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    Spoiler Alert Nitwits Debunked

    Game of Thrones spoiler alert nitwits need to read this: Truths everyone must know that make the show better

    Tarra Gaines
    Jun 16, 2014 | 1:26 pm

    A pop cultural battle has raged online the past several years and the skirmishes have come to a head around the current season of the biggest hit in HBO’s history, Game of Thrones. It’s not a war between Stark and Lannisters fans but a vicious, perhaps unwinnable fight between spoilerphiles and spoilerphobes. So far no one has reaped the . . . well, spoils.

    Personally, I’ve been on Team Spoiler since childhood when I would often read the ending of a book first just so I could then go back to the beginning and enjoy a slow journey without rushing through fueled by the suspense. For me, Game of Thrones is the ideal show.

    I’m an avid reader, but I haven’t read one chapter of George R. R. Martin’s A Song of Ice and Fire, the gritty fantasy series on which the HBO show is based because (Spoiler Alert) Martin appears no closer to ever finishing this monster epic than he was two books ago. I like to be certain there’s going to be some sort of end before I begin. Yet, since the first book was published in 1996, there’s a virtual ton of plot summaries floating online to enjoy.

    Still I imagine Team Surprise, those who hate any hint of what’s to come, must live their days between episodes in a constant state of paranoia that some book reader will drop a dirty plot bomb onto their Twitter feed or Facebook page.

    But now with the season over, as (Spoiler Alert) Stannis has his one “Hell Yea!” moment of the series, Jon Snow has his millionth beautiful pout of the series, Arya sets sail to turn her death dabbles into a profession and Tyrion gives his dad the Father’s Day gift of an eternal moment of peace on the pot — you’re a laugh riot HBO schedulers — I would like to make a case for spoilers.

    It’s Science

    Three years ago, the only psychological study of spoilers confirmed the theory that some stories are enjoyed more when we know how they end. And I believe a thousand years of literary history support this idea. When was the last time someone left a production of Hamlet muttering: Everybody in Denmark died and that Norwegian prince with five lines wins the throne? Wow, I did not see that coming.

    Yet, after 400 years of already knowing all his tricks, Shakespeare's still smokin' hot.

    Further Evidence

    But back to the Game, this season especially felt like it was made for those in the know, as show runners Benioff and Weiss purposeful and perhaps sometimes accidentally played into and defied the spoiled expectations.

    One of the coolest scenes this season came in episode four when the show confirmed where White Walkers babies come from. (It apparently involves adult White Walkers doing a rousing cover of “Let It Go” offscreen and then getting a fierce magical manicure.) Yet, this major reveal is still only conjecture in the books.

    I’d argue that if it’s shocks you’re looking for, these scenes were much more stunning for those spoiled then those not.

    Meanwhile, one of the most controversial scenes came one episode earlier when it looked like Queen mum Cersei and her twin brother Jamie’s screw on their dead son’s coffin from the book had been turned into a possible funeral rape on the show, which strangely enough made things all the more sordid.

    My favorite moment of the whole season came during the finale when Varys hears the bells announcing Tywin Lannister’s murder and makes the split second decision to join Tyrion on his all-inclusive cruise, which might just make season five the best buddy adventure in television history. This too was a deviation from the books.

    I’d argue that if it’s shocks you’re looking for, these scenes were much more stunning for those spoiled than those not.

    Spoiler Manners

    I realize spoiler lovers and haters might never agree, but we really can’t even virtually jab our thumbs in our enemies’ eye sockets and crush their heads because it would make a bloody mess all over the Internet. (I miss you Oberyn even though I knew going in all men must die.) Instead, I propose we come to some agreed upon etiquette.

    Here’s my version, feel free to counter with your own.

    Spoiler Lovers:

    Don’t Be Smug.
    Just because you know something big, that’s no reason to act like a 6-year-old who can’t wait to tell her little brother that (Spoiler Alert for all 4-year-olds reading this article) Santa really is mommy and daddy.

    Don’t be tacky.

    Sure that first Unspoiled Friend Freaks Out at the Red Wedding YouTube video was hilarious, but now they’re just kind of cruel.
    Do be considerate.

    While I don’t think you need to censor yourself on public social media forums, you might wait a few days before blasting shocking fictional news in one-on-one communications. Hypothetically, if you and your editor are both fans of a certain show but he’s usually too busy to do a same day watch, subject lining a Monday morning email: OMG, I can’t believe they killed-off Will, might not be the best idea. (For the record, I did not do this.)
    Spoiler-phobics:

    Don’t expect the rest of the world to wait for you.
    
If you haven’t finished Breaking Bad, Downton, True Detective or Buffy season two, for that matter, tough luck. We’ve all moved on.
    Either take a weekend and watch, find a nice WiFi-less cave to live in somewhere, or deal with the fact that just because you know the ending doesn’t mean you won’t enjoy the journey it takes to get there.

    Game of Thrones spoiler alert nitwits need to get over themselves. It's better spoiled!

    Game of Thrones
    HBO
    Game of Thrones spoiler alert nitwits need to get over themselves. It's better spoiled!
    unspecified
    news/entertainment

    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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