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    Q&A with the Midway Gourmet

    Ken Hoffman gets the inside scoop on the Rodeo carnival's best bites

    Ken Hoffman
    Mar 4, 2024 | 11:00 am
    Dominic Palmieri rodeo carnival midway food Hot Cheetos Cheese Pickle Pizza

    Dominic Palmieri is the Midway Gourmet

    Photo by Brandon Strange

    Each year, I have one day circled on my calendar. That’s when Dominic Palmieri, the “Midway Gourmet,” takes me and my merry band of taste testers on a lap around Restaurant Row on the Carnival grounds at the Houston Livestock Show and Rodeo.

    Palmieri was in rare form last week, treating us to the stories behind more than a dozen new items guaranteed to make your eyes roll and tummy squeal with delight. Next year I’m bringing a cot for a mid-tour nap.

    This year my roster of taste-testers consisted of Andrew Hoffman (15th year on the job — nepotism has its rewards), Matthew Clemens (eight years), Andrew and Nikki Hardee (four and two years). Nikki is still on probation, and I’ve got to be honest, it doesn’t look good for her – excessive use of napkins.

    But before the pig-out begins, here’s a fast Q&A with the man responsible for ensuring that each turkey leg is cooked to perfection and each deep-fried Twinkie makes you give self-control the night off.

    CultureMap: How many years have you and Ray Cammack Shows been with the Carnival at the Houston Livestock Show and Rodeo?
    Dominic Palmieri: Ray Cammack Shows has run the Carnival for 31 years, the same period I’ve been here with my food booths.

    CM: What’s the latest trend for food at the Carnival?
    DP: For the past few years, spicy was the rage. Now it’s spicy and sour. We’re seeing a lot of pickles. We’re seeing a lot of things with sour candy. Even some of our seasonings are sour, like tajin, which is very much a chili-lime seasoning. It was all about bacon five years ago. Then spicy had a really good run. Now we’re seeing a crossover into sour. For example, we have a Pickle Split that is just like a banana split except we slice a pickle in half lengthwise instead of a banana. We also have a Hot Cheetos Pickle Pizza.

    CM: Do you have to take generational tastes into account when you develop a new product? For example, a younger person might be willing to try pickles on a pizza while veteran pizza fans might be aghast at the thought. Put me down for aghast.
    DP: Yes, and the reason young people are willing to try pickles on pizza, and like it, is because of FOMO, the fear of missing out. They're seeing our new food selections on their Instagram and their social media. They see 3,000 people talking about it on social media. They know what we have and where to find it. Young people don’t have to come to the Rodeo and go searching for the Pickle Split. Social media has given us a greater upper hand to bring these wild and wacky food items to the masses.

    CM: The popularity of the Food Network and the Cooking Channel has created a boom in food awareness. Has that put pressure on you to come up with more creative products?
    DP: Absolutely and I’ll give you an example. Carnival Eats has been one of the top shows on the Cooking Channel for 13 years now, a full generation of Rodeo goers. It’s shown all of the amazing foods that you can get when you come to the Rodeo. What Food Network has done is expose people to new types of foods that they've never seen before. It piques their interest and they say 'wow, I've got to go to the Rodeo and try that.'

    CM: When do you start preparing for the Houston Livestock Show and Rodeo?
    DP: We start thinking about the Houston Livestock Show and Rodeo in July each year. The media is part of the preparation process. I start getting phone calls from reporters in Houston around October asking me what’s the new deep-fried treat, what’s the next trend? Everybody wants the big scoop.

    CM: Every time I pass a restaurant I see a big “Help Wanted” sign in the window. Are you getting enough workers to staff the Carnival this year?
    DP: We did have some difficulty last year. But the economic reality has changed. Many people are now living paycheck to paycheck. So we have had a tremendous number of people coming to us looking for work. They need hours. They want extra money. They’re willing to work. We actually have more employees than we've ever had at the Houston Livestock Show and Rodeo this year.

    CM: You’ve maintained your requirements for employment?
    DP: Yes, we do drug testing and background checks. We have a policy with respect to uniforms, piercings, tattoos that are visible, and more. We stick to those guidelines because that is our company’s culture and we don’t stray from that.

    CM: When it comes to food prices, what goes up doesn’t necessarily come down. I almost fainted when you told me that you’ve lowered the price of turkey legs this year.
    DP: Last year, $21. This year, $20! We just happened to get very lucky when we put in our order for turkey legs this year.

    We order seven tractor trailers full of turkey legs, by the way. We saw a decrease in price and we’re passing that along to the customer. We feel it’s in the best interest of the customer and to our brand. If there’s a savings we can pass along, we will do it. We still expect to maintain a certain level of profitability. If we didn’t, we wouldn't be able to come back year after year. Our priorities will always be safety, quality and customer service, in that order.

