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    Live Music Now

    These are the 6 best concerts in Houston this week

    Johnston Farrow
    Johnston Farrow
    May 22, 2019 | 1:10 pm

    Summer is back and so is humid Houston.

    After weeks of bad weather, temps soared to 90 degrees this past weekend, and the swampy air returned to the Bayou City, meaning the gorgeous spring concert season is over. For those who live to soak up the sun and sweat to the sounds, enjoy. Drink plenty of fluids, wear your sunscreen, and don proper headwear and sunglasses. The rest of us will be seeking shelter for the next five months in a dark, air-conditioned nightclub.

    Memorial Day weekend is generally a slow one on the H-town music scene, but for those looking to enjoy their extra day off, there are plenty of options, including a couple of great free concerts.

    CultureMap's biggest, best, and most noteworthy shows of the week are as follows:

    Party on the Plaza at Avenida Houston
    The best happy hour in downtown Houston comes to a close for the season as Party on the Plaza throws one last shindig at Avenida Houston. This installment celebrates Asian Pacific American Heritage with headliner, Kishi Bashi, the eclectic noisenik that utilizes looping techniques to build out-of-this-world soundscapes. He'll be joined by another experimental artist and bandmate, Tall Tall Trees, as well as the pop leaning Ugly Wolves.

    Party on the Plaza takes place on Thursday, May 23, at Avenida Houston. Admission is free. Show starts at 6:45 pm.

    CultureMap show of the week: David Gray at Revention
    One of the best artists to hear whilst strolling down the grocery aisle, British star David Gray is back on the tour circuit with his tenth album, Gold In A Brass Age. Gray is best known for his best-selling 1999 album, White Ladder, which would go on to sell seven million albums on the strength of the smart and heartfelt mix of acoustic folk and low-key electronica.

    His underdog story is remarkable in that he nearly quit music altogether after an unsuccessful U.S. tour before that monster album would go on to make him famous, hitting No. 1 on the U.K. charts nearly two years after it hit shelves, aided in part by a re-release on the Dave Matthews Band label ATO (see, Dave Matthews is good for something — don't @ me, DMB fans). That album is a near classic, producing the excellent single "Babylon," in addition to "Please Forgive Me" and "Say Hello Wave Goodbye."

    David Gray plays the Revention Music Center, located at 520 Texas Ave., on Friday, May 24. Tickets start at $39.50, plus fees. Doors open at 7 pm.

    Sarah Grace and the Soul
    Houston native Sarah Grace has been busy over the past year, showing that she picked up a thing or two from her time under the tutelage of pop star Kelly Clarkson during her semi-final run on hit TV show, The Voice. The Houston School of Performing and Visual Arts student released her much-talked about version of "Amazing Grace" from her time on the show, performing with the Blind Boys of Alabama, and recorded in Memphis.

    She's set to head out on a multi-city tour with her band Sarah Grace and the Soul this summer but first, the bluesy singer and multi-instrumentalist will play a show at her old stomping grounds at McGonigel's Mucky Duck.

    Sarah Grace and the Soul performs at McGonigel’s Mucky Duck, located at 2425 Norfolk St., on Friday, May 24. Peterson Brothers Band and PR Newman open. Tickets start at $18, plus fees. Show starts at 8 pm.

    Free show alert: Twin Shadow DJ set
    Fans of George Lewis Jr. aka Twin Shadow will want to head down to Alexrad this weekend when the excellent indie-rock artist will spin some of his favorite tunes in a special one-off appearance. Lewis last played Houston with his band at the now defunct In Bloom Festival almost a year ago to the day, turning in one of the best performances of the weekend.

    While he's better known for his fantastic albums, Forget and Confess, his alternative, new wave, indie, and chillwave influences should make for a fun time for those who like to dance while enjoying a cold brew.

    Twin Shadow spins a DJ set at Alexrad Beer Garden, located at 1517 Alabama St., on Saturday, May 25. Various other DJs will perform. Admission is free. Music starts at 7:45 pm.

    Matthew Logan Vasquez
    Delta Spirit frontman Matthew Logan Vasquez also returns to Houston behind his third solo album, Light'n Up. Based on a period of separation from his family due to touring commitments and his wife and son moving to Norway to take care of his ill father-in-law, the album finds Vasquez in a more introspective place from the more freewheeling sounds of his band Delta Spirit. In other words, it's the perfect show for the intimate Heights Theater.

