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    RodeoHouston 2019

    Here is the best and worst of RodeoHouston 2019, according to a VIP

    Johnston Farrow
    Johnston Farrow
    Mar 19, 2019 | 1:55 pm

    Another RodeoHouston moseyed into the sunset on Sunday, March 17, saving the biggest, and one of the best concerts, for last with an appearance by country legend George Strait.

    Jason Kane, managing director of entertainment and concert production, is basking in the afterglow during a call the next morning. Overall, the annual music event was a success, drawing 1,337,725 attendees over three weeks to see top-tier talent take to the star-shaped stage. Talking to CultureMap, Kane says there were no major issues this season.

    “The challenges we faced on a day-to-day basis are the things you get over, the cost of doing business,” says Kane.

    That said, there is no such thing as a perfect event, and even Kane acknowledges a few things he would have liked to see work out differently. Here are the highs and lows of RodeoHouston 2019.

    Highs

    Diverse lineup
    This was the most diverse lineup in the history of RodeoHouston — without giving up its strong focus on country and western music. Genres represented included pop, pop-rock, EDM, Latin music, classic rock, and hip-hop. The mix of sounds brought in new audiences to the rodeo grounds with rapper-du-jour Cardi B selling out in 40 minutes, Los Tigres del Notre packing NRG with Latin music fans, Zedd turning the stadium into massive rave warehouse, and pop star Camila Cabello bringing out the millennials en masse.

    “I’m not sure I’d change much, and I really feel like with a lot of our shows, we really reflected the city of Houston," Kane says. "When I looked at the crowd, when we went out on the grounds, it almost looked like a physical picture of a census profile. At least for now, depending on upon where music goes, and what’s hot and what’s not, I think we’ve found a groove.”

    A diverse line-up also meant diverse voices. Panic! at the Disco made their support for LGBTQ issues known, displaying the rainbow flag proudly during their performance of "Girls/Girls/Boys."

    “Music has always led or reflected what’s going on in society," says Kane. "There are going to be entertainers that have a certain view. I think the rodeo, by it’s very nature, with 34,000 volunteers and all the things we have going on here, we’re big enough to support all of it.”

    Return of classic country stars
    RodeoHouston is still a country-centric event, and organizers worked to draw the best names in the industry. It's also one of the few events in which the same performers can play several years in a row, and 2019 saw repeats from the previous year, including Chris Stapleton, Luke Bryan, and Brad Paisley. But it was also a welcome return for big time acts that hadn't been to Houston in sometime, the most notable being George Strait's monstrous closing set.

    “I’m glad we got Brooks and Dunn back, I’m glad Tim McGraw came back, and of course, George Strait is a rodeo staple,” says Kane.

    The team behind the scenes and lighting and sound
    RodeoHouston employs its own production team and is also served by a massive group of volunteers.

    "What I was most proud of was our production team and the people that helped me produce the concert portion of the rodeo show and what they did to make our entertainment partners feel welcome," Kane says. "We can’t expect to get double-A level entertainment unless we’re able to adequately take care of them from a production and hospitality basis."

    LD Systems, the Houston company responsible for the sound and lights for nearly all the memorable music events in the city (AstroWorld, Day for Night, etc.) oversaw the hundreds of lights and speakers throughout the stadium. Production-wise, each show complemented the artist on stage, and even though NRG isn't the most acoustically inclined performance space, the sound worked well throughout the venue.

    “Frankly, I’m not an EDM guy, but Zedd was just a great show," Kane says. "What was nice about it was our guys from our light and sound company did a great job in terms of lighting the stadium and making it look really good.”

    High attendance
    RodeoHouston 2019 crowds broke attendance records a remarkable three times. The first came during Cardi B's performance, which drew 75,580, more than any other artist in the history of the event (take that, Garth Brooks), sending the internet in a tizzy. That died out just over a week later with norteño group Los Tigres Del Norte beating that number by six people on Go Tejano Day. Finally, George Strait managed to pack more people into NRG for a concert-only event with 80,108, beating his own record set in 2013.

    No one could have predicted Kacey Musgraves and Cardi B would take home multiple Grammy Awards in the weeks leading up to RodeoHouston. Organizers simply knocked it out of the park this year with the lineup.

    “I just think there are years that you hit it," Kane says. "Our job here is to be able to put together a lineup of first-class entertainment in such a way that is financially feasible for a charity such as ours, a 501(c)(3) that has an educational mission. Sometimes you have to find artists early enough that it becomes a home run by showtime.”

    Lows

    Disappointing turnout for EDM
    Unfortunately, the crowds didn't turn out for German-Russian producer Zedd on a Friday night, despite having the most energetic crowds of the year, a crazy laser and pyro show taking the performance to the next level. Only 54,959 paid to witness the spectacle, one of the lowest turnouts of the season. But Kane doesn't rule out booking EDM in the future, a good sign for those who like grooving away all those fried-food calories consumed at the carnival midway.

    “I think it was a little bit of weather, maybe it was the start of spring break," Kane says "Unfortunately, I think Zedd, in certain circles, is a well-known commodity. But in terms of the general public, I’m not sure he has the same profile as say, the Chainsmokers had when we had them here [in 2017]. He’s not as readily played, although he’s part of many hit songs.”

    Weather
    Holding a three-week event at the end of the winter season is bound to run up against some cold and rainy days. A handful of shows suffered due to what will likely amount to the last cold snap of the year. Kane admitted that he wished the weather cooperated better, but ultimately it was something he could not control.

    CultureMap columnist Ken Hoffman wondered if RodeoHouston should move back a few weeks when weather is more predictable, but Kane says the logistics of RodeoHouston mean it will likely stay close to its current dates for the foreseeable future.

