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    the love songs of HGO

    Houston Grand Opera performs West Side Story and 5 other romances for 2024-25​

    Holly Beretto
    Mar 21, 2024 | 10:00 am

    Houston Grand Opera's 2024-2025 season lights up the Wortham Theater Center stage with drama and passion. The six-opera series blends audience favorites and new productions in a season that "explores the most profoundly human of emotions, in all its myriad forms: romantic love," said HGO General Director Khori Dastoor.

    The season opens October 18, 2024 with the debut of an original, new HGO-commissioned production of Verdi’s Il trovatore from industry-leading director Stephen Wadsworth. Sung in Italian with projected English translations, it's set in contemporary Spain, where the royalist Count di Luna and the revolutionary leader Manrico love the same woman, Leonora. As the men face off, they become ensnared in a larger web of lies, murder, and revenge. Superstar soprano Ailyn Pérez, fresh from HGO's Madame Butterfly, performs the role of Leonora opposite virtuoso baritenor Michael Spyres as Manrico, with baritone Lucas Meachem as Count di Luna. HGO Artistic Director Patrick Summers conducts. The opera runs until November 3.

    Isabel Leonard as Angelina, center, surrounded by costumed actors in pointy-nosed rat costumes, with royal guards in the background.

    Photo by Todd Rosenberg

    Isabel Leonard in Rossini's Cinderella. The colorful production, first seen at HGO in the 2006-2007 season, returns this fall.

    Rossini’s frothy delight, Cinderella, opens October 25. Directed by Joan Font, the production, first seen in HGO's 2006-2007 season, features eye-poppingly colorful sets and costumes by Joan Guillén. In this version, Cinderella, renamed Angelina, is a sweet young beauty who finds love with a prince. Leading the vocally challenging bel canto opera is world-famous mezzo-soprano Isabel Leonard, who Houston audiences can see as Maria in this season's upcoming The Sound of Music, as Angelina, with baritone Alessandro Corbelli, a revered Rossini specialist, as Don Magnifico. With a sparkling score and some hilarious, scene-stealing rats, it's an opera that should delight all ages. Lorenzo Passerini, making his company debut, conducts. There's a special HGO Family Day performance on November 9, a 90-minute version of the opera, perfect for young guests and featuring kid-friendly lobby activities. The performance is the first of this new initiative for the opera company. Cinderella runs until November 9.

    Kicking off the new year is Puccini’s heart-wrenching La bohème, in a revival co-production from HGO, Canadian Opera Company, and San Francisco Opera, created by Tony Award-winning director John Caird. The beloved opera is the story of a group of friends and lovers navigating their artistic endeavors and passionate relationships against the backdrop of belle époque Paris. Soprano Yaritza Veliz makes her HGO debut in the role that has garnered her international acclaim — that of the fragile Mimì — opposite Grammy Award-winning lyric tenor Joshua Guerrero as her Rodolfo. Baritone Edward Parks, also a Grammy winner, performs the role of the painter Marcello with Juliana Grigoryan, an electrifying new star who recently took top honors at Operalia, as his lover Musetta. Another Grammy winner, the celebrated conductor Karen Kamensek, takes the HGO podium to conduct Puccini’s unforgettable score. The production runs January 24 to February 14, 2025.

    Another beloved story of star-crossed lovers, West Side Story, runs in repertory with La bohème. The musical theater masterpiece, composed by Leonard Bernstein, with lyrics by Stephen Sondheim, choreography by Jerome Robbins, and book by Arthur Laurents, opens January 31. A modern take on Romeo and Juliet set in New York City in the 1950s, it's the story of Tony, a member of the Jets, who falls for Maria, a young Puerto Rican immigrant whose brother Bernardo is the leader of their rivals, the Sharks. It's filled with some of Broadway's best-loved songs, including "Tonight" and "America." Last seen in 2018, when HGO was displaced from its Wortham Theater Center home by Hurricane Harvey, this rendition is an opportunity for audiences to experience the production, co-produced by HGO, Glimmerglass Festival, and Lyric Opera of Chicago, and directed by by the legendary Francesca Zambello, in all its romantic, tragic glory. Soprano Shereen Pimentel makes her HGO debut as Maria. Tenor Brenton Ryan sings Tony. Broadway's Kyle Coffman, who also appeared in Steven Spielberg’s 2021 film version, makes his company debut as Riff, leader of the Jets. Internationally acclaimed conductor Roberto Kalb takes the podium in his HGO debut. The production runs January 31 to February 15, 2025.

