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    Practically Perfect

    Mary Poppins flies into TUTS for a jolly holiday of music and magic

    CultureMap Create
    Oct 14, 2022 | 12:30 pm
    Mary Poppins at TUTS
    Graphic courtesy of TUTS

    Spend a jolly holiday season with Theatre Under The Stars and its eye-popping, spectacular, and wonder-filled production of the Disney classic Mary Poppins. Based on the Disney film and book by P.L. Travers, this brand-new production of the hit musical runs December 6-24 at the Hobby Center for the Performing Arts.

    Though rehearsals have yet to begin, the creative team is already hard at work. CultureMap sat down with director Julie Kramer and choreographer Jessica Hartman — who had both just come from a meeting discussing the show's flying — to talk theater magic, family bonding, and the enduring fascination for this fix-it-all nanny.

    CultureMap: Julie, what made you interested in directing this show?

    Julie Kramer: I’m so intrigued by Mary Poppins. Her story is almost 100 years old and she's such an unusual heroine, coming in and rescuing everyone. I also love that this show is an expression of community — from the chimney sweeps to the eccentric neighbors to the woman who feeds the birds, everyone is a part of the experience.

    Our cast is a mix of actors out of New York and leading lights of the Houston theater community, and together we're composing a love letter to this town and theater in general. Getting to make magic with something that's so beautiful and joyous, especially after the pandemic, feels like a huge gift.

    CM: Jessica, why did you want to choreograph this show?

    Jessica Hartman: My Virgo personality has never quite understood Mary Poppins but as I've grown older, my perspective has shifted. She changes the way this family is looking at each other and helps them to see each other in a different way, and that's a good challenge for me. How do I take something that I know so well and honor what has existed before while still being creative and take the audience somewhere unexpected?

    CM: How do you begin to approach a show with so many “magical” elements?

    JK: I already had a fascination with magic and magicians and putting them onstage, so this show encourages that interest. There's flying and things appearing from the magic carpetbag, and I’m looking for every opportunity to find magic in the staging and create unexpected moments that you will probably not have seen in other productions. TUTS has a fantastic props department and we’ll be using them for all they’re worth.

    JH: Mary Poppins is magical from the beginning — she makes anything possible — so we want the audience to feel like Jane and Michael discovering all these new wonders. We've really taken a microscope to the script to find those moments.

    CM: How do you make a classic that's beloved by so many your own?

    JK: It's no secret that PL Travers had some issues with the movie, so we’ve been talking a lot about her and what she thought. The stage musical is more British, grounded in this world of Edwardian London, and the book is by Julian Fellowes, who did Downton Abbey.

    But it's also still a Disney show, so there still needs to be that family feel and those truly magical Disney moments. There’s also more music in the musical, which means you get the songs and numbers you know and love but might also discover new favorites. Sadly, there are no dancing penguins ... but don't think I wasn't tempted!

    CM: What do you think audiences will like most about this musical?

    JH: As a mom during Christmas, the thing I want most for my daughter is experiences. Going to the theater with your family and seeing something so magical — nothing can beat that.

    JK: This cast is phenomenal; you're going to see a very high level of performance. But also one of the first things I did after Broadway reopened was take my whole family to see Aladdin. To be able to sit with them and watch genies be real and magic carpets fly, to feel that joy and possibility together as a family was so healing. It reminded me why I do what I do.

    I really hope people will take this opportunity to gather their families together and come to the show. It speaks to parents and children and our childhood selves, and it has so much heart. That’s ageless and timeless.

    ---

    TUTS' production of Mary Poppins runs December 6-24, 2022, at the Hobby Center for Performing Arts. Click here to purchase tickets.

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    Musical theater veteran joins prominent Houston company

    Holly Beretto
    Dec 9, 2025 | 1:30 pm
    Stages Theater Valerie Rachelle headshot
    Courtesy of Stages
    Stages has named Valerie Rachelle as its new associate artist director.

    A Houston theater company is adding an accomplished artist to its ranks. Stages announced that Valerie Rachelle will be the company’s new associate artistic director beginning in January 2026.

    For more than a decade, Rachelle has been artistic director of the Oregon Cabaret Theatre in Ashland, Oregon, where she oversaw artistic vision and operations. That theater specializes in musical theater performances offered in a cabaret setting.

    Rachelle comes to Houston with a career spanning nearly 30 years as a director and choreographer. She has extensive experience in developing new musicals and plays for regional theaters and opera companies across the United States, including the Tony Award-winning Oregon Shakespeare Festival, the Utah Shakespeare Festival, and Sierra Repertory Theatre. She was appointed to her position at Stages following a nationwide search.

    “I’m beyond thankful for this opportunity to join this incredible company, and I’m excited to be a part of a creative entity that has a strong mission and vision as Stages,” Rachelle said in a statement.

    In her role with Stages, she will support artistic director Derek Charles Livingston with season planning and casting; liaise with artists, press, and staff; and coordinate day-to-day operations for the artistic department. She will also assist with crafting educational materials, direct and choreograph productions, and serve as the primary liaison with theatrical unions.

    “We are thrilled to welcome Valerie to Stages in this role,” said Livingston. “I have seen her work as a director and director choreographer — she's excellent. Those skills combined with her experience as a theatre artistic director and manager only further fortify Stages' commitment to artistic excellence and community engagement.”

    Born and raised in Eugene, Oregon, Rachelle began her career as a dancer and apprentice ballerina with the Eugene Ballet Company before earning her BFA in acting from California Institute of the Arts. She received her MFA in Directing from the University of California, Irvine. She has held teaching and directing positions at numerous institutions, including the University of Southern California, Southern Oregon University, Pacific Conservatory of the Performing Arts, and others. She has also served as a mentor through Statera Arts, an organization dedicated to gender equity in the arts.

    Rachelle teaches musical theater, auditioning, and singing at Southern Oregon University when she isn’t on the road as a freelance director and choreographer. She’s also a classically trained singer and toured the world with her parents and their illusionist show as a child.

    “Joining the team that has a long-standing reputation of excellence in theater is an honor,” Rachelle added.

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