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    Cliff Notes

    Where's the passion? Why Houston has no one to blame but itself for the shuttlefiasco

    Clifford Pugh
    Apr 19, 2011 | 9:04 am
    • Steve Pyke photographed the foot of the last man to step foot on the moon — GeneCernan
      Photo by © Steve Pyke
    • Apollo firesuits
      Photo by © Steve Pyke
    • Buzz Aldrin
      Photo by © Steve Pyke
    • Wives phones at Mission Control
      Photo by © Steve Pyke
    • Frank Borman
      Photo by © Steve Pyke
    • Apollo module
      Photo by © Steve Pyke

    Ever since he was a child, renowned photographer Steve Pyke has been fascinated with space travel. "I've been wanting to photograph astronauts for years and years and years," he said. "Astronauts are amazing. As a kid, we were told there would be a way to go up into space and orbit the earth. That was something that I always really wanted to do. Realizing that that wasn't going to be possible, meeting astronauts was the next best thing."

    So Pyke, who has photographed notables from Henry Kissinger to Michael J. Fox in portrait-style close-ups that have become his trademark, embarked on a mission to snap many of the astronauts who walked on the moon. His travels also took him to the Johnson Space Center, where he photograph artifacts of the era to chronicle the Apollo space program that so many people have forgotten.

    Over the last 15 years, his former life partner, British filmmaker Nichola Bruce, captured much of Pyke's quest on film. On a shoestring budget that largely depended on the largess of friends, she edited it into a movie, Moonbug, and hurriedly entered it into competition at the WorldFest/Houston International Film Festival, just barely making the deadline.

    The movie received a warm reception Friday night and garnered a special jury prize for documentary filmmaking Sunday night.

    "What's so exciting about this piece of work is that it shows how important these endeavors are. You carry the world when you have a dream like that," Bruce said. "We've forgotten how important those aspirations are."

    Bruce and Pyke's fascination with the space program is so infectious that it got me excited just talking to them. It also made me wonder, is there anyone in Houston who has the same spirit?

    Ever since NASA announced where it will be parceling out the four space shuttles and Houston's bid wasn't on the list, there's been a lot of wailing, chest beating and gnashing of teeth. Officials have been searching for someone to blame in simplistic terms (the Obama administration doesn't care about red state Texas; the president loves blue states New York and California more — an argument that makes little sense, because if that were the case a shuttle would be headed to swing state Ohio) and screaming that it is our inherent right to have a shuttle here.

    If only that passion had been channeled into the enthusiasm about space travel that Pyke and Bruce have, then I bet the shuttle would be on its way here permanently.

    Here's the problem: Most civic boosters seem more worried about the loss of potential tourist revenue rather than transmitting the sheer wonder and fascination about sending humans into space. In more than 30 years, I haven't heard anyone in Houston articulate what the space program means to them, other than jobs.

    One dejected Houston businessman says a year ago, he suggested that organizers of the campaign to land a space shuttle encourage school children in the Clear Lake area to write letters about what the space program means to them and what it's like to live amid astronauts and their families who live in the area. The idea would be to "flood" shuttle decision makers with those letters in order to show Houston's enthusiasm about the project.

    He was told it was a nice idea — and nothing happened.

    When he contacted his city councilman to see what could be done to land the shuttle, he was shuttled off to Mike Sullivan, whose district encompassed the Johnson Space Center. Such a lack of city-wide enthusiasm for the project doomed it to failure, despite a furious last-minute full-court press by Mayor Annise Parker and other officials.

    The simple truth appears to be that more recognized, serious museums in other cities had a better plan.

    It's too late to secure a shuttle for Houston, but there's still time to make honoring the space program a top priority. Just as president Renu Khator has changed perceptions of the University of Houston with her incessant cheerleading, we need someone who really believes in the space program and what it means to Houston to talk about it with the same zeal as Bruce and Pyke.

    Such a mission needs the formation of a team to explore ways to upgrade the experience at Space Center Houston and come up with unique collaborations with the Museum of Natural Science and other heavyweight Houston institutions to the explain the thrill of space exploration. And it needs needs enthusiastic support from the Greater Houston Partnership.

    Maybe we've become so blasé about space travel that nobody cares about it anymore. But I believe there's an audience of young people who continue to in revel in space fantasies of the future and could be persuaded that moon travel was the start of space exploration, not the end.

    Bruce points out "lovely things about space stuff," both big and small (like, if you get a cold in space and your nose doesn't run but stays in your head because there's no gravity) that make it endlessly fascinating.

    "I think theres a huge enthusiasm among today's youth for understanding the universe and space. It's not being recognized and I don't think enough investment is going into our understanding of astronomy and astrophysics," Bruce said. "You only have talk to any young mind. They are full of wonder about the universe and (believe) space is out there to be explored."

    The magic of space exploration is missing. Let's bring it back before it's too late.

