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    Maison Robert Revealed

    Exclusive details revealed for anticipated boutique hotel coming to The Heights

    Eric Sandler
    Jan 15, 2019 | 12:17 pm

    The Heights’ emergence as one of Houston’s premier neighborhoods for shopping and dining has been well documented, but the area remains mostly residential. It lacks certain amenities, such as a hotel, that could be a boon both to families who are entertaining guests and visitors who might be enticed by the prospect of being close to all of those shops and restaurants.

    Ben Ackerley would like to change that. The Memorial High School grad became enticed by the world of hospitality while studying abroad. He spent 10 years learning the hotel and restaurant business — including earning a MBA in Hospitality Management from Switzerland’s Ecole Hoteliere de Lausanne — in pursuit of achieving his dream of opening a boutique hotel. With support from his family, he’s planning to open Maison Robert (read in the French-style “row-bear”) at 347 W. 20th St.

    News about Ackerley’s plans has been trickling out thanks to variance requests and neighborhood message boards, but he hasn’t spoken about them publicly until now.

    The 37-room property aims to offer something a little different than the larger hotels found in downtown, the Medical Center, and near the Galleria; it’s will have a more personal feel, with a greater emphasis on aesthetics and design than might be typically found at a corporate hotel.

    “I think it’s a difference in the service approach,” Ackerley tells CultureMap. “Whereas a Marriott may have 800 rooms and turn over 250 of them every night, does anyone really remember your name? If you’re staying at a place with 10 rooms, the guy at the front desk knows everyone in house. The staff knows what people’s needs are and already have a feel on how the stay went before they check out.”

    Maison Robert will feature a pool and a bar, but it won’t have a restaurant. The area is surrounded by good choices from casual options like Torchy’s Tacos and the Rice Box to more upscale options like Alice Blue and La Lucha. Ackerley sees the neighborhood’s walkability as a huge part of what will make the hotel appealing to future guests.

    “I hope to envision a property where you wouldn’t need to get into a car,” he says. “Wake up, go for a run down 20th, get some work done by the pool in the afternoon, walk to a restaurant for dinner, and see a show at Heights Theater. It’s a different way to see Houston.”

    Of course, the path to opening the hotel hasn’t been smooth. Before construction can begin, the property needs to receive two variances from the City of Houston Planning Commission: a hotel-motel location variance and a setback variance.

    As Ackerley explains, the city restricts the construction of small hotels in residential neighborhoods to prevent the creation of cheap motels that could become hives for drug activity and prostitution. Maison Robert will be a considerably more upscale proposition (rooms are expected to cost about $250-300 per night) that should hopefully be immune from those problems.

    Similarly, the setback variance is necessary to allow for certain features to be constructed closer to the street than 25 feet. If approved, the hotel will hide most of it parking away from 20th Street, which permits the bar to look out onto the street and for a first floor retail shop.

    As for that retail space, the search for parking led the hotel to purchase the nearby property that’s currently home to the Heights Floral Shop. Shortly before the hotel opens, the floral shop will relocate to the hotel and then be torn down to make way for more enough parking to address city requirements. It’s a win-win for both businesses.

    “A flower shop and a hotel and complementary businesses,” Ackerley says. “We need flowers for the lobby and the bar. People will buy flowers when they’re taking a spouse or a date to the hotel. Their customers will still be able to find the shop.”

    Finally, some area residents have expressed dismay that Ackerley removed a historic home from the property. He notes the house’s condition required its removal, but that the building materials won’t go to waste. he insists it had to be done.

    “There was trash and belongings on the floor in every room,” he says. “What we elected to do is donate the house to the Houston Salvage Warehouse. They hired a trash company to clean it out, then they salvaged everything they could to be used for future projects.”

    Still, in order to ensure the January17 appearance before the planning commission goes as smoothly as possible, Ackerley is meeting with his future neighbors on January 15 at Harold’s starting at 6:30 pm. He hopes to answer questions and assuage any lingering fears.

    “The planning company wrote me an email that this is suicide, but I’m a pretty open book about it,” Ackerley says. “I have the city’s best interests at heart. At the end of the day, I think it will be a wonderful addition to the neighborhood. I intend to own and run it for a very long time.”

    A rendering of Maison Robert.

