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    COVID-19 Music Relief

    Houston groups drum up support for struggling musicians during COVID-19

    Johnston Farrow
    Johnston Farrow
    Apr 14, 2020 | 5:36 pm
    Mark Austin Rachel Austin
    Mark and Rachel Austin have launched the Houston Music Foundation.
    Photo by Pooneh Ghana

    Millions are out of work and the Texas music industry is especially reeling with no end in sight to venue closures. Thankfully, some hope is on the way for thousands of out-of-work musicians.

    Statewide, several organizations are working overtime to raise funds to support the many players that comprise local music scenes, so vital to the cities they call home.

    Dozens of different charitable efforts popped up in the wake of mass show and venue cancellations. The Texas Music Office, one of the major music organizations in the Lone Star State backed by Governor Greg Abbott, has been collecting the various fundraising and support efforts available to artists, including information on federally and state backed programs. That includes small business loans through the U.S. Cares Act.

    In Houston, a husband and wife team, comprised of talent buyer Mark C. Austin and marketing and public relations professional Rachel Austin, launched the Houston Music Foundation, partnering with nonprofit organization Artists for Artists to provide direct relief to Houston-based musicians. Musicians facing financial hardship can apply for a one-time grant of $500 to pay for bills and living expenses.

    Within the first week of announcing, more than 500 artists applied for grants and donations amounted to over $20,000. To apply, artists that reside in Harris County are asked to visit houstonmusicfoundation.org.

    “Our goal is to get quick cash into artists’ hands,” Mark C. Austin tells CultureMap. “As an artist manager, as a guy that books hundreds of bands, I’m familiar with the economic set-up with musicians. I’m too familiar with how much $500 means to a working musician — after one month, two months, it starts getting real.”

    “I’m a mother, I have three boys, and just hearing some of the stories that people can’t buy groceries for their family and pay rent,” Rachel Austin says. “Mark and I didn’t want to sit this one out. We really wanted to make an effort to help people.”

    To assist the Houston Music Foundation, Antone’s Famous Po’ Boys and local rap legend Bun B relaunched the most delicious of fundraisers, the Hot Wang sandwich. Originally launched in September 2019 as part of the charitable “H-Town Originals” series along with Legacy Restaurant Groups Corporate Chef Alex Padilla, 50 percent of all sales of the Hot Wang sandwich will go back to the foundation for distribution via grants to musicians. Saint Arnolds Brewing Company also recently donated a portion of sales from their new Headliner beer towards the foundation.

    Here is how the rest of the Lone Star State is responding:

    Fort Worth
    The Austins pointed to another relief fund as a model, Hear Fort Worth, which has set up their efforts through United Way of Tarrant County. Artists who apply are eligible for a one-time $300 grant. Not coincidentally, the idea for the fund came from another successful initiative, the Fort Worth Artist and Service Worker Relief Fund, a GoFundMe donation campaign organized by local musician, Rachel Gollay.

    “With gig after gig getting canceled, livelihoods are at stake,” Gollay wrote in a statement. “Empty bars, restaurants and venues mean meager funds to take home at the end of the night and little to nothing left to pay the bills. All donations will be equitably divided and transferred among those who request assistance.”

    Austin
    The Austin Music Foundation, founded in 2002 to assist local artists, experienced the double whammy of the cancellation of South By Southwest, which led to a $355 million hit to the economy, and the closure of all concert and performance venues. They pivoted their approach to finding and directing their community to emergency resources.

    The foundation provides one-on-one consultation and online information sessions for musicians and has waived all fees to the Austin music community. They are providing educational programming and additional means to help artists get through these uncertain times.

    “Austin’s music community is enduring this crisis with remarkable fortitude and a sense of solidarity unlike anything I’ve ever seen,” says Jennifer Dugas, executive director for Austin Music Foundation. “The music industry is facing an unimaginable fallout from the global shutdown, the scope of which we may not fully understand for some time. When we come out of this, and we will, I believe our city will be at the forefront of a new way forward for the music business.”

    People can donate directly through the AMF website at www.austinmusicfoundation.org.

    Dallas
    In Dallas, the Artist Relief Fund by Creating Our Future, a group of artists and arts advocates, are raising money to support those affected by closures and lost income. Those in the city can apply via the organizations online form.

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    Movie Review

    Live action Lilo & Stitch remake offers up frenzied fun and nostalgia

    Alex Bentley
    May 23, 2025 | 2:30 pm
    Lilo & Stitch
    Courtesy of Disney
    Lilo & Stitch returns to theaters this weekend.

    The project to turn every single Disney animated movie into a “live action” film has rarely seemed like anything but a money grab by the movie studio. Most of the films have failed to update the original in any meaningful way, and in many of the cases, they’re almost shot-for-shot remakes, making the reason for the new film’s existence even more confusing.

    Having almost exhausted the supply of their 20th century movies, Disney has now remade 2002’s Lilo & Stitch. The film follows an alien experiment, originally known as 626 (voiced by Chris Sanders), created by Jumba ( Zach Galifianakis) for the benefit of an alien race led by the Grand Councilwoman (Hannah Waddingham). Unfortunately, 626 is too uncontrollable for them, and is banished to the faraway planet known as Earth.

    Landing in Hawaii, the creature soon to be known as Stitch gloms on to a young girl named Lilo (Maia Kealoha), who mistakes it for a dog while looking for companionship following the death of her parents. Tracked by Jumba and fellow alien Pleakley (Billy Magnussen), now in human form, Stitch leaves a trail of destruction wherever he goes, much to the chagrin of Lilo’s older sister, Nani (Sydney Agudong).

    Directed by Dean Fleischer Camp and written by Chris Kekaniokalani Bright and Mike Van Waes, the film will surely be a blast of nostalgia for anyone who was a kid when the original came out. The now-3D Stitch is just as chaotic as ever, and they even included cast members from the first film like Tia Carrere (now playing a social worker for the orphaned sisters) and Amy Hill as a kindly neighbor.

    But for all of the frenzied fun that Stitch offers, there’s very little else that holds the story together. For one, the Lilo character as a real person doesn’t work as well as she does in animated form, as there’s something fluid that happens in animation that feels stilted when it’s an actual little girl. Perhaps sensing this fault, the film is loaded to the hilt with bite-sized moments that try to make the audience laugh, but do little to give the story any meaning.

    The difference between animation and live action is never more evident than with Jumba, Pleakley, and CIA agent Cobra Bubbles (Courtney B. Vance). Characters that are goofy and enjoyable in animated form come off as weird and off-putting in human form. They’re supposed to bring a sense of fun and even suspense to the film, but instead they feel like characters who are getting in the way of a better story.

    Kealoha, making her professional debut, is definitely cute and offers up some interesting moments opposite Stitch and Nani, but her lack of experience shows. Agudong turns in the best performance, giving a bit of emotional weight to a film that needed more. Galifianakis and Magnussen would have been better served as voice-only roles; neither comes off well when their characters turn into humans. Hill is like a warm hug every time she comes on screen, and the story could have used more of her.

    The new Lilo & Stitch is not an abomination, but like most of the Disney live action remakes before it, it fails to stand on its own merits. Never given a chance to be its own thing and featuring storytelling too disjointed to be effective, the film is another so-so effort from a studio that knows how to make much better movies.

    ---

    Lilo & Stitch is now playing in theaters.

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