    Matthew Logan Vasquez performs at Heights Theater, located at 339 W 19th St., on Saturday, May 25. Amo Amo opens. Tickets start at $36, plus an $8 service fee. Doors open at 7 pm.

    CultureMap recommends: Turnpike Troubadours at WOMH
    Those who saw country act Turnpike Troubadours at the past year's edition of RodeoHouston will get a chance for an encore performance in the decidedly more relaxed setting of the White Oak lawn on this long weekend.

    While they haven't released anything since 2017's A Long Way from Your Heart, their strong catalog will make for a crowd-pleasing full set with nary a bad album to draw from, their sound combining sounds of old school country, folk, bluegrass, and Cajun. In other words, the great mix for a Houston audiences that always turns out for the Oklahoma-based band.

    Turnpike Troubadours are at White Oak Music Hall, located at 2915 N. Main St., on Sunday, May 18. Bri Bagwell and Jason Boland and The Stragglers open. Tickets start at $30, plus fees. Gates open at 6 pm.

    The last Party on the Plaza of the season features Kishi Bashi, Tall Tall Trees, and Ugly Wolves.

    Party on the Plaza, Avenida Houston
    Photo courtesy of Avenida Houston
    The last Party on the Plaza of the season features Kishi Bashi, Tall Tall Trees, and Ugly Wolves.
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    Movie Review

    Glen Powell delivers sly laughs in satirical How to Make a Killing

    Alex Bentley
    Feb 19, 2026 | 4:15 pm
    Glen Powell in How to Make a Killing
    Photo courtesy of A24
    Glen Powell in How to Make a Killing.

    Becoming a star in Hollywood and maintaining that stardom are two very difficult things to achieve, but Glen Powell has been adept at doing so over the past few years. A key supporting role in Top Gun: Maverick led to lead parts in films like Hit Man, Anyone But You, Twisters, and The Running Man. Powell is looking to keep his star power shining in the new dark comedy/thriller, How to Make a Killing.

    He plays Beckett, an outcast member of the ultra-wealthy Redfellow clan. Struggling to get by in a menial job in New York City while still living in New Jersey, Beckett’s only smidgen of hope is that he remains an heir to the vast Redfellow fortune. The only trick? Every other remaining family member must die before he’ll see a dime of that money. When even that menial job goes away, Beckett indulges the fantasy of bumping off his familial competition.

    Among those standing in his way are cousins Taylor (Raff Law), a finance bro, Noah (Zach Woods), a pretentious artist, and Steven (Topher Grace), a celebrity pastor; Uncle Warren (Bill Camp) and Aunt Cassandra (Bianca Amato); and grandfather Whitelaw (Ed Harris). Complicating matters, however, are an old childhood friend, Julia (Margaret Qualley), who starts asking more of Beckett than he can give; and new flame Ruth (Jessica Henwick), who happens to be dating Noah when he meets her.

    Written and directed by John Patton Ford (Emily the Criminal), the film is a tale of two halves. Narrated by Beckett in the form of telling his story to a prison chaplain, the story plays with audience expectations on multiple occasions. As Beckett ramps up to detailing exactly how he got started down the road toward being a serial killer, the film has a fun-if-macabre vibe.

    Under normal circumstances Beckett would be someone to despise, but since he’s an underprivileged person who’s taking aim at people who (mostly) don’t seem to appreciate their good luck, it feels okay to cheer for him. This follows a recent trend in “eat the rich” films, one that’s been influenced by a turn against real-life billionaires. Ford plays heavily into the theme and it works for a good portion of the film.

    However, things get a little murky in the second half of the movie. A few of the planned killings get less attention than others, making their — pardon the pun — execution less interesting/fun than the others. Also, Ford does a poor job of indicating just how much weight should be put on Beckett’s relationship with Julia, someone with whom he only has occasional interactions for the bulk of the film.

    It’s difficult to know the exact right way to showcase Powell, but this film doesn’t seem to be the best fit. Whether it’s the odd hairstyle/wig he’s given, or the varying degrees of confidence his character shows, his performance is up and down. Qualley’s acting style is over-the-top, and she needed to dial it down in this particular role. Henwick and Camp are the grounding forces in the film, keeping the story somewhat tethered to reality while almost everyone else makes a meal of their scenes.

    How to Make a Killing is serviceable entertainment that gives viewers a decent number of laughs and thrills. But Ford can’t find a way to make the story work all the way through, and a so-so performance by Powell keeps the film from rising above its mediocre station.

    ---

    How to Make a Killing opens in theaters on February 20.

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