    See the trailer for Moonbug:

    .

    unspecified
    news/city-life

    a bright flame

    Houston's game-changing free arts academy breaks ground in the East End

    Holly Beretto
    Oct 15, 2026 | 9:00 am
    Frank Liu Jr. Academy for Music and Arts (FLAMA) exterior
    Rendering courtesy of OMA
    A rendering of the exterior of the Frank Liu Jr. Academy for Music and Arts (FLAMA)'s exterior. The new school broke ground in the East End last week.

    Houston’s newest school for arts and music broke ground last week in the city’s historic East End. The Frank Liu Jr. Academy for Music and Arts (FLAMA), a tuition-free charter school, will welcome students in pre-K through 8th grade next August.

    Members of the Liu family, the school’s founding board members, elected officials, and East End community partners gathered at Buffalo Bayou Partnership’s historic Turkey Bend development for the official groundbreaking ceremony on October 8, which kicked off with a performance by the Kinder High School for the Performing and Visual Arts’ Mariachi group.

    The new school is on a portion of the former Folgers Coffee Plant, located at 235 N. Norwood St. OMA, an international architectural firm known for its approach to urbanism, cultural projects, and adaptive reuse, is transforming the 1930s plant into a state-of-the-art educational facility.

    “We’re excited to celebrate this milestone for FLAMA and look forward to seeing the transformation of the historic Folgers plant into a new home for music and arts education,” said Jason Long, one of the firm’s partners. “Like fine-tuning an instrument, our design recalibrates the existing industrial structure into an open, connected, and expressive environment for learning. FLAMA will be a new learning environment that builds on the character of the existing building while giving it new life for the community.”

    Unfolding across three stories, the school draws inspiration from Montessori education principles, which prioritize openness, independence, and collective learning through shared “neighborhoods.”

    It all begins when students, families and guests enter through a private courtyard. The welcoming space will change the building’s original industrial facade into a brightly colored, kid-friendly spot, complete with yellow and green blocks spelling out the school’s name. The original windows will be restored to preserve the building’s historic character and upgraded to meet contemporary energy standards. Similarly, all of the school’s classrooms are located around the building’s perimeter, providing an abundance of natural light.

    Inside, FLAMA’s three stories are divided so that younger students will find their classrooms at the school’s base, and they will move upward through the school as they progress through grade levels. The ground level has a common area for younger kids that could host drum circles, movement classes or “breakout play.”

    Children in first and second grade have their own, larger open space, with an eye-catching staircase, that's inspired by the curve of a French horn. The space lends itself to everything from small gatherings to performances by the school’s early musicians.

    As students progress through grades three and higher, they’ll find FLAMA’s upper floors created to meet their growing artistic and intellectual needs. One example is the open library, a shared spot for students in third through fifth grades. It has flexible furniture that can transform the space into a place for group study and project work, as well as one that can host after-school activities. Directly above this library is a second common room for middle schoolers where students in sixth, seventh, and eighth grades can study.

    These two libraries are connected by an F-shaped floor opening that references both the F-hole of a string instrument and the forte symbol. Musicians know this curly f as a note indicating them to play a passage with strength. That could easily be a metaphor for the school itself, which will combine high-quality education with rigorous academics. This visual cue emphasizes FLAMA’s desire for music and art instruction to amplify learning across reading, writing, math, and science.

    “This will be a place where children can discover their talents, families can find opportunities close to home, and music and art can open the doors to a stronger education,” said Congresswoman Sylvia Garcia, who attended the groundbreaking. “I know how much it matters when someone brings opportunity within the reach of a child.”

    Dr. R. Scott Allen, FLAMA’s founding superintendent and former principal of Kinder HSPVA, spoke about the school’s vision to pair a rigorous, engaging academic opportunity with deep immersion in music and visual arts.

    Congressman Christian Menefee, State Senator Carol Alvarado, and Houston City Councilmember Mario Castillo also delivered remarks at the ceremony, speaking about the school’s power to not only transform Houston’s Second, Third, and Fifth Ward communities, but also bring incredible education opportunities to students. Former Mayor Annise Parker, former State Board of Education Member Staci Childs, State Representative Christina Morales, and Houston City Councilmembers Joaquin Martinez and Sallie Alcorn also attended the event.

    “In this city, known for our undeniable contributions to music and arts, the gap has never been ability or talent; it has always been opportunity, and opportunity can be built,” said Kirby Liu, who spoke at the groundbreaking, memorializing his late brother’s vision of arts education for the youngest Houstonians. “When it comes to opportunity being foreclosed on our children, we will try like hell to bust those damned doors down.”

    The Frank Liu Jr. Foundation has pledged $20 million in financial support during FLAMA’s first years of operation.

    Applications are now open for kindergarten and first-grade students for the 2027-2028 school year.

    Frank Liu Jr. Academy for Music and Arts (FLAMA) exterior

    Rendering courtesy of OMA

    A rendering of the exterior of the Frank Liu Jr. Academy for Music and Arts (FLAMA)'s exterior. The new school broke ground in the East End last week.

    flamafrank liu jr academy for music and artseast endperforming-artseducation
    news/city-life

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