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    Best October art

    9 vivid and eye-catching October events no Houston art fan should miss

    Tarra Gaines
    Oct 13, 2023 | 3:33 pm

    Vibrant fall colors arrive this month, in the form of some blockbuster art exhibitions, shows, and a festival. We’ve got Impressionism, math as art, the insect world in glass, mid-century photographs, and a giant puppet on our list of must-see events this month. Plus, the Contemporary Arts Museum celebrates its 75th birthday with a monumental show that explores the past to inspire a dynamic future.

    “Max Adrian: RIPSTOP” at Center for Contemporary Craft (now through January 6)
    This new solo exhibition of work by the Ohio-based fiber artist features sculptures made from patchwork faux fur, satin, pleather, fringe, and ripstop — the show’s namesake — a woven nylon material that allows the pieces to inflate and hold air. Adrian's monumentally scaled works on view physically respond to patrons' presence by filling with air. The artist's patchwork textiles and inflatable sculptures promise to "transport viewers into a realm of artifice, desire, and imaginative worldbuilding," organizers say.

    "Rembrandt to Van Gogh: Masterpieces from the Armand Hammer Collection"
    Photo courtesy of The Museum of Fine Arts, Houston

    The Museum of Fine Arts, Houston presents "Rembrandt to Van Gogh: Masterpieces from the Armand Hammer Collection"

    “Robert Frank and Todd Webb: Across America, 1955” at Museum of Fine Arts (now through January 7)
    The faces and landscapes of mid-20th century United States became subjects for two of the greatest photographers of the era, Robert Frank and Todd Webb. This is the first exhibit of their work together. In April 1955, both photographers were awarded grants by the John Simon Guggenheim Foundation for U.S. survey projects. Frank took a cross-country trip that would lead to his celebrated book The Americans, while Webb traveled the country by boat, bike, and on food.

    Though they worked in different styles and were interested in different aspects of American culture, this exhibition reveals some of their similarities, including the tendency to capture images of bars, cowboys, crowds, and more. The display includes 100 images – 50 by each artist.

    “It’s eye-opening to put these projects side-by-side for the first time,” says exhibition organizer Lisa Volpe, MFAH curator of photography. “It reveals the humanity in Webb’s work, and the underrecognized but profound hope in Frank’s photographs.”

    “Rembrandt to Van Gogh: Masterpieces from the Armand Hammer Collection” at Museum of Fine Arts (October 13-January 21)
    The MFAH brings in a collection of masterworks that rarely leave their renowned home in the Hammer Museum at UCLA. In fact, this show feels Hollywood influenced as it’s filled with many timeless stars of the art world, including Titian’s Portrait of a Man in Armor and Rembrandt van Rijn's Juno. The exhibition also showcases works from the 19th-century French Barbizon School, symbolist, and realist artists, including paintings by artists Camille Corot, Gustave Moreau, and Honoré Daumier.

    Look also for an impressive array of Impressionist and Post-Impressionist paintings by Paul Cezanne, Edgar Degas, Paul Gauguin, Édouard Manet, Claude Monet, Camille Pissarro, and Henri de Toulouse-Lautrec, as well as three works by Vincent van Gogh.

    “Armand Hammer had a fascinating career as a businessman and art collector that spanned most of the 20th century,” says MFAH director Gary Tinterow of the exhibition. “The museum he founded in Los Angeles boasts some of the most important European and American paintings among all the museums in the country. We are pleased to present to our audiences the highlights of that collection, shown together outside Los Angeles for the very first time in this century.”

    Bayou City Art Festival at Sam Houston Park, Downtown (October 14 & 15)
    Not to be eclipsed by the eclipse, art brightens downtown Houston this weekend at the Bayou City Arts Festival. Part multi-block outdoor art gallery, part art party, it will feature artwork from 19 disciplines, including world-class paintings, prints, jewelry, and sculptures from 250 artist from around the country.

    This year's featured artist is Michelle McDowell Smith, a mixed media artist from Roanoke, Virginia. Look for her work while also enjoying performing arts entertainment and a culinary tasting experience with some of Houston’s top chefs; each will demonstrate a signature recipe and pass out samples to attendees.

    Little Amal “The Walk” events across Houston (October 19)
    Visual and performing arts organizations across town are welcoming Little Amal as she walks across the city as part of her 6,000-mile journey across the United States. Little Amal is the 12-foot-tall puppet of a 10-year-old Syrian refugee created by Handspring Puppet Company, who created puppets for the hit play War Horse.

