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    NYT on HOU

    New York Times showcases Bayou City's best in glowing '36 hours in Houston' travel guide

    Eric Sandler
    Jan 19, 2023 | 9:59 am

    With events like the rodeo, the Final Four, and the College Football National Championship coming to Houston in the next 12 months, travelers will be flocking to Houston. Of course, they’ll need some advice about where to say, eat, shop, and sightsee.

    The New York Times offers its suggestions in the latest version of it “36 hours in Houston” column, an update to articles it has published in 2010 and 2016. In this edition, author Shannon Sims, identified in the article as a writer who “grew up in Houston and lives there today,” offers a mix of Houston classics with some newer options for people who want to experience the city’s diversity — or, at least, a mostly Inner Loop version of it.

    As for where visitors should stay, Sims suggests a trip to the Texas-shaped pool at Marriott Marquis Houston or La Maison in Midtown, a cozy bed and breakfast.

    She also lauds La Colombe d’Or, noting that the 100-year-old Montrose manse “exudes luxury, from the glamorously moody hotel bar to the slick rooftop pool.”

    Then, it's on to her first two recommendations. She suggests visitors take in artist Yayoi Kusama’s installation inside the Nancy and Rich Kinder Building at the Museum of Fine Arts, Houston that opened in 2020. After wandering through the galleries, travelers should head to the classic West Alabama Ice House for beer and tacos from the popular Tacos Tierra Caliente food truck that parks next door. For dinner, travelers should drive or rideshare to Chinatown for Viet-Cajun fare from Crawfish & Noodles.

    Saturday morning kicks off with breakfast at Koffeteria, pastry chef Vanarin Kuch’s inventive EaDo bakery and cafe. Visitors can get a sense of the history of Black Houstonians with walking tours at downtown’s Sam Houston Park and through Freedmen’s Town.

    Sims acknowledges that “identifying the best Texas barbecue in Houston is a fool’s errand.” Recognizing, however, that many visitors will feel slighted without eating some smoked meat, she sends them to Truth Barbecue on the corner of Heights Boulevard and Washington Avenue for the “mandatory” brisket, “peppery” pork ribs, and brisket boudin sausage. Note to travelers: Truth frequently serves Carolina-style whole hog on Saturdays, too.

    A busy Saturday afternoon itinerary includes shopping the vintage stores and boutiques on lower Westheimer followed by a walk through along Buffalo Bayou to Eleanor Tinsley Park. In keeping with the classic foods of Houston aspect of the itinerary, Sims suggests The Original Ninfa’s on Navigation along with some other Tex-Mex options for a proper feast of queso, fajitas, and margaritas. Wrap up the evening with a bar crawl on Main Street in downtown.

    Visitors should complete their experience with a Sunday morning visit to Hermann Park followed by brunch (and fantastic people watching) at Lucille’s. Last stop: a casual walk among the oak trees and elegant homes on North and South Boulevards.

    Overall, Sims provides readers with a comprehensive list of suggestions for Montrose, the Museum District, and downtown. Still, a few alternatives would make the itinerary a little more contemporary.

    Although she notes that EaDo is the “part of Houston has changed the most over the past five years,” her only recommendation in the neighborhood is Koffeteria. Travelers could swap Saturday night’s Main Street bar crawl for EaDo options like Miss Carousel, the Sunset Rooftop Lounge, and breweries such as 8th Wonder and True Anomaly.

    Similarly, those who want to dive more deeply into Black Houston could swap out Truth Barbecue and the Montrose shopping jaunt for lunch at Rays Real Pit BBQ Shack, a visit to the University Museum at Texas Southern University, and a stop at Kindred Stories, a nearby bookstore. Hermann Park makes sense for its proximity to Lucille’s, but Memorial Park’s new, 100-acre Land Bridge and Prairie project would be a little more current.

    Finally, making a definitive statement about Houston’s best taco truck is just as much of a “fool’s errand” as naming a best barbecue joint. Sims plants her flag for Tacos Tierra Caliente, but those looking for other options should consider Texas Monthly taco editor José Ralat’s “Houston Taco Trail.”