    “I would love to be able to get out of the rainy weather because this show does not do well in the rain and cold," Kane says. "People will just stay home, and I get the reason why. I would like to do that, but it becomes a really complicated affair — the dates are negotiated well in advance, and it becomes a dance between the interests in the county and other folks here at NRG that have an interest.”

    RodeoHouston attracted over 1.3 million attendees in 2019 and broke attendance records three times.

    Whataburger shake
    Courtesy photo
    RodeoHouston attracted over 1.3 million attendees in 2019 and broke attendance records three times.
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    Concert News

    Jack Johnson rides into Houston on surf-themed 2026 tour

    Alex Bentley
    Nov 7, 2025 | 1:00 pm
    Jack Johnson
    Photo by Tahnei Roy
    Jack Johnson will play at Dos Equis Pavilion in Dallas on August 30, 2026.

    Singer-songwriter Jack Johnson, known his for laidback surf-rock music, will embark on the SURFILMUSIC Tour in 2026, which will include a stop at the Cynthia Woods Mitchell Pavilion in The Woodlands on Friday, August 28.

    The expansive 43-date North American tour, which starts on June 19 in Gilford, New Hampshire, will have three separate legs.

    The three Texas dates — The Woodlands on August 28, Austin on August 29, and Dallas on August 30 — will be part of the second leg, where Johnson will be joined by Lake Street Dive.

    The tour is Johnson’s first since 2022 and will celebrate a new era of music, film, and environmental connection rooted in his 20+ year career.

    Johnson is touring in support of a forthcoming soundtrack, scored by Johnson and Hermanos Gutiérrez for a new documentary, SURFILMUSIC, that chronicles Johnson’s evolution from surfer to filmmaker to musician.

    The film, which will be released in 2026, weaves through the making of his iconic surf films Thicker Than Water (1999) and The September Sessions (2000), which paved the way for his music career.

    It celebrates the lifelong friendships and ocean-driven community that shaped Johnson’s path, and features many of the surfers who appeared in the original films, including Kelly Slater, Rob Machado, and the Malloy Brothers.

    Johnson released his first album, Brushfire Fairytales, in 2001, and he has gone on to put out eight other albums, most recently Meet the Moonlight in 2022.

    Fans can register for the Jack Johnson presale at jackjohnsonmusic.com, now through Sunday, November 9. The presale begins Monday, November 10, 2025 at 10 am local time and runs through general on-sale date of Friday, November 14.

    Jack Johnson SURFILMUSIC 2026 Tour Dates

    • June 19 – Gilford, NH – Bank of New Hampshire Pavilion
    • June 20 – Mansfield, MA – Xfinity Center
    • June 21 – Holmdel, NJ – PNC Bank Arts Center
    • June 24 – Saratoga, NY – Saratoga Performing Arts Center
    • June 26 – Columbia, MD – Merriweather Post Pavilion
    • June 27 – Philadelphia, PA – Highmark Mann Center
    • June 28 – Wantagh, NY – Northwell at Jones Beach Theater
    • June 30 – Toronto, ON – RBC Amphitheatre
    • July 1 – Canandaigua, NY – CMAC
    • July 3 – Burgettstown, PA – Pavilion at Star Lake
    • July 4 – Noblesville, IN – Ruoff Music Center
    • July 5 – Grand Rapids, MI – Acrisure Amphitheater
    • July 7 – Cuyahoga Falls, OH – Blossom Music Center
    • July 8 – Cincinnati, OH – Riverbend Music Center
    • July 10 – Clarkston, MI – Pine Knob Music Theatre
    • July 11 – Chicago, IL – Huntington Bank Pavilion at Northerly Island
    • July 12 – Shakopee, MN – Minnesota Quarry Amphitheater
    • August 18 – West Palm Beach, FL – iTHINK Financial Amphitheatre
    • August 19 – Tampa, FL – MIDFLORIDA Credit Union Amphitheatre
    • August 21 – Alpharetta, GA – Ameris Bank Amphitheatre
    • August 22 – Raleigh, NC – Coastal Credit Union Music Park
    • August 23 – Charlotte, NC – PNC Music Pavilion
    • August 25 – Nashville, TN – Ascend Amphitheater
    • August 26 – Orange Beach, AL – The Wharf Amphitheater
    • August 28 – The Woodlands, TX – Cynthia Woods Mitchell Pavilion
    • August 29 – Austin, TX – Germania Insurance Amphitheater
    • August 30 – Dallas, TX – Dos Equis Pavilion
    • September 1 – Riverside, MO – MORTON Amphitheater
    • September 2 – Greenwood Village, CO – Fiddler’s Green Amphitheatre
    • September 3 – Greenwood Village, CO – Fiddler’s Green Amphitheatre
    • September 4 – West Valley City, UT – USANA Amphitheatre
    • September 6 – Stateline, NV – Lake Tahoe Amphitheatre at Caesars Republic
    • September 26 – George, WA – The Gorge Amphitheatre
    • September 27 – Bend, OR – Hayden Homes Amphitheater
    • September 28 – Troutdale, OR – McMenamins Edgefield Amphitheater
    • September 30–October 1 – Berkeley, CA – The Greek Theatre
    • October 3 – Santa Barbara, CA – Santa Barbara Bowl
    • October 4 – Santa Barbara, CA – Santa Barbara Bowl
    • October 6 – Phoenix, AZ – Talking Stick Resort Amphitheatre
    • October 9 – Chula Vista, CA – North Island Credit Union Amphitheatre
    • October 10– Los Angeles, CA – Hollywood Bowl
    • October 11– Los Angeles, CA – Hollywood Bowl
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