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    Wildest Summer Fest Ever

    Summer Fest's wildest day ever: Evacuation grumbling, Houston rap legends shock & mud dancing

    Elizabeth Rhodes
    Jun 1, 2014 | 6:01 am

    This marks the sixth year Free Press Summer Festival has graced Houston with its presence. Although the music festival is now a far cry from that humble first-ever Summer Fest, one thing remains the same — this event's always full of surprises.

    The first day of this year's fest included an evacuation, legendary Houston rappers and a whole lot of muddy people.

    The Evacuation

    Let's start with the most glaringly obvious incident of the day — the evacuation. Around 2 p.m., festival goers — including myself waiting to see The Tontons — were told they needed to vacate the grounds due to impending weather conditions. The music was cut on all six stages as tens of thousands looked around in dismay.

    While many chose to hang around on Allen Parkway while it rained and lightning flashed in the sky, even more just simply left.

    "I thought the ticket said 'Rain or shine,' " someone muttered as I exited the grounds with a hoard of confused, angry and disappointed people. While many chose to hang around on Allen Parkway while it rained and lightning flashed in the sky, even more just simply left. After a few hours of waiting to find out if Summer Fest would resume, it was confirmed that the gates would reopen at 4 p.m.

    Unfortunately the rain made the main Mars Stage area rather messy, but otherwise, the festival managed to get back on its feet and get back to what it's really about — music.

    Stunning Uchi Food

    Free Press Summer Fest kicked off with one of the most anticipated events on its entire schedule — a collaborative breakfast that brought together top restaurant Uchi, Houston hip hop legend Bun B and super producer Dan the Automator for a one of a kind collaborative performance in which Bun and Dan created original music and lyrics to pair with the dishes being served. Highlights of the menu included a Thai-flavored pancake created by Hell’s Kitchen winner Ja’Nel Witt and Korean chicken dumplings that Bun introduced by declaring, “This dish is the bomb.”

    Everything was rolling along for the lucky 200 people invited until the power in the tent went out before Bun had the chance to perform the fourth song. After waiting around a bit for a repair that never came, Bun embraced the “master of ceremonies” version of an MC by working the room. He greeted people individually, posed for pictures and made sure everyone left with a good memory.

    That’s why he’s the Trill OG.

    Rap Legends Galore

    As a Houstonian who loves hip hop, there was no way I could miss the "Welcome to Houston" showcase. Honestly, it seemed like everyone who was on the festival grounds at the time was watching the Neptune Stage. To have six local rap legends — Bun B, Devin the Dude, Slim Thug, Paul Wall, Mike Jones and Z-Ro — all performing on one stage in front of an endless sea of screaming fans made for an experience few will ever forget

    This will likely go down in history as the ultimate Houston hip hop performance.

    Seeing Mike Jones, Paul Wall and Slim Thug perform "Still Tippin'" was a throwback to my youth and to hear UGK's "International Players Anthem" performed live (without Pimp C, of course) was an added treat. With so much celebrated talent coming together for one performance, and with such an incredibly loving welcome from the hometown crowd, this will likely go down in history as the ultimate Houston hip hop performance.

    Childish Gambino

    Although my friends couldn't help but reminding me that Childish Gambino's Donald Glover is none other than Troy Barnes from the sitcom Community, he is really so much more than that. Giving an incredibly raw performance to the crowd of thousands packed in front of the Mars Stage, Childish Gambino proved that he's got range.

    Whether performing smooth jams like "Heartbeat" or bass-heavy stunners like "Crawl," he wowed fans with a frenetic stage presence, not to mention his spitfire delivery and poignant lyrics. In spite of some rather serious mud in the field in front of the Mars Stage, fans were gyrating, cheering and loving every second of the impressive heartfelt performance.

    Zedd

    By the time Zedd hit the Saturn Stage, you never would have thought the festival had been evacuated earlier in the day. Zedd's infectious electro house beats had everyone (I mean everyone) dancing like there was no tomorrow and the vibrant light show was just the cherry on top. With lasers and lights shooting from every angle, flashing in sync with Zedd's thumping bass, the crowd was frenzied and the feeling of excitement was palpable.

    Although people were packed like sardines, everyone was celebrating the performance (and the fact that the hot sun had gone down). With a penchant for mixing dancey electro tracks, Zedd's tunes were hard not to get excited about and Houston music fans sure let him know how excited they were.

    CultureMap reporter Eric Sandler contributed to this story.

    As thousands watched the stage, the dark clouds rolled in above at Summer Fest.

    Photo by Michelle Watson CatchLightGroup.com
    As thousands watched the stage, the dark clouds rolled in above at Summer Fest.
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    news/entertainment

    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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