    Kusama: At the End of the Universe
    MFAH Courtesy Photo

    Visit the Kusama installation at the Museum of Fine Arts, Houston.

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    preserve Houston's history

    Preservationists stage last-ditch attempt to save historic Houston theatre

    Emily Cotton
    Feb 17, 2026 | 3:30 pm
    Garden Oaks Theatre protest
    Courtesy of Arthouse Houston
    Community members rally to preserve the Garden Oaks Theatre.

    Houstonians residing in the Heights, Garden Oaks, and far beyond were thrown into a tizzy last week by the abrupt news that the Garden Oaks Theater had been purchased by commercial developers in a $7.1 million, off-market deal.

    Within a matter of days, demolition permits were granted, sewer lines disconnected from the city, and — as of Monday night — construction fencing was placed around the property. Both Preservation Houston and Arthouse Houston, an offshoot of the Friends of River Oaks Theatre, have voiced concerns over the apparent plans to raze the Art Deco building before the community has had time to react to the news.

    Built in 1947, the Garden Oaks Theater is one of several post-war Houston theaters designed for the Interstate Circuit by H.F. Pettigrew and John A. Worley of the Dallas firm Pettigrew & Worley, alongside its sister cinema, the River Oaks Theatre. It is a classic example of streamlined Art Deco design — an architectural gem that connects Houston’s everyday streetscape to its cinematic past.

    Arthouse Houston has been sitting on preservation plans for the theater for years, waiting for it to be sold by the church that had owned and utilized the building since the 1990s. The 700-plus seat theater, along with its stage, has retained its original architectural details and features throughout the years, save for a short stage extension project carried out by the church.

    Developers have not responded to proposals by Arthouse Houston to either buy or lease the movie theater to return it to its original use while simultaneously operating as a community arts center and much needed “third place.”

    According to State of Texas records, parties involved include the Heights Equity Trust, Sage Equity Partners, and Heights Investment Fund, LLC. None of these entities have responded to CultureMap’s request for comment about their plans for the property.

    Jim Parsons, programs and communications director for Preservation Houston, issued this statement to CultureMap:

    “The Garden Oaks Theater and buildings like it give the city a sense of identity. People don't just recognize these places, they remember them. Houston is always changing, but when we treat historic architecture as disposable, we risk losing the landmarks that anchor neighborhoods and give them character.”

    Maureen McNamara, Arthouse Houston’s co-founder and director, is hoping that developers took note of the “save the theater” rally that took place at the theater on Sunday, February 15, and may have a change of heart. Coverage of the rally by ABC13 was widely circulated on social media, so it’s unlikely that the developers are unaware of the public outcry to save the theater — and is what likely led to fencing going up only a day later.

    “We feel like we’re pretty well poised to step in and help investors to incorporate the theater into a larger project, and the first step is to make sure that we win them over,” McNamara tells CultureMap. “Part of winning them over is making sure they know how much the community cares, and seeing how beautiful and dynamic restoring our historical buildings and theaters can be.”

    The restoration of River Oaks Theatre and the attention that project has brought to the area is something McNamara is confident she can replicate.

    “There are nonprofit organizations all over the US saving and running historic theaters as community arts centers, and arts and film centers — there are models for this. Austin just did a big push with the Paramount Theatre,” says McNamara. “I’d like for it [Garden Oaks Theater] to exist for its original purpose — at least in part, as a movie theater — with some live theater components as well.”

    A petition on change.org has already garnered more than 1,000 signatures. In addition, Arthouse Houston will attend a Houston City Council meeting on Wednesday, February 18, at 9 am to discuss what there is to be done about this situation. McNamara encourages people to join them.

    “We would love any help we can get getting people there, signing up to speak if possible — it would be great to have a crowd there.”

    Garden Oaks Theatre protest

    Courtesy of Arthouse Houston

    Community members rally to preserve the Garden Oaks Theatre.

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