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    failure is not an option

    Legendary NASA astronauts descend on Space Center Houston to toast new Apollo 13 statue

    Steven Devadanam
    Apr 19, 2021 | 9:21 am

    For a few hours on a cloudy Saturday, April 17, titans walked among mere mortals at Space Center Houston.

    Fifty-one years to the day of their historic splashdown, Apollo 13 NASA astronauts Jim Lovell and Fred Haise greeted a bronze statue celebrating their momentous return to Earth after almost six harrowing days and near catastrophe.

    The two surviving astronauts (the third, Jack Swigert, died in 1982 at age 51 of cancer), were joined by Apollo 13 flight directors Gene Kranz, Gerry Griffin, and Milton Windler. (Another flight director, Glynn Lunney, passed away on March 19.)

    To formally dedicate the seven-foot bronze statue, the men and their families raised a glass to toast the work crafted by artists George and Mark Lundeen and Joey Bainer.

    A shining moment
    The statue, which debuted in February at Space Center Houston’s Rocket Park, captures the moment Lovell, Haise, and Swigert stepped off a recovery helicopter and onto the USS Iwo Jima, a United States Navy assault ship.

    That scene was watched around the globe on April 17, 1970 and marked one of the greatest achievements in human space flight. (Notably, in the blockbuster film Apollo 13, Lovell himself plays the Iwo Jima’s officer who greets Tom Hanks — who plays Lovell — as he steps aboard the naval vessel.)

    The right stuff
    Still as icy cool as their space days, Lovell and Haise brushed off praise and even joked as they sat down with the media. “I think the greatest feeling was when we hit the water and water splashed over the window, and I looked at Fred and said, ‘Hey, I think we made it,” Lovell quipped, adding that it was “an unusual flight.”

    Haise, who suffered a severe urinary tract infection during the flight, recalled that after grueling hours in the Odyssey capsule, in which instruments froze, that upon return to Earth, the capsule was still cold at splashdown. So, it was “nice to be in a nice, South Pacific environment.”

    Despite his “smiling face,” at the time, Haise had “chills and a fever. And I missed the big party on the ship,” he noted. “They had a cake and ice cream with the crew on the hangar deck and I went to sick bay. I was happy to have that successful landing after a lot of challenges to getting us back.”

    Failure is not an option
    Later dubbed “ill-fated” and even “cursed” by some historians and media outlets, the Apollo 13 mission — initially ignored at launch by audiences at the time as a routine moon mission — quickly became a global rallying point. An early explosion in mid-flight forced the crew to bypass landing on the moon, and by orders of Kranz, orbit the moon and slingshot back to earth.

    Nearly every juncture presented myriad problems, deftly solved by Mission Control, NASA’s technical staff, and the astronauts.

    Despite his own heroics, Lovell instead pointed to his Earth-bound team in Houston. “We relied on Mission Control,” he told CultureMap. As depicted in the Apollo 13 film, Lovell was forced to calculate complicated logistics of transferring the guidance systems from the command module to the lunar module — by hand. “That required mathematics,” Lovell said. “I had to call up to Mission Control to check my arithmetic.”

    Flight director Griffin matter-of-factly declared, “we never thought about not getting them back — we never discussed it. We were gonna get them back.”

    Work the problem
    Kranz, who spearheaded the ups and downs with his now-famous “work the problem” mantra, summed up the Apollo 13 mission as a “story about people” and “the human factor.” He called the flight — and all its pitfalls and subsequent victories — “probably one of the best examples America has ever seen of crisis management.”

    With NASA’s Artemis mission set to land a man and woman on the moon, obvious questions emerge as to what future Artemis flight leaders can learn from the Apollo 13 crews. “The Number One message is you’ve got to be ready for anything,” advised Griffin.

    As for the gleaming statue, Lovell called it “really fantastic,” noting that it “has a story for the future people coming in here, especially the astronauts we do not know yet, those who will come in the years ahead.”

    “I think it tells the story of the cooperation between the various aspects of NASA and the space industry to do the missions they were designed to do and how they work together to complete them.”

    A parting message
    As he recalled looking at his home from the orbit of the moon, Lovell, the 93-year-old space pioneer who lives in Illinois and may have made his final trip to Houston, offered a parting message to future generations — one that is even more compelling given a global pandemic, environmental issues, mass extinctions, and human strife:

    “The earth is a grand oasis in space.”

    Legendary Apollo 13 astronaut Jim Lovell.

    Apollo 13 statue Jim Lovell Fred Haise Space Center Houston
    Photo by J. Thomas Ford
    Legendary Apollo 13 astronaut Jim Lovell.
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    a bright flame

    Houston's game-changing free arts academy breaks ground in the East End

    Holly Beretto
    Oct 15, 2026 | 9:00 am
    Frank Liu Jr. Academy for Music and Arts (FLAMA) exterior
    Rendering courtesy of OMA
    A rendering of the exterior of the Frank Liu Jr. Academy for Music and Arts (FLAMA)'s exterior. The new school broke ground in the East End last week.