    CultureMap: Deep-fried, marshmallow-covered frogs legs may come and go, but corn dogs are forever. What’s the Mount Rushmore of food items at the Rodeo?
    DP: Corn dogs, turkey legs, sausage on a stick, funnel cakes, and deep-fried Oreos. (That’s five things, but are you here to eat or do math homework?)

    CM: Not to get all gushy, but your Nashville Hot Chicken and Tater Tots is the single best thing I’ve ever eaten outdoors. Man, those tots! Did you notice everybody’s hands digging into those tots? Talk to me.
    DP: We had Nashville Hot Chicken last year but this year we’re pairing it with garlic tater tots. We created a garlicy butter, slightly spicy sauce that we toss the tater tots in. It gives the tater tots a completely different dimension and texture. And then we toss some pickles on top to cut the heat.

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    9 acres of gardens

    10 things to know about America's first Ismaili Center opening in Houston

    Emily Cotton
    Nov 6, 2025 | 1:05 pm
    Ismali Center, Houston exterior
    Photo by Iwan Baan
    The building is reflected in the pool, a feature common in Muslim design.

    The long-awaited Ismaili Center, Houston is set to open to the public next month. The 11-acre site has been painstakingly-designed and constructed to offer indoor and outdoor public spaces for Houstonians to enjoy, connect, and engage. As the only Ismaili Center in the United States, and seventh in the world, it joins its international communities in London, Vancouver, Lisbon, Dubai, Dushanbe, and Toronto.

    Nearly 20 years in the making, the Ismaili Center, Houston features a prayer hall, rotating art installations, a black box theater, a cafe, numerous social halls for weddings and other events, plus 9-acres of outdoor space and landscaped botanical gardens. Involved parties hope that the community will see the space as an extension of the neighboring parks along the bayou, and have included a garden entrance to the north lawn and gardens at the corner of Montrose Boulevard and Allen Parkway.

    While Houston is known for its many community engagement centers, the architects and designers believe that the seamless integration of indoor and outdoor spaces sets the Ismaili Center, Houston apart from all others.

    “What we know is the connections between buildings, environment, quality of life, and landscape — this is nothing new,” structural and facade engineer Hanif Kara tells CultureMap. “But, certainly, it’s hard to see that in other developments, particularly when they are done by developers. It’s quite difficult to find community spaces, and to see how quality of life is improved for everyone. I think we’ve all experienced that kind of hope that it will play out something like this.”

    Designed by Farshid Moussavi Architecture and Nelson Byrd Woltz Landscape Architects, the remarkable 11-acre site is designed both to receive LEED Gold certification and to withstand the tests of Houston’s sometimes extreme weather conditions.

    Principal architect Farshid Moussavi looks forward to seeing the Houston community utilize the space she’s worked so hard to deliver: “We’ve given the hardware to the community, now the software needs to come in. So I hope that there will be music recitals, or lectures, or book fairs, or other kinds of markets that can happen—even simultaneously. This is not an experiment, it’s the seventh in the world.”

    Community welcome events are scheduled for December 12 and 13, but, until then, here are 10 things to know about the Ismaili Center, Houston.

    What is the Ismaili Center, Houston
    “The use of the building is really meant for, or our hope, is that we are able to—on an enhanced view of what the community does today—have engagement on service projects, arts and culture, interfaith dialogue, and even just in bringing people together,” Omar Samji, Ismaili Council for the United States of America tells CultureMap. “The notion of bringing people together in a place where it is easy to create connections because it’s an open space, and because it’s specifically designed to be a place where people interact and where people find commonality. Because whether you’re out in the gardens, or on the environs, or in the atrium, this enables connection.”

    The Scale
    The Center stretches out across an 11-acre site along Montrose Boulevard, from West Dallas to Allen Parkway. The physical building is 150,000 square feet, leaving 9-acres for garden spaces on both the north and south sides of the building. The south side of the property is more formal, with gardens and community spaces that flank an 80-foot reflection pool and other water features. The gardens on the north side of the building are more informal, but densely planted and vast.

    The creation of Ismaili Center Houston was a huge team effort
    The development of the Ismaili Center was led by the Ismaili Council. It was initiated by His Highness Prince Karim Aga Khan IV (1936-2025), and completed under the leadership of his eldest son, Prince Rahim Aga Khan V.

    The project was designed and constructed by a team of both local and international firms. Farshid Moussavi Architecture joined forces with structural and facade engineer Hanif Kara, co-founder and creative director of AKT II. DLR Group is the architect and engineer of record, while contractor McCarthy Building Companies built the project. Thomas Woltz, senior principal and owner of landscape architecture firm Nelson Byrd Woltz, along with principal Jeff Aten taking lead on the nine acres of garden space. The project is targeting LEED Gold certification.

