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    RodeoHouston 2021

    RodeoHouston promises bigger, better 2021 season after this year's sudden cancellation

    Johnston Farrow
    Apr 7, 2020 | 2:40 pm

    The curtains are drawn, but the show will return. After a disappointing and heartbreaking end to RodeoHouston 2020, event organizers are already planning a triumphant return in 2021.

    RodeoHouston is still dealing with the effects of closing shop after hosting only eight of 20 shows for the mammoth charitable event that usually runs three weeks and draws well over 2.5 million people to NRG Stadium. But there is hope for next year — the team behind the dust and dirt, cowboy, and music spectacle is already working on plans to bring it back better than ever.

    The situation turned serious on March 11 when Judge Lina Hidalgo and Mayor Sylvester Turner announced an emergency health declaration, effectively shutting down the Houston Livestock Show and Rodeo along with its entertainment division, RodeoHouston.

    “I have to say that all of the folks that we work with, our entire production team on the concert side did an extraordinarily good job under very difficult circumstances,” Jason Kane, manager of entertainment and concert production, tells CultureMap.

    “We got the news literally before the press conference. You have to work through the initial shock and then get to closing up business in an orderly fashion.”

    Even though RodeoHouston soldiered on after Austin officials shuttered the international multimedia event South By Southwest on March 6, it seemed inevitable the city’s biggest annual music event would follow suit. Despite enacting a widespread health and safety campaign throughout the fairgrounds and NRG Stadium, the event couldn’t ignore the warning signs ahead, namely a shelter-in-place order that forced millions of Houstonians to stay home.

    “Internally, people said, ‘Why now?’ And by Tuesday of our second week, the wave was forming,” Kane notes. “By Wednesday, the wave had hit the beach. By Thursday, the tsunami had come in. If it wasn’t Wednesday, it would have been Thursday. There’s no way for me to project what could have happened other than what did happen.”

    Before the show closed down hours ahead of country star Kane Brown taking the star-shaped stage, the effects of people’s concerns had already been felt. For instance, Chance the Rapper only managed to draw short of 62,000 for a Friday night show, far from capacity for a show that drew a lot of buzz.

    The eight shows that did take place produced high-end entertainment. Openers Midland brought charismatic honky-tonk charm and Willie Nelson impressed a 70,000-plus crowd with decades of hits. Chance the Rapper took his crowd to church. Country ingenue Maren Morris admirably performed nine-months pregnant, giving birth to a son soon after her appearance.

    “I think that we had a lot of great shows and the strength of the lineup would have become more apparent as we moved through,” Kane says. “But even the eight shows that we were able to get in had some great results when you look at it in the face of this challenge that was coming at us.”

    The good news is Kane and his team are already working on next year’s event. Hometown Grammy award winner, Lizzo, who easily had the most anticipated show this year, selling out in less than 30 minutes, is on Kane’s wishlist for the 2021 edition.

    “We were disappointed too,” Kane says about Lizzo’s cancelled performance. “All of us were looking forward to it. The layout of the show was going to be a spectacular presentation. I think we can safely say that we’re going to do everything we can to make sure Lizzo gets to play her hometown.”

    Another goal, Kane adds, is to work on bringing back the other artists that weren’t able to perform this year. He is unable to confirm anyone for the next edition as it's still too early in the process, but Kane makes it clear that the 2021 season will be one to remember, dedicated to all those who supported RodeoHouston as they worked through the unprecedented task of closing down early for the first time in its storied, 89-year history.

    “My plan is to have a 2021 lineup that is bigger, better, and gives everybody in our audience in the Houston metro a reason to come out and celebrate,” Kane says. “I think Houston will deserve it, all the rodeo fans deserve it, and I think they’ll all be looking for a real celebration in 2021.”

    Outside the performances, the disappointment, and adverse economic impact, the one thing that stands out in 2020 for Kane was the unbelievable support he received from the community and everyone behind the scenes when faced with a seemingly insurmountable challenge. Many season ticket holders either rolled their passes over to next year or donated the funds back to the rodeo.

    “The unbelievable effort that has been made from the moment we were asked to pull the plug, by everyone involved on this team, volunteers and staff, and all the folks who support us has been absolutely tremendous,” says Kane. “It’s a real statement on the organization but it’s a bigger statement on the heart and mind of this community.”

    Despite being a sell-out, Chance the Rapper only drew a little over 61,000 into the stands.

    Chance the Rapper
    Photo courtesy of RodeoHouston
    Despite being a sell-out, Chance the Rapper only drew a little over 61,000 into the stands.
    houston-rodeo
    news/entertainment

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    Creed concert review

    Creed serve up millennial nostalgia at pyro-packed RodeoHouston concert

    Craig Hlavaty
    Mar 11, 2026 | 11:54 pm
    Creed concert RodeoHouston
    Courtesy of Houston Livestock Show and Rodeo
    Singer Scott Stapp serenades the RodeoHouston crowd.

    Hello, my friend, we meet again.

