After a 17-year hiatus from performing in Houston, Garth Brooks is making up for lost time.
The top-selling country artist has added a whopping eight performances at downtown’s Toyota Center to the Garth Brooks World Tour. Joining him is wife and fellow country crooner, Trisha Yearwood, making the show a family affair. Performers sometimes add an extra performance in Houston but the eight performances in a large arena is unprecedented.
The Texas leg of the tour kicks off in Houston this summer with four performances scheduled over a two-day period (Friday, June 26 at 7 p.m. and 10:30 p.m.; Saturday, June 27 at 7 p.m. and 10:30 p.m.).
Brooks and Yearwood will return to the Toyota Center for another four shows in July 2015 (Friday, July 3 at 7 p.m. and 10:30 p.m.; Saturday, July 4 at 7 p.m. and 10:30 p.m.).
Tickets ($74.98 per person; 8-ticket limit per guest) for all eight Houston concerts go on sale to the general public on Friday, May 8, at 10 a.m. To purchase, go online or call 1-(844)-63GARTH (844-634-2784).
Toyota Center officials explain that there will be an online waiting room that will open at 9 a.m. on May 8. They encourage fans to verify their ticketing account or sign up for an account online at the login box located in the upper right hand corner of the Toyota Center website or they can visit the page by clicking here.
At last, Brooks is finally making Houston fans feel the love.
The Garth Brook World Tour rolls through Houston June 26 and 27, 2015, and again July 3 and July 4, 2015.
Courtesy photo
The Garth Brook World Tour rolls through Houston June 26 and 27, 2015, and again July 3 and July 4, 2015.
Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.
That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.
Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.
Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.
The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.
The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.
Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.
Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.