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    Happy Father's Day

    In new book, Friday Night Lights author Buzz Bissinger details complicatedrelationship with special son

    Tarra Gaines
    May 21, 2012 | 9:23 pm
    • Buzz Bissinger, left, and son Zach
      Robert L. Smith for Houghton Mifflin Harcourt
    • In Father's Day, Bissinger writes frankly about his struggles to come to termswith his son's limitations and abilities.
      Courtesy Photo

    Zach Bissinger is a remarkable man with a remarkable story. At 24, Zach works in a grocery bagging groceries and at a law firm, stocking supplies. He has been classified as borderline “mentally retarded” and autistic, yet he is also a savant who remembers every person he meets in concrete detail and holds the maps of whole cities in his head in minute detail.

    Zach’s father, Pulitzer Prize-winning journalist and Friday Night Lights author Buzz Bissinger, has struggled all of Zach’s life to fully understand and find peace with his son’s limitations and abilities. In a quest for that understanding and connection, father and son set out on a road trip across the country to the places they lived when Zach was growing up.

    For journalist Bissinger, such a story would be hard to pass up and so that trip became a book, Father’s Day: A Journey into the Mind & Heart of My Extraordinary Son.

    "Some people had mentioned they were taken aback at first by the candor and honesty of the book. My response is: 'Look if you’re going to write something like this if you’re not going to be honest about it what’s the point?' ”

    Early in the book, Bissinger describes a blue file drawer where he keeps “the exhaustive summaries of Zach’s condition dating from his birth onward.” This “blue box” full of the documentation of decades of tests and contradictory diagnoses is something that Bissinger rejects as the final word on who is son is and can become.

    When I spoke to Bissinger by phone before the Texas leg of his book tour, I had to ask if is attempting to replace the blue box with Father's Day, and he affirmed it is.

    “This my blue box. It’s a emotional blue box. It’s my attempt without giving him dozens of mental and psychological test to really focus on my son in a very concentrated period of time when we were together and to determine for myself what he’s about and what he can do,” he explained.

    Zach and his twin brother Gerry were born premature, weighing less than two pounds each, but Gerry, as the first-born son, inherited a three extra minutes of air from the world. Bissinger goes into detail early in the book what a difference those three minutes and three extra ounces of weight can make for the brain of a premie, chronicling how, though he struggled, Gerry eventually thrived while Zach was left developmentally disabled.

    When I asked Bissinger how readers are reacting to the brutal honesty of the work, he said, the response had overall been “great,” but went on to note, “Although I do think some people had mentioned they were taken aback at first by the candor and honesty of the book. My response is: 'Look if you’re going to write something like this if you’re not going to be honest about it what’s the point?' ”

    Empathy for Zach will probably come easily for most readers; however, Bissinger’s descriptions of his own inadequacies as a father, and also as a son to his own father, might leave readers less than sympathetic with the father in Father’s Day. Bissinger acknowledges this.

    “If you go on Amazon you’ll find some people who frankly say ‘Zach is perfect and great, but his father is a jerk and brutal to him.’ When I read that I winced because that was not the point. I wanted to show the dynamics of the relationship and what Zach has to contend with as a son,” he explained.

    Elaborating, he said “Part of the book is my journey with Zach and part of the journey is my own personal journey as a man and as a parent and as a father — the things that have shaped me, my relationship with my own father, the price of ambition, my unquenchable thirst for success, my insecurities. All that goes into making me who I am and goes into making me the type of parent I am.

    "I will not deny if I had a more positive outlook on life I think that my feelings about Zach would have been different. I would have been more accepting.”

    "When I wrote Friday Night Lights, in many ways it was a book about mothers and father and sons. Every parent was living through their kids on that football field. It’s not a bad thing."

    Bissinger spends many pages in the book attempting to analyze how Zach’s brain records and processes the world differently from other people. He is able to make that analysis because of the constant documentation he has been doing of Zach’s life, recording their conversations and photographing Zach’s growth and changes.

    When I pointed out to Bissinger that there is a kind of similarity in his obsession to document and Zach’s natural ability to remember concretely the details of the places and people around him, he saw some truth in that saying, “[Zach’s] a reporter. He collects information. That’s what I do for a living, basically. I document. I collect information, concrete information. And that’s exactly what Zach does. . .If it wasn’t for three minutes and he was like Gerry, I have no doubt in my mind that he would be a reporter.”

    While Zach’s circumstances and abilities as well as Bissinger’s relationship with his son are certainly unique, parents who think their children’s lives would be better if only they could be just a little different might see their reflection in Buzz’s story.

    Bissinger observes “All parents live through their children. I’ve seen it so many times in the world of sports. When I wrote Friday Night Lights, in many ways it was a book about mothers and father and sons. Every parent was living through their kids on that football field. It’s not a bad thing. It’s a natural thing. We all have dreams for our kids and we all have aspirations and sometimes they work out and sometimes they don’t.”