    Maison Robert Heights hotel rendering
    Courtesy of Maison Robert
    A rendering of Maison Robert.
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    show-stopping sights

    10 must-see booths and the Technicolor tapestry at Houston's Untitled Art

    Emily Cotton
    Oct 2, 2026 | 12:45 pm
    Untitled Art Houston 2026
    Photo by Emily Jaschke
    Silver Party, the VIP lounge designed by Gin Braverman.

    The second installment of the Untitled Art Fair opened to quite the fanfare on Thursday, October 1. VIP guests and members of the press looked on as Houston Mayor John Whitmire sliced through the ceremonial ribbon, allowing eager contemporary art enthusiasts to be the first to see what the show has in store over the weekend.

    For anyone unfamiliar, Untitled Art serves as a curatorial platform for discovering contemporary art, spotlighting both emerging and established voices. Exhibitors are selected based on the strength of their programs and artistic vision, under the leadership of founder Jeffrey Lawson, executive director Clara Andrade, and Houston director Michael Slenske. This year, 98 galleries from over 20 countries and territories are participating.

    This year, Untitled Art offers hourly guided tours organized by advisory partner The Agency Art House. These intimate tours offer an insider’s perspective on key highlights, providing context, market insights, and acquisition strategies. Tours will be held hourly and can be booked in Booth A3.

    In addition, a podcast lounge where the audience can be seated to watch the Untitled Art Fair podcast sessions live has been carved out in an intimate corner of the show. Presented in partnership with Soho House Cities Without Houses, the Podcast Lounge will feature 28 panelists across seven discussions. This year’s program includes artists, collectors, curators, writers, institutional leaders, gallerists, and voices from the hospitality industry.

    Untitled tapped Houston-based hospitality designer Gin Braverman of the acclaimed Gin Design Group (Kirkwood, ChòpnBlọk, etc.) to design what have become “Public Lounge” and “Silver Party,” the Andy Warhol-inspired VIP lounge. In Public Lounge, Braverman conceived a gathering place anchored by a large-scale overhead installation — a visual marker within the fair’s landscape of tall partition walls.

    Braverman enlisted Rachel Hayes — textile artist and collaborator to brands such as Armani and Missoni, as well as musical acts Bon Iver and Olivia Rodrigo — to develop the artistic direction for the piece, resulting in True North, a new site-specific textile installation created specifically for Untitled Art Houston. The lounge is designed around the work, with its color and textile language extending into the space below, even the tablecloths have received the colorful Hayes treatment.

    “We knew pretty quickly that the lounge needed something with real scale. You’re surrounded by these tall white walls, and I wanted something overhead that would pull your eye up and give you a sense of where you were,” explains Braverman. “I’ve always loved Rachel’s work and the way it lives somewhere between art, architecture, craft, and fashion, so she immediately came to mind. We gave her the form and let her run with it. Then True North became our north star for everything happening underneath it—the color, the textiles, the way people move through the space. I love that you can sit under this enormous piece of art and actually live with it for a minute.”

    Hayes was immediately intrigued when approached for the commission. While the Tulsa, Oklahoma-based artist is no stranger to public art installations, the opportunity to weave her way into the hospitality realm seemed like a fresh and inspiring new avenue.

    “I’ve never done anything quite like this before. It’s fun to try something new and to have someone to try it with because it makes it a little less scary,” says Hayes. “These are my people — this art audience and art crowd — so I was really excited to get asked to do this. As someone who works on a lot of public art projects, the audience isn’t necessarily art-goers. I like that my work can ride the line between design, art, fashion, public art, and architecture.”

    Standing 16-feet-tall and spanning 10 feet in diameter, True North is a cylindrical textile installation composed of machine-sewn synthetic organza, nylon, lamé, and thread, including elements repurposed from Hayes’ previous works — every seam sewn by Hayes. The work draws on references ranging from grain silos and chandeliers to Mondrian’s grids and the pieced logic of quilts. On-site, Houston-based artist Matt Freis assisted Hayes with installation armature and lighting.

    Raised high above the show floor, True North can be anything the viewer desires it to be. Much like Joseph and the Amazing Technicolor Dreamcoat, a patchwork of translucent planes of color, intersecting seams, and shifting layers create a monumental volume that moves between art, design, architecture, and placemaking.

