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    Live Music Now

    Houston musicians play a different tune amid sudden venue closures

    Johnston Farrow
    Johnston Farrow
    Mar 17, 2020 | 2:35 pm

    Just over a week ago, a co-worker joked amidst growing concerns around the spread of COVID 19 — aka coronavirus — if all shows are cancelled, what will you write about?

    That joke isn't funny anymore.

    Friday, March 6, is a day that many will remember forever. As an abundance of caution, Austin mayor, Steve Adler, shut down South By Southwest, one of the largest music and multimedia gatherings in the country —despite not having a confirmed case of the virus in the city. It left many in the city to wonder, would our biggest music event of the year, RodeoHouston, be next?

    Buoyed by Bayou City grit and determination, RodeoHouston soldiered on. Event organizers released a statement that since it didn’t draw nearly as many international guests, that RodeoHouston would continue while working hand-in-hand with local city health officials in addition to instituting widespread sanitation measures throughout the rodeo grounds.

    Then, it happened. Houston Mayor Sylvester Turner and Harris County Judge Lina Hidalgo made the announcement on Wednesday, March 11, at a noon press conference making an emergency health declaration, effectively shutting down RodeoHouston for the first time in 87 years. To add to the sober moment, Turner noted that someone that tested positive for the virus had attended cook-off the previous Friday.

    As CultureMap reported, the projected economic reach of RodeoHouston was around $391 million in 2019. It was inevitable the other cowboy boot would drop on the rest of the Houston live music scene. Other venues started to close down operations across the local entertainment industry with concert cancellations falling like autumn leaves in a brisk wind.

    That didn’t stop The Continental Club from hosting one last party. Local DJ Disko Cowboy performed at the aptly named Doomsday Disco, which, in hindsight, might not have been the best idea ahead of the self-quarantine measures encouraged by governmental agencies only days later.

    Unfortunately, what the RodeoHouston closure could not do, the U.S., Texas, and Houston governments did. To put it bluntly, every venue is effectively shut down. With President Trump asking people to limit gatherings to 10 people to slow the spread of COVID-19, there simply is no wiggle room for event spaces to do legitimate business.

    But art finds a way in the darkest days. Artists need an outlet to create and perform, and many local acts swiftly stepped up to the plate to replace lost income or simply show solidarity with all those effected by the financial and cultural fallout in Houston.

    Indie surf rock and aquatic-themed Swimwear Department announced a “quarantine livestream” concert on March 14 evening via YouTube, in what seems now like a prescient move. World renowned bands are now following suit. Coldplay and John Legend performed via social media channels on March 16 and March 17.

    Keith Urban, who was supposed to take the stage at NRG Stadium on March 16, instead livestreamed a performance featuring his wife, Nicole Kidman, on Instagram, a small condolence to fans who had purchased tickets to the Houston show.

    Local synth pop duo Space Kiddettes, who have always had a strong online presence, announced they would perform online throughout the week in various ways, including their LiveStream events on Mondays, featuring music, chats with fans, and jams with invited virtual guests. Thursdays will feature a hybrid musical workout called Blood, Sweat, and Tears to promote physical and mental health. As a forecast of what’s likely to come, their cancelled March 26 Abundantly Queer live show at Pearl Bar will be streamed virtually with viewers asked to donate via Venmo with proceeds going directly to Pearl staff. Check out their Instagram and Facebook feeds for more.

    Closures be damned, Irish rock act Blaggards planned to virtually celebrate St. Patrick’s Day in self-quarantine style from their Facebook channel at 4 pm. They requested viewers donate to the Houston Food Bank.

    Even as bands adapt to the new reality, the biggest question right now is how will the Houston music scene recover from this unprecedented shuttering? Not only are venues losing thousands in revenue, but staff and vendors are out of work with no end to the mass closure in sight. Local musicians are out of paid gigs at their usual Houston spots and touring acts postponed any travel until later this year at the earliest.

    It's not a debate that music will live on in some incarnation and concerts in Houston will return. The unknown answer is when will that be and how the local landscape will look when it does.

    White Oak Music Hall is one of many venues shutting down shows for the next few weeks.

    White Oak Music Hall Opening, 8/16
    Photo by Julian Bajsel
    White Oak Music Hall is one of many venues shutting down shows for the next few weeks.
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    Movie Review

    Twin sisters set out for revenge in Tarantino-esque film 'Is God Is'

    Alex Bentley
    May 15, 2026 | 10:00 am
    Kara Young and Mallori Johnson in Is God Is
    Photo by Patti Perret
    Kara Young and Mallori Johnson in Is God Is.

    The revenge story is one of the most enduring in all of cinema as it can be adapted to multiple different genres. It most naturally fits in the action/thriller genre, but comedies, dramas, Westerns, and more have made good use of characters seeking revenge. The new film Is God Is demonstrates that malleability by detailing an intensely personal story that turns into something bigger.

    Twins Racine (Kara Young) and Anaia (Mallori Johnson) have lived a difficult life, going in and out of foster care and forced to endure stares and taunts because each bears burn scars from a childhood attack. Racine, whose scars are “only” on her left arm, has developed into the protector of Anaia, who suffered burns over much of her face.

    An unexpected call from their mother, Ruby (Vivica A. Fox), who was burned almost beyond recognition in the attack, gives them a purpose: Seeking revenge on the man who ruined their lives. Setting out in a barely working car and with only a small amount of direction, the sisters attempt to fulfill the mission without losing their souls.

    Written and directed by first-time feature filmmaker Aleasha Harris, the film may remind some viewers of Quentin Tarantino’s Kill Bill, and not just because Fox has small roles in both films. Harris has a knack for dialogue, especially between the twins, that ably gets across the story exposition and entertains at the same time. There are many instances where she has the sisters hold silent conversations told on screen via subtitles to convey twin-speak, a method that deepens their connection and draws the viewer in.

    Harris also has her characters engage in the type of shocking violence that Tarantino has used to great effect. The difference here, though, is that even though the story is heightened to a certain degree, the egregious nature of the crime perpetrated upon the girls and their mother makes the whole thing feel bracingly real. This revenge plot is not meant to merely entertain; it’s designed to put the audience in Racine and Anaia’s shoes and fully embrace the call for justice.

    There are a few times when the lack of experience by Harris shows up, especially in the climactic sequence where the stunt work could have used some more precision. But overall, it’s a self-assured filmmaking debut for the playwright-turned-director, who’s adapted her own play with a richness and depth that is not often found from someone stepping behind the camera for the first time.

    Young and Johnson don’t especially look alike, but they embody the essence of twin sisters, and it’s their chemistry together that makes the story as impactful as it is. They’re joined by other strong female performances by Fox, Erika Alexander, and Janelle Monáe, each of whom brings a different vibe. And anyone who loves This is Us or Paradise should prepare themselves for a completely different kind of role for Sterling K. Brown.

    Is God Is uses a variety of inspirations for its storytelling, but in the end it becomes its own thing. The filmmaking world can always stand to have another strong Black voice, and Harris has made an auspicious debut, one that should have cinephiles wondering what she’ll do next.

    ---

    Is God Is opens in theaters on May 15.

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