    "She" has become a global symbol of human rights, especially those of refugees, and she’ll bring her message of hope to Glufton (with special programing from Diverse Works) Downtown (with programing from the Alley Theatre) and the Third Ward (with programing from Ensemble Theatre).

    “Glass in Flight” at Houston Botanic Garden (October 21-April 14)
    New art installations soar amid the vibrant natural landscapes at the Botanic Garden. Tucson artist Alex Heveri depicts the insect world on a mammoth scale by adding 21 steel and hand-cut Dalle de Verre glass sculptures of gigantic, realistic insects — including butterflies, dragonflies, and beetles — in the Susan Garver Family Discovery Garden. Sunlight through the colored glass mimics the transparency and iridescence of insect wings, intensifying the illusion of movement and life.

    “Hanne Darboven — Writing Time” at Menil Drawing Institute (October 27-February 11)
    Art meets mathematics in the new exhibition featuring the work by acclaimed German conceptual artist Hanne Darboven (1941-2009). She is best known for her immersive installations of individually framed sheets filled with text formulations and collaged images. Darboven’s practice became a questioning of how to picture the unfolding of history, the passage of time, and one’s experience within both.

    Organized around three critical phases in her artistic career — abstract drawings, date calculations, and her large-scale installations, the exhibition spans the whole of Darboven’s career with a focus on the role of line, text, and drawing in her practice, organizers say.

    “What brought me to Hanne Darboven’s work is how she enigmatically created an image of living through time,” says MDI assistant curator Kelly Montana. “The act of drawing, in its immediacy, is already closely entangled with time; Darboven’s work allows for an expanded consideration of the relationship between line, drawing, and duration. These works are an elegant, immersive, and inscrutable puzzle, and I cannot help but be moved by the intensity of her vision when I look at them.”

    “Six Scenes From Our Future” at Contemporary Arts Museum (October 27-March 17)
    To celebrate its 75th anniversary, CAMH asked six acclaimed contemporary artists to look back and respond to the inaugural exhibition “This is Contemporary Art (1948).” The artists are either Texas-based or have close ties to the museum. While keeping with their own unique visions and chosen mediums, Mel Chin, JooYoung Choi, Leslie Hewitt, Lisa Lapinski, Jill Magid, and Leslie Martinez will reflect on CAMH’s history.

    They'll especially focus on art in everyday life to create new work or reframe extant work. Together the works in the exhibition will also reaffirm the institution’s ongoing commitment to commissioning artwork.

    From three-dimensional photographs to performative jewelry to hybrid television sets and institutional installation, these artists’ works will expand on the blurred hierarchies of that first CAMH exhibition, further complicating the boundaries between disciplines and artistic mediums, organizers say.

    “CAMH was founded by six artists and architects from Houston and we are proud to maintain their community-centric and boundary- pushing ethos 75 years later,” says CAMH executive director Hesse McGraw. “'Six Scenes From Our Future' invites local and innovative artists to once again envision the possibilities of contemporary art. This is only the beginning of what will be a landmark year for the museum, where we continue to invent the future.”

    Art on the Avenue at Spring Street Studios (November 2 & 4)
    One of Houston art lovers' favorite parties and art-buying extravaganzas moves to early November after an December date last year. It also moves a few blocks over to the Spring Street Studios, as its usual Winter Street home is still under repair after the fire last December. Featuring works from more than 250 local artists, the event benefits Avenue’s work to build and preserve affordable housing and revitalize distressed neighborhoods.

    The event kicks off with a Day of the Dead-themed preview party on Thursday, and the opportunity to shop early. Saturday brings open exhibition hours in the day; a Student Exhibition featuring works from Northside High School + YES Prep Northline; and then the party and auction fun begins Saturday evening.

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    Houston Grand Opera names Rice alum James Gaffigan its next music director

    Tarra Gaines
    Nov 6, 2025 | 9:00 am
    ​Houston Grand Opera names James Gaffigan as next Music Director
    Photo by Claire McAdams
    Houston Grand Opera names James Gaffigan as next Music Director

    Opera lovers in the audience for the Houston Grand Opera’s magnificent season opening production of Porgy and Bess didn’t know it, but they were hearing HGO’s future. James Gaffigan, the acclaimed conductor of the performance will no longer be called an honored guest to the company and our city; instead, he’ll make the Wortham Center his new home.

