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    What's next for Bill?

    Former Houston first lady Andrea White opens new Windows on the World with teensci-fi novels

    Elizabeth Bennett
    Jun 20, 2011 | 3:17 pm
    • Andrea White
    • White's latest book, "Windows on the World," is set in 2083 and charts theintertwining paths of two teenage girls living nearly a century apart.

    “If I don’t write, it’s like pulling my fingernails off,” Andrea White told an interviewer after the publication of her first novel for young adults in 2005.

    Since then, Houston’s former first lady has been happily pounding the keys on her computer and published four more books, including three more novels for teenagers. She also wrote a book about what it was like being a political wife when her husband, Bill White, was mayor of Houston and ran for governor of Texas in 2009 (losing to Rick Perry). Now she has just published her fourth sci-fi novel for teens, Windows on the World, the first in a trilogy.

    Windows on the World is set in 2083 and charts the intertwining paths of two teenage girls living nearly a century apart. One is in danger of dying in the Sept. 11, 2001 catastrophe in Manhattan and the other is trying to save her life. As she has done in her three previous novels, White blends science fiction with actual events and people.

    “All my books have had an historical core,” she says. The first one, Surviving Antarctica, revisited the ill-fated Robert F. Scott 1912 expedition to the South Pole; her second book, Window Boy, weaves the life of Winston Churchill into an American setting of the 1960's; and her third novel, Radiant Girl, explored the Chernobyl nuclear disaster.

    Her second book landed White at a book signing and press conference in China with basketball star Yao Ming when she was Houston’s first lady. “The book was about a boy in a wheelchair who wanted to play basketball,” explains White, “and Yao wrote an endorsement for the book in Chinese.” White and her publisher donated the Chinese rights to the book to the Yao Ming Foundation, an organization Yao founded in 2008 to help victims of the deadly earthquake in China.

    White writes in a comfortable chair in her bedroom with the computer on her lap, she says, and for her, writing “isn’t work. It’s fun!”

    On her Facebook page, she calls herself “a former lawyer who always wanted to be a writer.” She first began writing seriously in the mid-1990s in Washington, D.C. when Bill White was working as deputy energy secretary in the Clinton administration. In an interview with the Dallas Morning News last year, she talked about writing three adult novels that were never published. She kept sending them to agents every few months and getting universally rejected. “The first was terrible, the second was bad and the third was worse,” she said.

    But White never gave up, and her luck changed when she started writing for teens. Her three children used to read her books, but they’re too busy now, she says. One son, Will, is a teacher at Yes Prep school in North Forest, and two younger ones are still in college. Elena is at Rice and working this summer, and Stephen is at Texas A&M and “in training for something called the ‘Death Race,’” White says. “It’s an adventure race in Vermont and his dad is his crew.”

    Her husband is not a fan of science fiction, but Bill White does read her books when they’re published, his wife says. He is also very supportive of her writing and posted a recent notice on his Facebook page pointing out a good review she got on the new book. And Houston’s former mayor is surprisingly active on Facebook, commenting on various topics in the news. Does Bill White, who lost the governor’s race to Rick Perry, still have political ambitions?

    He’s not saying, but he’s busy this summer writing a book about the national debt, which will deal with the politics and economics of federal debt in our nation’s history. He seeks his wife’s comments on his work, he says, and hopes to complete a first draft by the end of summer.

    Meanwhile, Andrea White is working on a second book in the trilogy she’s planning to write, and she tries to sit down at the computer every day.

    “But it doesn’t take discipline,” she says. “I love doing it. Sometimes it takes discipline to do other things.”

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    Movie Review

    Margot Robbie ignites provocative new take on Wuthering Heights

    Alex Bentley
    Feb 12, 2026 | 3:31 pm
    Jacob Elordi and Margot Robbie in Wuthering Heights
    Photo courtesy of Warner Bros. Pictures
    Jacob Elordi and Margot Robbie in Wuthering Heights.

    Emily Brontë’s 1847 novel Wuthering Heights is one of those classic books assigned in high school English classes, and it has received a number of film adaptations over the years — each of which differ in numerous ways from the source material. Purists won’t receive any reprieve from Emerald Fennell’s 2026 adaptation, with a title that is stylized as "Wuthering Heights” for good reason.

    Cathy (played as an adult by Margot Robbie) and Heathcliff (Jacob Elordi) have known each other their entire lives, with Cathy’s alcoholic and inveterate gambler father (Martin Clunes) taking in Heathcliff on a whim when he was a boy. The two bond as they grow up together, although Cathy always seems to have an eye on moving up in society from their relatively impoverished lifestyle.

    Cathy finally gets her wish when the rich Linton familyled by Edgar (Shazad Latif), moves in down the road, Despite discovering she has feelings for the now grown-up Heathcliff, Cathy sees Edgar as her way out and agrees to marry him. A scorned Heathcliff flees, returning years later as mysteriously wealthy. His reappearance ignites something in Cathy’s soul, and the two engage in a perhaps unwise affair.

    Fennell (Promising Young Woman, Saltburn) infuses the dusty material with an energy that’s not typically present in stories set in this particular time and place. Aside from the occasional Charli XCX song (the singer created a whole concept album for the film), the film looks and feels like a period piece, albeit one that doesn’t get bogged down in the drudgery that can sometimes come from films set in the distant past.

    Much of that has to do with the lust the filmmaker puts into the story. Even if you’re not familiar with Brontë’s book, you can rest assured that Fennell has strayed far from the text, giving Cathy and Heathcliff thoughts and actions unthinkable in the 19th century. Fennell plays with expectations by opening the film with audio featuring creaking noises and a man grunting, conjuring up a situation far different than what is actually happening, and she also makes liberal use of rain, sweat, and tears to make the actors enticing.

    What she can’t do, however, is make the two lead characters compelling. Cathy is a striver who never seems to know what she wants out of life, and Heathcliff goes from a bore to a brute over the course of the film, with no clear indication that he likes anybody, much less Cathy. Anyone expecting some kind of grand romance will be disappointed as Fennell is much more interested in making the film weird, like having the walls of Cathy’s room look like her skin, complete with freckles.

    Robbie and Elordi do well enough with the material, and it’s clear that both of them are committed to bringing Fennell’s vision to life. Their styles tend to balance each other out, and if the story had been committed to their characters’ relationship, they might be lauded for their chemistry. In the end, though, the supporting actors feel more interesting, including ones played by Hong Chau, Alison Miller, and Clunes.

    This version of Wuthering Heights should never be construed as an alternative to reading the book for any high schoolers out there. While Fennell makes the film interesting with her technical filmmaking choices, the story never finds its footing as it fails to sell the one thing that it seems to promise.

    ---

    Wuthering Heights opens in theaters on February 13.

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