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    Music Matters

    Diana Ross is a Beatles-sized legend: Time to give this diva her due

    Michael D. Clark
    Mar 1, 2011 | 6:49 am

    To understand the the enormity of having a true diva like Diana Ross playing the Verizon Wireless Theater on Tuesday night is to first understand some simple mathematics: Two is better than one.

    As in two Hall of Fame careers worthy of immortality in the history of Motown, R&B, disco and pop — as Ms. Ross has enjoyed, first with The Supremes and the as a solo artist — is at least one more than most anybody else could ever aspire.

    Beginning as the leader of The Supremes in the 1960s, Ross changed pop music, not only leading the way in making this youthful movement a multi-cultural art form, but a multi-gender one as well. At the height of The Supremes power in the mid-1960s, Ross and her harmonic peers owned the charts and radio scoring No. 1 hits and selling albums with a frequency and volume enjoyed only by their white, male, British mop-topped peers, The Beatles.

    "Where Did Our Love Go," "Baby Love," "Stop! In The Name of Love," "You Keep Me Hanging On," "Love Child." All of these are former top-charting songs and form the spine of a very large discography that makes the The Supremes the still-reigning most successful female vocal group of all time. Their 33 Top-40 singles has meant sales of over 100 million records (and still counting).

    And that only accounts for Ross' first decade in the music biz. Since going solo in 1970 she went back to the top of the charts with a cover of "Ain't No Mountain High Enough" as well as songbird sonnets like "Touch Me in the Morning," and "Theme from Mahogany (Do You Know Where You're Going To)." In the '80s she took disco dance floors by storm with the funky "Upside Down" and then melted hearts and helped couples make babies with her No. 1 duet with Lionel Richie, "Endless Love."

    Along the way she earned Grammy nominations, an Oscar nomination and a Golden Globe for her 1972 portrayal of Billie Holliday in Lady Sings the Blues, and even a Tony award for a 1977 one-woman Broadway show. In more recent years she was honored with the very prestigious John F. Kennedy Center Honor for the Performing Arts Award and the Guinness Book of World Records declared her the most successful female music artist in history.

    So, yeah, having Diana Ross in Houston is kind of a big deal.

    If you can get to this show, then don't miss out. The opportunity to see an honest-to-goodness legend in person doesn't come around very often.

    Diana Ross, 8 p.m. Tuesday at Verizon Wireless Theater

    Tickets: $49-$139

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    Movie Review

    Rachel McAdams goes feral in Sam Raimi's gory new comedy Send Help

    Alex Bentley
    Jan 29, 2026 | 2:30 pm
    Rachel McAdams in Send Help
    Photo by Brook Rushton
    Rachel McAdams in Send Help.

    Director Sam Raimi has gone through different phases as a filmmaker, including leading the first Spider-Man trilogy and joining the MCU with Doctor Strange in the Multiverse of Madness. But he first gained notice with the gory and funny Evil Dead movies, a sensibility he’s returning to with his latest film, Send Help.

    Linda Liddle (Rachel McAdams) is a meek and eccentric middle manager at a financial firm that’s just named Bradley Preston (Dylan O’Brien) as its new nepo CEO. Bradley’s dad had promised Linda a promotion to vice president, but she gets passed over in favor of one of Bradley’s frat buddies, sending her into a mild rage. Still, she gets invited along on a planned business trip to Thailand, during which she hopes to prove her worth.

    Unfortunately for most of the passengers on the private plane, it crashes into the ocean, leaving only Linda and Bradley alive on a deserted island. Linda, who has privately developed survival skills, adapts quickly to the forbidding environment, while Bradley tries to revert to bossing her around. But Linda quickly understands the power dynamic has shifted, and she uses this knowledge to try to keep Bradley in line, turning their stranding into a battle of wills.

    Directed by Raimi and written by Damian Shannon and Mark Swift, the film is the classic “so bad it’s good” kind of experience. McAdams, inarguably an attractive and charming person, is given stringy hair, an antisocial personality, and quirks like eating tuna fish at her desk to make her as off-putting as possible. Bradley, along with almost everyone else at her office, is stereotyped just as hard in order to set up the twist of fate.

    When the action shifts to the island, things get even more over the top. The audience has already been primed for Linda to demonstrate her survival expertise, but the film does way more than just show her making fire. Whether it’s flawlessly building a shelter or hunting a wild boar, everything Linda does is portrayed in a slightly off-kilter manner. Then they turn everything up to 11, indulging in gore that is so unnecessary that you can’t help but laugh.

    The filmmakers prove they’re in on the joke the rest of the way, including a variety of preposterous but hilarious scenarios that would cause massive eyerolls if they were actually trying to take the film seriously. While they do a great job of showing Linda’s ability to handle herself in the wild, they also show that she is somehow the only person in the world who could get a glow up after a plane crash and weeks living in nature.

    McAdams, an Oscar-nominated actor for Spotlight, is way too high class for a movie like this, which makes her presence here all the more interesting. She is all-in on whatever Raimi wants her to do, and she’s at her most fun when she goes the animalistic route. O’Brien, who was great in the recent Twinless, doesn’t get as much of an opportunity to show his range, but he still proves to be an interesting foil for her.

    Were it released in any other month, Send Help might be looked at as bottom of the barrel material. But with the movie year just getting started, it’s easier to forgive its outrageous plot twists and just have fun, especially since Raimi and his team put the rest of the film together so well.

    ---

    Send Help opens in theaters on January 30.

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