    I’ve had a torrid relationship with Creed. As a circa-2000s punk rocker, it was implied that I was supposed to hate them. Nevertheless, I enjoyed those hook-laden Mark Tremonti riffs and Scott Stapp’s burly, Bono-grasping vocals, with just a hint of irony deep in the mix. I had “One Last Breath” on a burned mix CD, bunched in with Fugazi, Rancid, and Sham 69. I would skip it as quickly as I could, depending on who was in the car. Driving home from a long day slinging milk in the Kroger dairy cooler? Windows down, Stapp up.

    When I began my music journalism career 20 years ago (!!!), I began sticking up for them, much to the consternation of a lot of my fellow writers who were hung up on stuff that was supposed to be cooler and hipper. Creed’s pop-culture zenith came right as The Strokes and The White Stripes were thrust on us by the music press as a counter to post-grunge, which other music writers were categorically allergic to. Remember when our biggest problems in America were bands that were overtly influenced by Pearl Jam and Alice In Chains?

    In 2012, I interviewed lead singer Scott Stapp along the way for the Houston Press, and I distinctly recall Stapp being confused on our call that a guy from a smug alt-weekly wasn’t asking him stupid questions or making fun of his leather pants. The band was heading to Houston for a two-night stand at the Bayou Music Center in 2012 when they played 1997’s “My Own Prison” and 1999’s “Human Clay” in their entirety.

    Fun fact: “Human Clay” has sold over 20 million albums alone, besting Nirvana’s “Nevermind” and Pearl Jam’s “Ten” by only a relatively small margin. Creed moved more physical CDs when people actually bought music.

    Somehow, along the way, people stopped hating Creed and Nickelback, and the hate gave way to pre-social media, millennial high school, and pre-9/11 nostalgia. The similarly maligned Nickelback sold out the rodeo in 2024.

    On Wednesday, March 11, I saw junior high school kids wearing crispy new Creed shirts with their parents. Gen Alpha is beginning to get curious about what mom and dad were up to during spring break 2001, and Zoomers are rediscovering Y2K fashions. Haven’t you seen those “Mom, What Were You Like In The ‘90s?” memes?

    Creed has been sold out for weeks, drawing 70,007 attendees. If you had told someone 10 years ago that Creed would sell out RodeoHouston, they would have been skeptical. And yet here we are, staring down at a sold-out Creed show. These things run in cycles. Emotions fade. Annoyance turns into wistfulness for the days of Nokia brick phones and 99-cent gas. You can even go on a Creed Cruise now.

    Creed hit the stage just before 9:30 pm, an enviable bedtime for most elderly millennials, kicking off with the TOOL-chugalug of “Bullets,” with Stapp and Tremonti making the best use of their stage platforms, crucial devices for any major rock band in the 2000s. Unrelenting pyro shot from the dirt surrounding the stage every time Stapp lifted or flailed his arms like Elvis if he discovered cardio.

    The dirge of “Torn” — the second single from My Own Prison — was pyro-less, likely giving the cannons a few minutes to cool off. The sweaty Stapp, at just 52, looks to be in better shape than he did 20 years ago, now sporting a conservative haircut like he stepped out of his company’s stadium suite or finished a twilight run at Memorial Park.

    Stapp introduced “My Own Prison” with a preachery pep talk that wouldn’t sound out of place at an altar call at Sturgis. The crowd hung on every emphatic word. Maybe seeing two middle-aged dudes wearing Stryper shirts down on the concourse made more sense than I realized. Is Creed actually just TOOL that accepted Christ? The graphics behind the band could’ve fooled me.

    Stapp introduced “One” with a speech on commonalities and love. Looking back, Creed’s lyrics were much too earnest, hitting at a time when critics were still hungover from grunge.

    During “With Arms Wide Open,” the rodeo cameras would routinely cut to tattooed dads and rocker chicks in the crowd playing air guitar along with Tremonti and singing their guts out like they did the first time they heard it on 94.5 The Buzz. For a large segment of the crowd, they might have had a Gen-X parent jamming this stuff on the way to school in the morning.

    “Are you ready to get higher in here, Houston?” Stapp yells. The place erupts as “Higher” starts. Stapp was in his element, pyro shooting off, his silver jewelry dangling, taking in the crowd, like he didn’t expect such a response.

    Possibly the last true rock power ballad ever recorded, “One Last Breath,” got the biggest screams of the night; it might also be the Gen-Z “Don’t Stop Believing” as long as we’re making wildly controversial statements. [Editor’s note: Isn’t that Mr. Brightside? -ES]

    Welcome back, Creed, from pop-culture purgatory, and props for what might have been the loudest RodeoHouston show in years.

    SETLIST

    Bullets
    Torn
    Are You Ready?
    My Own Prison
    What If
    One
    With Arms Wide Open
    Higher
    One Last Breath
    My Sacrifice

    Creed concert RodeoHouston

    Courtesy of Houston Livestock Show and Rodeo

    Singer Scott Stapp serenades the RodeoHouston crowd.

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