she may be running out of time to show she’s a star. The supporting cast has a couple of familiar faces, but it’s mostly lesser-known actors who do nothing to indicate they deserve bigger showcases.

    It’s difficult to imagine any non-DC Comics fans having a strong attachment to the character of Clayface, and the film fails to make the case that he should be a continuing character. The poor quality of almost everything that appears on screen is indicative of the kind of effort and money that was put into the film, and sometimes you really do get what you pay for.

    ---

    Clayface opens in theaters on October 23.

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