    Houston’s newest school for arts and music broke ground last week in the city’s historic East End. The Frank Liu Jr. Academy for Music and Arts (FLAMA), a tuition-free charter school, will welcome students in pre-K through 8th grade next August.

    Members of the Liu family, the school’s founding board members, elected officials, and East End community partners gathered at Buffalo Bayou Partnership’s historic Turkey Bend development for the official groundbreaking ceremony on October 8, which kicked off with a performance by the Kinder High School for the Performing and Visual Arts’ Mariachi group.

    The new school is on a portion of the former Folgers Coffee Plant, located at 235 N. Norwood St. OMA, an international architectural firm known for its approach to urbanism, cultural projects, and adaptive reuse, is transforming the 1930s plant into a state-of-the-art educational facility.

    “We’re excited to celebrate this milestone for FLAMA and look forward to seeing the transformation of the historic Folgers plant into a new home for music and arts education,” said Jason Long, one of the firm’s partners. “Like fine-tuning an instrument, our design recalibrates the existing industrial structure into an open, connected, and expressive environment for learning. FLAMA will be a new learning environment that builds on the character of the existing building while giving it new life for the community.”

    Unfolding across three stories, the school draws inspiration from Montessori education principles, which prioritize openness, independence, and collective learning through shared “neighborhoods.”

    It all begins when students, families and guests enter through a private courtyard. The welcoming space will change the building’s original industrial facade into a brightly colored, kid-friendly spot, complete with yellow and green blocks spelling out the school’s name. The original windows will be restored to preserve the building’s historic character and upgraded to meet contemporary energy standards. Similarly, all of the school’s classrooms are located around the building’s perimeter, providing an abundance of natural light.

    Inside, FLAMA’s three stories are divided so that younger students will find their classrooms at the school’s base, and they will move upward through the school as they progress through grade levels. The ground level has a common area for younger kids that could host drum circles, movement classes or “breakout play.”

    Children in first and second grade have their own, larger open space, with an eye-catching staircase, that's inspired by the curve of a French horn. The space lends itself to everything from small gatherings to performances by the school’s early musicians.

    As students progress through grades three and higher, they’ll find FLAMA’s upper floors created to meet their growing artistic and intellectual needs. One example is the open library, a shared spot for students in third through fifth grades. It has flexible furniture that can transform the space into a place for group study and project work, as well as one that can host after-school activities. Directly above this library is a second common room for middle schoolers where students in sixth, seventh, and eighth grades can study.

    These two libraries are connected by an F-shaped floor opening that references both the F-hole of a string instrument and the forte symbol. Musicians know this curly f as a note indicating them to play a passage with strength. That could easily be a metaphor for the school itself, which will combine high-quality education with rigorous academics. This visual cue emphasizes FLAMA’s desire for music and art instruction to amplify learning across reading, writing, math, and science.

    “This will be a place where children can discover their talents, families can find opportunities close to home, and music and art can open the doors to a stronger education,” said Congresswoman Sylvia Garcia, who attended the groundbreaking. “I know how much it matters when someone brings opportunity within the reach of a child.”

    Dr. R. Scott Allen, FLAMA’s founding superintendent and former principal of Kinder HSPVA, spoke about the school’s vision to pair a rigorous, engaging academic opportunity with deep immersion in music and visual arts.

    Congressman Christian Menefee, State Senator Carol Alvarado, and Houston City Councilmember Mario Castillo also delivered remarks at the ceremony, speaking about the school’s power to not only transform Houston’s Second, Third, and Fifth Ward communities, but also bring incredible education opportunities to students. Former Mayor Annise Parker, former State Board of Education Member Staci Childs, State Representative Christina Morales, and Houston City Councilmembers Joaquin Martinez and Sallie Alcorn also attended the event.

    “In this city, known for our undeniable contributions to music and arts, the gap has never been ability or talent; it has always been opportunity, and opportunity can be built,” said Kirby Liu, who spoke at the groundbreaking, memorializing his late brother’s vision of arts education for the youngest Houstonians. “When it comes to opportunity being foreclosed on our children, we will try like hell to bust those damned doors down.”

    The Frank Liu Jr. Foundation has pledged $20 million in financial support during FLAMA’s first years of operation.

    Applications are now open for kindergarten and first-grade students for the 2027-2028 school year.

    Frank Liu Jr. Academy for Music and Arts (FLAMA) exterior

    Rendering courtesy of OMA

    A rendering of the exterior of the Frank Liu Jr. Academy for Music and Arts (FLAMA)'s exterior. The new school broke ground in the East End last week.

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