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    Another Montrose fixture bites the dust

    With Chances gone, where will the lesbians go?

    Jennifer Patterson
    Nov 27, 2010 | 9:20 am
    • The last sign of Chances gave thanks
    • The lesbian-friendly bar was often crowded. Where will patrons to next?
    • Chances was known for its humorous signs
      Photo by Craig Hlavaty

    Last Saturday, Chances closed its doors for good after 16 years, with a sign that said "Thanks for the Mammaries." An upscale restaurant spearheaded by a yet-to-be-identified “superstar chef” (Chef Boyardee? Alfredo Linguini from Ratatouille?) will reportedly occupy the building once famous as a lesbian-friendly dance club.

    Is lower Westheimer becoming a hotspot for fine dining? There’s already Hugo’s, Mark’s, Da Marco, and Feast on the busy street, along with Indika, Dolce Vita, Michelangelo's, Josephine's Bistro and a revamped Ruggle's Grill. The new Tex-Mex eatery from Bryan Caswell and Robb Walsh is destined for the old Hollywood Video space and a trendy restaurant from hot Austin chef Tyson Cole is planned for the old Felix location.

    Another trendy eatery won’t hurt the ‘Trose, but Chances will be dearly missed. The bar offered a unique set-up with themed dance rooms including Chances Proper, also known as the front bar; The Barn, which played authentic country music for two-stepping lovers; and The G-Spot known for glow-sticks, go-go dancers, and a dj spinning hiphop.

    Chances fan Jessica Toy remembers, "The G-Spot room was completely insane. The only rule was you couldn't climb up on the bar. I saw some hotties learn that the hard way."

    Chances was the only club inside the loop catering directly to the lesbian community. So now where will its patrons go?

    Possibilities:

    The Hazard bridge over 59
    The SoMo (South Montrose) crew has already claimed the Graustark bridge, colloquially dubbed "Club Bridge." However, the Hazard bridge is still up for grabs.
    Pros: Roomy, trendy concrete floors.
    Cons: Open to the elements, is a bridge.

    Soon-to-open coffee shop "Black Hole"
    If the lezzies come in large numbers they could easily claim it their own.
    Pros: Clean slate, no crowd of “regulars” who have called dibs on it.
    Cons: Close to Club Bridge (Graustark Overpass) which could lead to rival gang fights, closes at midnight, unlikely to be dance-y.

    Katz’s
    Katz's sounds like "cat" and lesbians like cats... I think. Actually, maybe not. Still, this 24-hour deli is only a few blocks from Chances.
    Pros: Never closes, excellent stairwell for “doing stairs” (a workout popular among sporty lezzies).
    Cons: Limited vegetarian options, already frequented by bro-types that lesbians deem far from ideal company.

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    Preserving Houston's history

    Historic Houston theater secures $7 million loan to begin renovations

    Craig D. Lindsey
    Nov 11, 2026 | 1:30 pm
    Garden Oaks theater renovation rendering
    Courtesy of Arthouse Houston
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    A historic Houston movie theater has secured the necessary funds to move forward with its renovation and redevelopment plans.

    Community non-profit Arthouse Houston announced on Tuesday, November 10, that it had closed on a seller-financed loan to purchase the Garden Oaks Theater. Thanks to support from 900 donors, Arthouse closed on the $7.1 million property purchase today, putting $2 million down and saving the building from demolition.

    “The wind is in our sails,” Arthouse Houston director Maureen McNamara said in a statement. “We expect this level of community support and energy to grow and spread as we enter into the restoration and renovation phase that is coming next. We will restore the original marquee and neon blade sign that was removed but saved. We will apply for national, state, and local historic designations, then seek protected landmark designation as soon as possible once the building loan is paid off.”

    Saving the postwar Art Deco cinema on N. Shepherd Dr. has been Arthouse’s primary mission as of late, getting a lot of help from both local devotees and famous natives. Last summer, the organization held the Wes Anderson Homecoming Soiree, where the Houston-born, Oscar-winning auteur came back to Houston to shake some hands and support the endeavor. (Both he and fellow Oscar-winning hometown boy Richard Linklater have been avid supporters.) In September, Arthouse announced that it was only $400,000 short of a targeted $3.1 million goal to cover the down payment and carrying costs.

    The true goal for the Garden Oaks is to transform it into an arts and film center, with year-round film and arts programming, film production, eateries, art, and educational resources. The theater will be able to host major film premieres, live performances, and festivals in its 700-plus seat main auditorium. According to McNamara, “Local groups such as Houston Association of Producers, Southwest Alternative Media Project, Performing Arts Houston, HCAS and many more have expressed interest in being part of the new arts center.”

    Arthouse has now begun a capital campaign for the estimated $18-20 million project, seeking support from foundations, major private donors, and sponsorship partners. But they’ll also look for community donations for the Name-a-Seat campaign and preservation by-the-foot of the neon blade sign and marquee. Before the grand reopening, the theater hopes to operate a temporary drive-in theater in the large parking lot during renovations.

    garden oaks theaterrichard linklaterwes andersonhoustonanderson
    news/city-life
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