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    RodeoHouston 2020

    Chance the Rapper takes fans to church in RodeoHouston rhymefest

    Craig Lindsey
    Mar 7, 2020 | 10:00 am
    Chance the Rapper RodeoHouston
    Chance the Rapper offered "Blessings" to the RodeoHouston crowd.
    Photo courtesy of RodeoHouston

    You gotta hand it to Chance the Rapper: He has successfully managed to make people who’ve probably haven’t set foot in a church in years listen to his own flexible brand of gospel rap.

    The Grammy-winning, Chicago MC brought church to all those local heathens during his debut performance at the Houston Livestock Show and Rodeo. It was certainly a big show for the rap star, who hasn’t performed live in a year and cancelled his previously planned “Big Tour” (which had a stop in Houston) to spend more time with his ever-growing family.

    Young Chancelor came out swinging at the top of his hour-and-some-change set, doing a couple minutes of his big hit “No Problem,” backed by a seven-piece band that included four backup singers and a trumpet player. But that was just an appetizer for what he really the hype the crowd with: “Blessings.” Once he got into that, he went into proud-preacherman mode, rousing the crowd to sing along and give props to The Man Upstairs.

    Most of the show had the energetic Chance performing many of his most uplifting, inspirational bops. He did his verse from Kanye West’s “Ultralight Beam” — dare we say it — beaming with the Holy Spirit. He went full Michael Jackson, dancing up a storm (“I came to Houston to dance,” he said at one point) during “All Day Long.”

    This was followed by a slew of sportswear-clad dancers, hitting the stage to dance along to “I Got You (Always and Forever).” He even threw fans of his 10 Day/Acid Rap years a few bones by performing “Cocoa Butter Kisses,” “Brain Cells” (where he dipped out of his shoes for a bit) and “Acid Rain.” The only time he didn’t seem to be into it was when he did his verse for DJ Khaled’s poppy “I’m the One,” complete with recorded vocals from Justin Bieber.

    There weren’t any big surprise cameos. (He did give a shout-out to Houston rapper Megan Thee Stallion, who’s been through some much-publicized, record-label drama this week, by calling her an “amazing friend” and “amazing businesswoman.”)

    The only guests he bought out were Houston rapper TisaKorean and his crew for his hit “The Mop” and “GRoCERIES,” which he and Chance dropped last year. (The dancers once again popped up for that one.) Before that, Chance paid respect to Houston rap by doing a cover of the late Big Moe’s “Barre Baby.” He also gave some love to his Houston-born wife Kirsten, showing that God isn’t the only person he gives high praise to on the regular.

    Chance closed things out by giving us another round of “Blessings” — and considering that dude brought in 62,000 tickets, RodeoHouston was definitely blessed to have him.

    Setlist

    “No Problem”
    “Blessings”
    “Cocoa Butter Kisses”
    “Brain Cells”
    “Acid Rain”
    “I’m the One”
    “All Day Long”
    “I Got You (Always and Forever)”
    “Handsome”
    “Sun Come Down”
    “Barre Baby”
    “The Mop” (with TisaKorean)
    “GRoCERIES” (with TisaKorean)
    “Summer Friends”
    “All We Got”
    “Juke Jam”
    “Same Drugs”
    “Blessings (Reprise)”

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    Movie Review

    The Only Living Pickpocket in New York lifts big rewards from small stakes

    Alex Bentley
    Oct 30, 2026 | 10:30 am
    John Turturro in The Only Living Pickpocket in New York
    Photo courtesy of Sony Pictures Classics
    John Turturro in The Only Living Pickpocket in New York.

    John Turturro is one of those people who embodies the term “character actor” the best. With over 120 credits in his nearly 50-year career, Turturro has rarely been the star of any of his projects. Instead, filmmakers have mostly used his unique face, New York accent, and inimitable acting style to help support the lead actors, a role for which Turturro seems well-suited.

    Now 69, Turturro is taking the reins in The Only Living Pickpocket in New York, playing Harry, a long-in-the-tooth thief who still has skills but not as many opportunities. The plucking of wallets isn’t as lucrative in the mostly-cashless modern society, and Harry has little use for smartphones since he doesn’t know how to use them. However, a rare opportunity presents itself when he happens upon Dylan (Will Price), a young man who seems to be as oblivious as he is rich.

    After a clever robbery of Dylan’s vintage car, though, Harry discovers he might be in over his head, especially when he finds a card-shaped USB drive. It's the contents of the drive that soon puts Harry and anyone around him in danger, including his wife, Rosie (Karina Arroyave), who’s suffering from unresponsive wakefulness syndrome; Ben (Steve Buscemi), who helps Harry sell stolen items; and even his estranged daughter Kelly (Tatiana Maslany).

    Written and directed by Noah Segan, the film is a low-key thriller made to emulate the tempo of Harry’s life. While one of the plot points puts a degree of urgency into his actions, for the most part Harry is someone for whom slow and steady always wins the race. He is someone who has developed relationships over decades, including with NYPD Detective Warren (Giancarlo Esposito), and it’s those bonds that help him make it through each day.

    Even though Harry is a criminal, the film treats him as an overall good guy, especially through the way he takes care of Rosie and the generosity he displays with his (stolen) money. Almost no one has a bad thing to say about him, and so Segan comes up with a couple of ways to give him more depth. His one scene with Kelly does the trick, providing a glimpse into a lesser man who clearly existed at one time.

    One of the pleasures of the film for longtime movie fans are the reunions Turturro has with Buscemi (his co-star in The Big Lebowski) and Esposito (his co-star in Do the Right Thing). All three could be all-stars on a team of character actors, with each having made big impressions in all sorts of roles over the past 40 years. Seeing them back together again as very different characters from when they last collaborated underscores the level of talent each of them has.

    Turturro ably carries the load in the lead role, but given his acting style and the type of role he’s called to play, his performance is far from showy. The same goes for Buscemi and Esposito, who are there to give great support to the classic supporting actor. When someone does go over-the-top, as Price does in most of his scenes, it stands out in a bad way. Maslany scores a lot of points in her brief appearance.

    The Only Living Pickpocket in New York is a quiet film with big rewards despite its small ambitions. The beauty of the story lies in its small details, both character-related and not. Turturro rarely disappoints when he’s not the lead actor, and he demonstrates that he’s equally capable of making a movie great when he’s out front.

    ---

    The Only Living Pickpocket in New York opens in theaters on October 30.

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