    Walk, work, play, or find a cozy spot to enjoy nine acres of native Texas plants and trees
    The Center will be recognized as a leading cultural asset for the City of Houston, complementing nearby institutions such as The Menil Collection, Rothko Chapel, Asia Society Texas, and the Museum of Fine Arts, Houston. While the surrounding gardens will add to the other notable Nelson Byrd Woltz projects within close proximity at Memorial Park, Rothko Chapel, and Rice University.

    “We’ve been building massive projects in Houston for 12 years,” Woltz tells CultureMap. “We know the horticultural community in the region, and we did a deep, deep dive in ecological research to understand ‘What are the native plants of whatever region?’ It’s just baked into our process. Right when we are starting any project in Houston—right to the river. Look at the soils, ‘What are the plants appropriate to that place?’ Its solar aspect, its humidity, it’s moisture in soils, the shadow of the building.

    But then, this idea of taking a section across the state of Texas, so that each of those distinct ecological regions is represented by one of the terraced gardens — so it’s very clear. It’s a diagram of the state of Texas and all of its native plants. This is functioning like a botanic garden and a repository for biodiversity — this is work in service.”

    The exterior is eco-friendly
    The exterior of the building is clad in stone, a durable material with low embodied carbon. The stone cladding is a rainscreen over in-situ ‘fair-faced’ concrete walls, exposed on the interior to minimize additional material use. The concrete mix used has replaced 35-62 percent of Portland cement with fly ash and slag, reducing CO2 emissions by roughly 30 percent compared to standard mixes. The exterior stone rainscreen uses smaller tiles to increase the stone yield, utilizing 20-25 percent more of the irregular blocks they are cut from. This reduction in waste has also lent itself to crafting the cladding in a unique way.

    The tessellation of the stone pieces changes across the building's surfaces to create different patterns on different sides of the buildings and at the corners. Relief stone tiles are used to add texture to the facades.

    It will host outdoor plays and concerts
    The north-facing botanical gardens that will accommodate the 200-year flood plain offer a 27 foot gradient toward the building. This allowed for various levels of seating and gathering areas that culminate at an elevated terrace that will act as a stage for various events such as plays and concerts. Attendees can stretch out and enjoy the shows from an extensive lawn area that is surrounded by dense gardens of native trees and plants.

    Check out both international and community events and performances in the Black Box Theater
    A 2,600-square-foot black box multipurpose space which seats 125 people is found on the second floor of the building’s west wing. It can host public events, such as exhibitions, film screenings, theatrical performances, music recitals, and other artistic programs throughout the year. It will also serve as a flexible space for teaching and learning. With acoustic isolation to surrounding spaces and the mechanical mezzanine above, it is designed to operate simultaneously without disrupting other events in the building. Design includes an upper-level control room, pipe grid, and flexible drapery and seating configurations to allow for a wide variety of programming.

    Grab a bite or a beverage at the cafe
    The center’s café is a 1,600-square-foot, double-height space located in the west wing (Montrose side) that opens onto an enormous terrace, offering visitors the option to enjoy their coffee or food outdoors. The terrace near the cafe is lined by an exterior wall and long, trough-style fountains that aid in noise reduction from Montrose Boulevard. The second-floor wall overlooking the Café is fully glazed, creating visual connection with the levels above.

    There is a The Prayer Hall / Jamatkhana available to members of the Ismaili community.
    The prayer hall is a whopping 12,240 square feet, featuring a unique structural system of seven interlocking squares, formed from steel beams spanning the 115-by-115-foot open space. These beams are clad in concrete to enhance durability, beneath which lies a two-layer perforated aluminum ceiling with integrated diffused lighting. Its intricate pattern recalls the traditional jālī screens of Islamic architecture creating a soft, seemingly infinite ceiling effect, adding to the serenity of the prayer hall.

    Who is His Highness the Aga Khan?
    His Highness Prince Rahim Aga Khan V is the 50th hereditary Imam (spiritual leader) of the Shia Ismaili Muslims and a direct descendant of the Prophet Muhammad. He was educated at Philipps Academy in Andover and Brown University (Class of 1995). He became Imam in February 2025 upon the passing of his father, His Highness Prince Karim Aga Khan IV.

    The Aga Khan promotes an understanding of Islam rooted in values of generosity, tolerance, pluralism, environmental stewardship, and the shared unity of humanity. He also chairs the Aga Khan Development Network (AKDN), one of the world’s largest private development agencies, which works across more than 30 countries to improve quality of life for marginalized communities regardless of faith or background.

    Ismali Center, Houston exterior

    Photo by Iwan Baan

    The building is reflected in the pool, a feature common in Muslim design.

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