    Breaking the Waves, the critically acclaimed contemporary opera from sought-after composer-and-librettist team Missy Mazzoli and Royce Vavrek, makes it Houston debut, opening April 19. Set in strict, Calvinist 1970s Scotland, its the story of the impressionable young Bess and offshore oil rigger Jan. After they marry, Bess embarks on a journey of sexual exploration that, following a series of shocking events, ends in tragedy. Soprano Lauren Snouffer returns to the HGO stage to sing Bess. HGO Studio alumnus and charismatic bass-baritone Ryan McKinny is Jan. Sara Brodie directs and Summers conducts. The production runs until May 2, 2025.

    Closing the season is a new staging of Wagner’s Tannhäuser from internationally acclaimed director Francesca Zambello. HGO audiences will be the first to see this new adaption, a co-production from HGO and Washington National Opera. Tenor Russell Thomas, an acclaimed Wagnerian, seen in HGO's Parsifal this season, performs the role of Tannhäuser, a poet struggling between the forces of lust and love. World-famous soprano and HGO Studio alumna Tamara Wilson portrays his spiritual love, the pure Elisabeth, with mezzo-soprano Sasha Cooke as the tempting goddess Venus. Erik Nielsen, acclaimed music director of Bilbao Symphony Orchestra, makes his company debut at the podium. The opera runs April 25 to May 11.

    Other season highlights that are not part of the main stage series include the popular Concert of Arias and Giving Voice. Concert of Arias, the live final round of the Eleanor McCollum Competition for Young Singers, features a small group of talented young artists selected following an extensive international search. In 2025, for the first time in company history, the singers performing in the concert will be accompanied by the HGO Orchestra. The performance is January 17. Subscribers receive first access to tickets. The sixth annual Giving Voice, an adored company tradition created by renowned tenor Lawrence Brownlee, showcases the monumental artistry and historic contributions made by Black artists in opera and song. Subscribers receive premier access to register. The date is still TBD.

    Season subscriptions are available now. For information see houstongrandopera.org.

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    Best August Art

    9 must-see art openings at Houston museums and galleries for August

    Tarra Gaines
    Aug 11, 2026 | 10:30 am
    DiverseWorks presents Jesus Benavente: "NuestroWorld"
    Jesus Benavente, A Life A Home and A Horse Named Triste, 2021. Photo courtesy of the artist.
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    As the summer sizzles on, Houstonians have the opportunity to contemplate some cool new art around the city. As some art institutions get ready for big fall blockbusters, this month's list highlights some intriguing gallery exhibitions and smaller shows that have popped up this month.

    Along with showcases of ancient and contemporary textile work at the Museum of Fine Arts, Houston and Ismaili Center, art gets wild, teal, and tattooed over at Sawyer Yards. Plus, a new mural in Southwest Houston builds international bridges, and DiverseWorks invites art lovers to a new kind of amusement park.

    "Between Flame, Stone, and Tide” at Mitochondria Gallery (now through August 29)
    Though using very different practices and mediums, artists Alex Peter Idoko, Chika Idu, and Ejiro Fenegal create work that explores how elemental forces shape narratives of memory, identity, belonging, and environmental responsibility. Idoko uses a blowtorch on canvas and paper, exploring themes of destruction and renewal. Fenegal sculpts in marble, using the classic medium to preserve individual stories while affirming collective identity. Idu’s textured oil paintings depict children in aquatic landscapes to depict the relationship between vulnerable communities and threatened environments. When taken together, the exhibition helps viewers reflect on the enduring relationship between material, place, and the environments that sustain us.

    "Beyond Skin Deep: Tattoo Artist Showcase” at Sawyer Yards (now through September 12)
    Painter, tattoo artist, and exhibition curator Julian Solis wants to defy distinctions between fine art and folk art, making the case for body art as fine art. Solis has organized the exhibition around local tattoo artists’ works in a variety of media. These pieces done in oil, graphite, ink, and more prove their rightful placement on gallery walls, yet they also reveal the unique visions of the artists who usually create on a canvas of human bodies. Visitors to the exhibition will discover traditional flash paintings alongside portraits in oils, with both displaying the relationship tattooers have between their personal art practices and art made for clients

    "Transformative Teal” at Sabine Street Studios (now through October 10)
    Instead of organizing this group show around a theme or genre, this exhibition asks Sabine artists working in a variety of mediums — including painting, sculpture, photography, and digital media — to contemplate the color teal and its constant metamorphosis between blues and greens. The artists find meaning in the color in a myriad of ways, from intimate narratives of identity and healing to expansive meditations on nature and society. The organizers note that the works showcased reveal how the concept of transformation is at once an external phenomenon and an internal journey.

