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    Texas Tornado

    Re-released documentary explores the greatest Texas musician you've probably never heard of

    Hannah J. Frías
    Nov 11, 2022 | 2:29 pm
    Sir Doug and the Genuine Texas Cosmic Groove explores the life and times of Doug Sahm.
    Sir Doug and the Genuine Texas Cosmic Groove explores the life and times of Doug Sahm.
    Courtesy of Arts and Labor

    What do Guy Clark, Hank Williams, the Beatles, Bob Dylan, Willie Nelson, ABBA, and Freddy Fender all have in common? Apart from being icons in their own right, each legend's name has at one time or another been in the same sentence as one Texas musician you may have never heard of. Why? One documentary, Sir Doug and the Genuine Texas Cosmic Groove explores this and more, and it's available to stream again this week.

    "Has San Antonio lost its soul? Has Austin lost its groove? Dough Sahm is the answer," reads a recent release for the documentary that's available for worldwide streaming at sirdougfilm.com.

    Born on the same day as Guy Clark in 1941, San Antonio native Dough Sahm started singing at age 5, playing steel guitar at age 6, followed by the fiddle and mandolin at age 8. At 11, he joined Hank Williams at Austin's Skyline Club for what turned out to be Williams' final show before his untimely death. As a teen, Sahm had hit country western radio records before reaching international fame (and a nod from Bob Dylan) with his rock-and-roll, Beatles-inspired band, Sir Douglas Quintet.

    Sahm started playing steel guitar at age 6, followed by the fiddle and mandolin at age 8.Sahm started playing steel guitar at age 6, followed by the fiddle and mandolin at age 8.Courtesy of Arts+Labor

    A bust up over cannabis possession sent Sahm to California right before the "Summer of Love" in 1967, where the band explored the psychedelic San Francisco scene. Returning to Texas in the '70s, he joined Willie Nelson on his Shotgun Willie record and became an integral part of the new Americana genre emerging out of Austin at that time. He moved to Sweden in the '80s, knocking ABBA off the top charts with the song Meet Me in Stockholm. And in the '90s, his new group, the Texas Tornadoes, featured fellow Texas musicians Freddy Fender, Flaco Jimenez, and Augie Meyers.

    Sir Doug and the Genuine Texas Cosmic Groove explores the enormous variety of genres Sahm absorbed into his own music, and the impact he left behind in each genre in return. Originally screened at South by Southwest in 2015, the film's website summarizes its portrait of Sahm as an "artist who had so much music inside himself that he had to play all the varied sounds he was schooled in in order to satisfy his soul."

    Directed by noted historian and author Joe Nick Patoski, who also co-wrote the film along with Jason Wehling, the documentary won multiple awards at film festivals around the world, landing on Amazon Prime before disappearing from circulation altogether in 2020 after initial music and visual licensing rights expired.

    Thanks to the Society for the Preservation of Texas Music (SPTM), the documentary was re-released on November 6, 2022, in honor of what would have been Sahm's 81st birthday. For the re-release, SPTM partnered with Austin-based production company Arts+Labor and digital distribution platform seer.la, which also produced the groundbreaking Guy Clark documentary, Without Getting Killed or Caught.

    Doug SahmA still from the documentary Sir Doug and the Genuine Texas Cosmic Groove.Courtesy of Arts+Labor

    “The revival of the film comes at a critical moment for Doug’s hometown of San Antonio, and his adopted home of Austin,” says Patoski in the release. “Both cities have grown rapidly and are growing towards each other, becoming a single metropolitan area of five million people touted as America’s next great metroplex. Nowhere else in the United States are two connected metro areas expanding so rapidly. Folks who don’t know Doug Sahm from Houdini need to see this film to better appreciate why San Antonio and Austin are such special, soulful places with a groove that fostered and championed the artistry of the greatest single musician to ever represent the state of Texas.”


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    MFAH expands

    Houston museum acquires historic Masonic lodge property for new greenspace

    Eric Sandler
    Dec 23, 2025 | 2:16 pm
    Holland Lodge masonic building
    Holland Lodge No. 1, A.F. & A.M./Facebook
    The building at 4911 will be torn down for the new greenspace.

    The Museum of Fine Arts, Houston has acquired a prime parcel to expand its campus in the Museum District. On Tuesday, December 23, the museum announced it has purchased a two-acre parcel of land at 4911 Montrose Blvd that will bring its total footprint to 16 acres.

    Located just north of the Glassel School of Art, the property will be developed as a greenspace that will serve as a community lawn as well as be utilized for future museum events and parking. MFAH has retained landscape architects Nelson Byrd Woltz — the firm responsible for work at Memorial Park and the recently-opened Ismaili Center — to create the design for the new greenspace.

    Museum of Fine Arts, Houston greenspace rendering A rendering offers a bird's-eye preview of the new greenspace.Image by by Cong Nie/Courtesy of Museum of Fine Arts, Houston

    At this time, the museum does not have plans to build anything on the property, according to a press release.

    To make way for the greenspace, the property’s existing building, Holland Lodge No. 1, will be torn down. Built in 1954 as a home for the oldest Masonic lodge chapter in Texas, the building features a sandstone mural facade. It has been for sale since at least 2005, according to a report in the Houston Chronicle.

    Demolition on the site is expected to begin in spring 2026 with the greenspace opening in approximately two years, according to press materials. In addition to the Glassell School, the museum’s campus includes the Audrey Jones Beck Building, the Caroline Wiess Law Building, the Lillie and Hugh Roy Cullen Sculpture Garden, and the Nancy and Rich Kinder Building.

    “We are delighted to contribute to Houston’s greenspace access with this new initiative, which will expand the museum’s 14-acre campus to a thoroughly walkable 16 acres,” Gary Tinterow, director and Margaret Alkek Williams chair of the MFAH, said in a statement. “While the primary objective for the purchase of this property is to secure land for any potential future expansion of the museum, our priority now is to create a welcoming community lawn. Thoughtfully designed by Nelson Byrd Woltz, one of the leading firms in sustainable landscape practice, the site will serve as public greenspace and provide additional parking for museum visitors.”

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