    “Something like this is a very contained form. The space is big enough that we could think big, but not have it be a total explosion or takeover of my art,” explains Hayes. “The fair is not about me. This is just one little moment in some breathing space and it’s cool to be a part of Gin’s world that she’s building. I’m really excited to see what people think. In textiles, different people bring different things to the table. It might remind them of quilts, or glass vessels, or sculptures — it’s fun to try something like that in fabric.”

    CultureMap Show Stoppers:

    Regardless of whether one attends as an admirer or a collector, Untitled Art offers so much to see. To best serve show-goers, CultureMap compiled a list of 10 do-not-miss galleries, artists, and a helpful guide to price points within the galleries themselves. From Houston and other Texas locals holding it down, to the international “big fish,” here are the top 10 standouts from the show…“in no particular order.”

    Gallery: LEE & BAE | New York/Busan, KR
    Artist: Sangmin Lee
    Price: $25,000
    Location: B30
    CultureMap’s Take: Inspired by Korean pottery, this artist carves vessel shapes into plate glass, then shadow box framing them to allow light to reflect the shapes into pottery formations in the background. Stunning.

    Gallery: HOFA | London
    Artist: Iljwa Kim
    Price: Starting, $32,500; Shown, $162,000
    Location: B31
    CultureMap’s Take: Working with hand-dyed Hanji paper, this artist creates surreal landscapes with stunning tactile qualities.

    Gallery: Dominique Porter Gallery | Los Angeles
    Artist: Sophie Vallance Cantor
    Price: Starting, $4,000; Shown, $12,600
    Location: C24
    CultureMap’s Take: This British portraiture artist and her fantastically-imagined self-portraits, shown with her cats, is sure to put a smile on every face.

    Gallery: Blouin Division | Montréal/Toronto, CA
    Artist: Renée Condo
    Price: $61,500
    Location: D26
    CultureMap’s Take: With a striking diameter of 108-inches, this wooden bead work by an indigenous artist puts bright colors and a contemporary twist on the natural world front-and-center.

    Gallery: Sundaram Tagore Gallery | New York/Singapore/London
    Artist: Anila Quayyum Agha* & more
    Price: Starting at $20,000
    Location: D16
    CultureMap’s Take: This gallery came to play. With multiple show-stopping works from various artists and mediums, steel sculptures, larger-than-life textiles works, and a lacquered steel light box display, this gallery is sure to pop up all over social media.

    Gallery: YOD Gallery + Zaza Galerie | Osaka/Kyoto/Tokyo, JP
    Artist: Kanaria Sur l’herbe
    Price: $8,000
    Location: D12
    CultureMap’s Take: Intrigued by the idea of complete utopia, this artist works in acrylic and colored pencil to create ethereal dreamscapes where bunnies, birds, and other creatures exist in nature as one.

    Gallery: TERN Gallery | Nassau, BS
    Artist: Richard Nattoo
    Price: Alter pieces, 3,500-4,250; “Bat,” $7,500
    Location: C6
    CultureMap’s Take: This Jamaican storyteller (and trained architect) leans into tradition and deep connections to nature in his episodic storytelling through a series of Jonkonoo festival-based pieces, bringing a full sensory experience through fragrant hand-framed alter pieces sourced from local Jamaican timber. Do not miss this.

    Gallery: Nara Roesler | Sāo Paulo/Rio De Janeiro, BR/New York
    Artist(s): Maria Dávila & Eduardo Portillo
    Price: $39,000
    Location: A2
    CultureMap’s Take: This large scale work in silk and Moriche fibers weaves a serene blanket of soothing autumnal hues guaranteed to bring all the cozy feels.

    Gallery: McClain Gallery | Houston, TX
    Artist: Pablo Picasso
    Price: Price upon request
    Location: A1
    CultureMap’s Take: Perhaps an obvious choice, there is always something magical about a slightly unhinged 1950s era Picasso in crayon, graphite, and ink on paper.

    Gallery: Silver Party VIP Lounge
    Artist: Maripol
    Price: Not for sale
    CultureMap’s Take: While not available to view by all Untitled ticket holders, the six Maripol works on display in Silver Party are quite incredible. Shot on an SX70 and printed on Canson satin paper, this collection of mostly selfies shot between 1977 and 1981 really are something to see.

    Check out Untitled Art Fair from Friday, October 2—Sunday, October 4 in Hall A3 at George R. Brown Convention Center.

    Untitled Art Houston 2026

    Photo by Emily Jaschke

    Silver Party, the VIP lounge designed by Gin Braverman.

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