    “WILD” at Sabine Street Studios (now through September 12)
    For its biennial exhibitions the WiVLA (Women in Visual and Literary Arts) organization selects a theme and members form collaborative partnerships of two or three artists from different disciplines to create visual and written works in conversation with each other. This year’s “Wild” theme inspires the artists to create work untamed and unconfined. Whether literally or abstractly these artists will decide what wildness means to them, opening their art up to risk, intensity, and freedom.

    Persia to Paisley: Global Luxury and the Kashmir Shawl at Museum of Fine Arts, Houston (now through November 29)
    This special installation within the MFAH’s eminent Hossein Afshar Art of the Islamic Worlds Galleries examines how one piece of clothing, the Kashmir shawl, changed and shaped cultures of its time. Handwoven from pashm, the under hair of Himalayan goats, Kashmir shawls represented the height of luxury for hundreds of years across, Asia, Africa, and Europe. These shawls also became the ultimate piece of wearable art, as it took months of coordinated labor among expert designers, dyers, and weavers to create one piece.

    The show will feature extraordinary Kashmir shawls and textiles from the early 17th century to today, including a later 19th century European Long Shawl, signed by Antony Berrus, director and designer of one of the most successful textile ateliers in Paris, an early 17th century Waist Sash from Mughal India, and depictions of Kashmir fashion in classic paintings.

    “Painted Bridges” located at 9750 Bellaire Blvd. (ongoing)
    Led by Houston’s own street art–and beyond–superstar GONZO247, six emerging Taiwanese artists and designers offer the city a seat at an international art table with this new mural in the Southwest Management District. The six artists are the inaugural cohort of Meridian Fellows from EpNex, an organization based in Taiwan with a network across the U.S. and Asia-Pacific, which has a mission to design programs that connect people across cultures.

    With GONZO247 acting as mentor, the artists designed and painted a permanent public mural inspired by the theme of “The Space Between.” The final vision honors Houston’s connection with its oldest official sister city, Taipei, while also telling the story of a "shared feast,” with one empty seat at the center. The space left open holds a dual meaning: one of honoring those who have passed from our lives, while also reminding the viewer that "There is always a seat for you.” The astronaut at the table represents Taipei-born Houston astronaut Dr. Kjell Lindgren.

    Jesus Benavente: "NeustroWorld" presented by DiverseWorks at 5601 B Navigation Blvd. (August 13-September 13)
    For this DiverseWorks-commissioned project, Brooklyn-based, Texas-born artist Jesus Benavente uses humor to explore how cities such as Houston constructs its identity. Playing with images and ideas from Houston’s past, and our mythologizing of that past, Benavente eschews the traditional gallery show by creating a fictional visitors center for “NeustroWorld.” The title is a Spanglish phrase meaning "The World Is Ours,” and, of course, a spin on AstroWorld.

    This “NeustroWorld” will merge concepts of visitors center, gift shops, and amusement parks into an immersive art space containing large scale banners, Tejano music paired with a custom neon video sculpture inspired by Selena’s rodeo performances, and a 13-foot blimp roaming through the gallery. Visitors can also pick up a free NuestroWorld Amusement Guide and purchase limited-edition merchandise, including custom screen-printed t-shirts, mugs, and stickers. That Amusement Guide will also serve as a kind of art map inviting “NeustroWorld” goers to explore other parts of the city, asking viewers to think about them in new ways, perhaps even as adventure rides in the amusement park we call Houston.

    “Imagined Ancestors” at the MFAH Glassell School of Art (August 15-October 4)
    This exhibition highlights the work of Patrick Palmer, dean of the Glassell School. With both paintings and sculptures, Palmer depicts the generations of people who shaped his life in both profound and small ways. The pieces are inspired by “the impossible idea” that the art can portray a single moment. Palmer investigates quiet moments to better understand how the past and present are forever connected.

    “Article” at Ismaili Center (August 15-January 10)
    The Ismaili Center continues to champion local artists with this solo show from textile-based works by Houston artist Gabriel Martinez. Using garments collected from the streets of the city as his medium, Martinez’s pieces ask viewers to think about how material circulates and the different values people place upon everyday objects. The title work of the exhibition is a 30-foot wall-sized composition sewn entirely by hand without assistants or machinery.

    While visiting the Center, be sure to take time to find and marvel at the new commissioned and site-specific installation “No. 1573 Reflectors” by acclaimed Bangladeshi-British artist Rana Begum that the Center has just added to its permanent collection. Installed in the east atrium, the 20 feet high pink-and-white reflective piece explores the nature of the infinite.

    DiverseWorks presents Jesus Benavente: "NuestroWorld"
    Jesus Benavente, A Life A Home and A Horse Named Triste, 2021. Photo courtesy of the artist.

    DiverseWorks presents Jesus Benavente: "NeustroWorld"

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