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    COVID-19 Music Relief

    Houston groups drum up support for struggling musicians during COVID-19

    Johnston Farrow
    Johnston Farrow
    Apr 14, 2020 | 5:36 pm
    Mark Austin Rachel Austin
    Mark and Rachel Austin have launched the Houston Music Foundation.
    Photo by Pooneh Ghana

    Millions are out of work and the Texas music industry is especially reeling with no end in sight to venue closures. Thankfully, some hope is on the way for thousands of out-of-work musicians.

    Statewide, several organizations are working overtime to raise funds to support the many players that comprise local music scenes, so vital to the cities they call home.

    Dozens of different charitable efforts popped up in the wake of mass show and venue cancellations. The Texas Music Office, one of the major music organizations in the Lone Star State backed by Governor Greg Abbott, has been collecting the various fundraising and support efforts available to artists, including information on federally and state backed programs. That includes small business loans through the U.S. Cares Act.

    In Houston, a husband and wife team, comprised of talent buyer Mark C. Austin and marketing and public relations professional Rachel Austin, launched the Houston Music Foundation, partnering with nonprofit organization Artists for Artists to provide direct relief to Houston-based musicians. Musicians facing financial hardship can apply for a one-time grant of $500 to pay for bills and living expenses.

    Within the first week of announcing, more than 500 artists applied for grants and donations amounted to over $20,000. To apply, artists that reside in Harris County are asked to visit houstonmusicfoundation.org.

    “Our goal is to get quick cash into artists’ hands,” Mark C. Austin tells CultureMap. “As an artist manager, as a guy that books hundreds of bands, I’m familiar with the economic set-up with musicians. I’m too familiar with how much $500 means to a working musician — after one month, two months, it starts getting real.”

    “I’m a mother, I have three boys, and just hearing some of the stories that people can’t buy groceries for their family and pay rent,” Rachel Austin says. “Mark and I didn’t want to sit this one out. We really wanted to make an effort to help people.”

    To assist the Houston Music Foundation, Antone’s Famous Po’ Boys and local rap legend Bun B relaunched the most delicious of fundraisers, the Hot Wang sandwich. Originally launched in September 2019 as part of the charitable “H-Town Originals” series along with Legacy Restaurant Groups Corporate Chef Alex Padilla, 50 percent of all sales of the Hot Wang sandwich will go back to the foundation for distribution via grants to musicians. Saint Arnolds Brewing Company also recently donated a portion of sales from their new Headliner beer towards the foundation.

    Here is how the rest of the Lone Star State is responding:

    Fort Worth
    The Austins pointed to another relief fund as a model, Hear Fort Worth, which has set up their efforts through United Way of Tarrant County. Artists who apply are eligible for a one-time $300 grant. Not coincidentally, the idea for the fund came from another successful initiative, the Fort Worth Artist and Service Worker Relief Fund, a GoFundMe donation campaign organized by local musician, Rachel Gollay.

    “With gig after gig getting canceled, livelihoods are at stake,” Gollay wrote in a statement. “Empty bars, restaurants and venues mean meager funds to take home at the end of the night and little to nothing left to pay the bills. All donations will be equitably divided and transferred among those who request assistance.”

    Austin
    The Austin Music Foundation, founded in 2002 to assist local artists, experienced the double whammy of the cancellation of South By Southwest, which led to a $355 million hit to the economy, and the closure of all concert and performance venues. They pivoted their approach to finding and directing their community to emergency resources.

    The foundation provides one-on-one consultation and online information sessions for musicians and has waived all fees to the Austin music community. They are providing educational programming and additional means to help artists get through these uncertain times.

    “Austin’s music community is enduring this crisis with remarkable fortitude and a sense of solidarity unlike anything I’ve ever seen,” says Jennifer Dugas, executive director for Austin Music Foundation. “The music industry is facing an unimaginable fallout from the global shutdown, the scope of which we may not fully understand for some time. When we come out of this, and we will, I believe our city will be at the forefront of a new way forward for the music business.”

    People can donate directly through the AMF website at www.austinmusicfoundation.org.

    Dallas
    In Dallas, the Artist Relief Fund by Creating Our Future, a group of artists and arts advocates, are raising money to support those affected by closures and lost income. Those in the city can apply via the organizations online form.

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    Movie Review

    Cookie Queens goes behind the scenes of Girl Scout Cookie season

    Alex Bentley
    Aug 7, 2026 | 4:30 pm
    Cookie Queens
    Photo courtesy of Roadside Attractions
    Girl Scouts in Cookie Queens.

    Few people are strong enough to resist the lure of Girl Scout cookie season every year, with the cookies’ limited availability and unique flavors a strong incentive to indulge. But only the girls and their families who have sold the cookies know the joys and stresses of trying to get people to buy them, a process that is detailed in the new documentary, Cookie Queens.

    The film by documentarian Alysa Nahmias uses the stories of four different girls to represent the nationwide ritual for the Girl Scouts. They include 12-year-old Olive in Charlotte, North Carolina, a longtime top seller; 8-year-old Shannon Elizabeth in El Paso, Texas, who wants to earn the reward of going to camp; 5-year-old Ara in San Diego, California, whose goal is modest compared to most other girls; and 9-year-old Nikki in Chino, California, who has to compete with her older sisters in the cookie-selling bonanza.

    The girls represent a cross-section of both ages and backgrounds, with some girls coming from wealthy families and some girls dealing with more limited means. And how much money your family has makes a big difference, as not only does someone richer have more freedom with their time and supplies, but all scouts are required to reimburse the organization for every box they take in, regardless of whether they’re able to sell it or not.

    That caveat makes the journeys of the four featured girls feel wildly different. It’s clear from the start that Olive and Nikki’s families don’t give a second thought to the personal economics of selling cookies, with each girl taking in thousands of boxes at the beginning of the six-week selling season. With both Olive and Nikki rightfully confident that they’ll have no problem offloading their supply, their stories turn to how selling is personally affecting them, with each trying to reconcile the fun of doing it with the pressure they feel from their family members.

    Shannon Elizabeth’s story is more harrowing, as her parents feel a strong desire to help her accomplish her lofty goal, but worry that the cost might literally be too high for the family as a whole. More than once, the parents are shown fretting that they won’t have the money to pay back what they owe should they fall significantly short in their sales. Their selling approach, which includes walking through an empty swap meet and standing outside a chain restaurant at night, only adds to their stress.

    The most fun story to watch is that of Ara, whose innocence is matched by her confidence. Her parents teach her how much money they’ll owe with her small goal of 55 boxes, but right away she takes on more responsibility than expected. She’s shown making sales pitches and tallying the total number of boxes she’s sold with little-to-no help from either her mom or dad. With her high voice, glasses, and a monitor on her arm to manage her diabetes, she becomes the cute and sympathetic part of the film.

    There are times that the film starts to feel more than a little manipulative, however. While many of the moments documented come off as organic, some of them seem like Nahmias is actively guiding the participants in order to get a better story. This is especially evident with Shannon Elizabeth and her family, whose early struggles turn into a miraculous feel-good story by the end, a turnaround that seems implausible at best. Everything with them might have been aboveboard, but Nahmias and her team edit the family’s journey in a way that pushes a bit too hard for emotion.

    Cookie Queens, which was produced by a company owned by Prince Harry and Meghan Markle, helps to give insight into the business of selling Girl Scout cookies for those who’ve only been on the purchasing end of the transaction. The dedication of each girl toward selling their allotted supply proves fun and interesting, even if the filmmaker tries to gild the lily on occasion.

    ---

    Cookie Queens is now playing in theaters,

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