    At the same time, any child who has found a some contentment or happiness in life but feels pressure to change or make different choices to please a disappointed parent, might find Zach’s situation all too familiar. Discussing this aspect of the book Bissinger said, “It often happens. The child is content and the child is happy and the child is going about his life, and it’s the parent who is the one saying, ‘Why aren’t you this and why aren’t you that.’ I’m not proud of it.”

    Father’s Day is a loving father’s portrait of his funny, kind, and sometimes amazing son, but it is also the chronicling of an award winning, sometimes controversial journalist, a man who makes his living telling the real stories of people’s lives, finally coming to terms with the true story of his own son.

    “The story with Zach didn’t go as planned. . .The narrative of his life was a hell of lot different than I thought the narrative would be, since my life was all about building narratives. To adjust the narrative of Zach’s life was very hard for all sorts of reasons, none of them having to do with love but having to do with the aspirations I had for him as a parent. Parents do that all the time they want to have the perfect moment in the perfect setting and often the kids are much wiser than the parent and say this is the way it’s going to be. Get used to it.”

    Buzz Bissinger reads at Brazos Bookstore on Tuesday at 7 p.m.

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    welcome home, wes

    Wes Anderson's Houston homecoming supports historic theater restoration

    Craig D. Lindsey
    Jul 20, 2026 | 12:30 pm
    Wes Anderson's Houston homecoming supports historic theater restoration

    A fancy, eccentric-looking crowd showed up for the Wes Anderson Homecoming Soirée, held on Friday, July 17, at the Hobby Center for the Performing Arts’s Zilkha Hall.

    Fans of the Houston-born, Oscar-winning auteur paid hundreds of dollars to attend this benefit event. Guys dressed up like characters from The Royal Tenenbaums. Others wore red skull caps and low-top Adidas, like the characters from The Life Aquatic with Steve Zissou. Some people working the event even wore “Lobby Boy” hats, looking like the bellboy character from The Grand Budapest Hotel.

    The people gathered for two reasons: 1) to get a chance to see Anderson in person; and 2) to raise money to renovate and restore the Garden Oaks Theater, a project spearheaded by local nonprofit Arthouse Houston. Top-tier “Founders Experience” ticketholders got a chance to meet Anderson onstage for pics. The St. John's School alum also received a proclamation from Mayor John Whitmire declaring it “Wes Anderson Day.”

    After that, he and actor/fellow SJS alum Michael Maggart (who has appeared in several Anderson films) held a half-hour discussion where they reminisced about making Rushmore here in Houston, Anderson’s days working at the Bookstop on W. Alabama (now a Trader Joe’s), and how he and frequent collaborator Owen Wilson used to sneak into the River Oaks Theatre. (It involved pretending to lose a pair of glasses.)

    Of course, the conversation shifted to Anderson coming back home to support the Garden Oaks project. “I always say you can't build an old building,” Anderson said. “First of all, I mean, a beautiful old place has history, and has people's experiences tied into it, and it has stories involved in it. And I think an old cinema — these things are kind of endangered all over the world, and it's not just an architectural thing. It's not even just a community thing. It's a sort of delivery system for something that’s, to me, deeply important to our country.

    “It’s one thing we can access these things on all these devices,” he continued. “It's a different thing when you go to a place that's designed to help you share the experience of a movie together. It's such a powerful art form. And, anyway, for me, it's worth making a bit of an effort to try to save a place like the Garden Oaks.”

    After the convo, he introduced the quintet of films he curated for the event. (Unfortunately the DCP file for his 2007 short Hotel Chevalier had some technical difficulties and was cut short.) “We wanted to do a screening here, and I don't have a new movie to show,” he said. “I don't have something hot off the presses. So, I thought I'd put together a little something that just was different from what anybody else will see. So it's a sort of mixture… This is just for Texas, this little collection.”

    He eventually left the stage, leaving Arthouse Houston co-founder/director Maureen McNamara and Houston Public Media host Ernie Manouse to auction off perks & gifts and encourage the audience in helping revive another legendary, local movie palace. Among other items, attendees bid for treasures such as a special John Waters backstage VIP experience at his upcoming Christmas Show, dinner with John Cameron Mitchell, and a rare set of photo portraits of a young Anderson and friends, circa Bottle Rocket. Others paid $5,000 for select seats in the future theater and $5,000 to restore one foot of the venue's neon sign.

    Wes Anderson homecoming soiree

    Photo by Alan Nguyen

    Mayor John Whitmire declared Friday as Wes Anderson day in the director's honor.

    So far, the effort has raised approximately $1.3 million of the $4 million required to begin the renovation project. The organization needs to raise $4 million by July 30 for the project to move forward. Those interested in securing naming rights will find more information here.

    “River Oaks has 245 seats,” McNamara informed the crowd. “The Garden has over 700, and that is a place that we don't have in Houston. We have a need for that, for premieres, for performances in your life, for music, for a dynamic learning & exhibition space… So, we're building new on the shoulders of our history. I hope you guys will join us, and we need people to join us in a big way today.”

    wes andersongarden oaksrushmorehoustonfundraisers
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