    HGO announced on Thursday, November 6, that Gaffigan will serve as the fifth music director in its 70-year history, leading the company alongside general director and CEO Khori Dastoor. He replaces Patrick Summers, who announced last year that he would step down as artistic and music director at the end of the 2025-26 season.

    When Gaffigan begins his term as music director designate for the 2026-27 season and then assumes the full role of music director in the 2027-28 season, he won’t find Houston an unfamiliar landscape. Though originally from New York, Gaffigan once lived here while earning his master’s degree from the Shepherd School of Music at Rice University.

    After his time at Rice, he quickly rose to international superstardom in both symphonic and operatic circles. He has conducted some of the greatest orchestras around the country, including the New York Philharmonic, Chicago Symphony Orchestra, San Francisco Symphony, Los Angeles Philharmonic, and many others. In Europe he has taken the podium at the London Symphony Orchestra, London Philharmonic Orchestra, Deutsches Symphonie Orchester Berlin, and more.

    In 2011, he made both his HGO and American operatic debut with the company’s production of The Marriage of Figaro. He has also become a very welcome guest conductor for national and international opera houses, including the Metropolitan Opera, Bayerische Staatsoper, Opéra National de Paris, Lyric Opera of Chicago, and more.

    For the past several years, he has made a home in Europe serving as the general music director of Komische Oper Berlin, and he recently completed his fourth and final season as music director of the Palau de les Arts Reina Sofía in Valencia, Spain.

    Even with such a strong global presence, this Rice Owl continues to migrate back to Houston, guest conducting the Houston Symphony several times. Last year, he lead the first-ever performance by the HGO Orchestra at the annual Eleanor McCollum Competition for Young Singers Concert of Arias.

    Gaffigan’s ties to Houston are so strong that back in 2011, CultureMap’s own society king and classical music expert, Joel Luks, pondered if Gaffigan might be an excellent candidate for Houston Symphony director upon Han Graf ’s retirement. Luks, who attended the Shepherd School at the same time as Gaffigan, lauded the maestro’s sense of musical timing, charisma, and spirit.

    \u200bHouston Grand Opera names James Gaffigan as next Music Director

    Photo by Claire McAdams

    Houston Grand Opera has named James Gaffigan as its next Music Director.

    “He seems to understand music-making in a macro level, presenting a cohesive interpretation, while allowing musicians freedom of expression,” described Luks, also noting Gaffigan’s ability to connect with musicians and audiences, alike.

    It turns out Luks’s prediction for a musical directorship for Gaffigan was only off by 14 years and about a theater district block, the distance from Jones Hall to the Wortham Center.

    “I always knew that the first post I would take in the United States as music director had to be the perfect fit,” Gaffigan said in a statement. “All the boxes needed to be ticked. As I considered which institution, which city, and which community aligned with my dreams and goals for an American institution, I found HGO to be my ideal partner. In my opinion, HGO is the most exciting opera company in the United States. It is rare to find such a healthy institution, with tremendous potential, and a solid foundation on which to build.”

    Gaffigan went on to reminisce that he has admired HGO since his early twenties.

    “When walking into the building, I get a sense of community and excitement for our art form and the importance it has in our lives. I feel the same from the people in the greater Houston area. Houstonians want great art. Under Khori Dastoor’s leadership, the company has flourished, and it has become clear to me that the sky is the limit. I can’t wait to return to this city and start our thrilling new chapter together.”

    Dastoor sings similar praises for Gaffigan.

    “To welcome James Gaffigan back to Houston, and to HGO, as our new music director represents the fulfillment of an ambitious dream,” stated Dastoor. “This fall, Houston audiences have had the incredible opportunity to witness his passion, electric energy, and mind-blowing artistry at the podium. I am overjoyed that today’s leading American conductor — who embodies a new generation of music-making at the highest level — has chosen to invest fully in this company. James was steeped in the art and culture of Houston on his way to finding phenomenal international success. His return is both a testament to our city and a reflection of HGO’s ascendance as a force in the global opera industry.”

    For those wanting to get a taste of that passion and energy Gaffigan will bring to his role as Houston Grand Opera music director, he conducts Porgy and Bess November 7 and 9.

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