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    see these shows

    Musicals and comedies headline Houston's 12 best shows for April

    Tarra Gaines
    Apr 2, 2025 | 11:15 am
    National tour of Mamma Mia!

    Broadway at the Hobby Center presents Mamma Mia!

    Photo by Joan Marcus

    Drama, comedy and mystery bloom across stages throughout Houston, but we’ve also got a song in our heart for the many musicals and operas opening this month. Mamma Mia, is there a lot of theater this month from a new twist on our favorite detective to a world premiere, true biography of an unsung WWII hero. So as you ease on down the road to your favorite live theater venue, don’t miss these stellar shows.

    Baskerville: A Sherlock Holmes Mystery at Alley Theatre (April 4-May 4)
    Longtime Alley favorite and a staple of Houston theater, Todd Waite, takes his final bow as a member of the Alley resident acting company with his sixth time in the role of Sherlock Holmes. Waite always bring wit, intelligence, and a bit of mischief to his take on literature’s most famous detective. His interpretation should pair terrifically with playwright Ken Ludwig, who tends to bring surprising twists to any classic he adapts for the stage. For audiences who already know whodunit in this most beastly of Holmes cases, don’t worry that your fun will be spoiled. The biggest mystery of all will be discovering how five actors can play over 40 characters in this thrilling comic puzzle of a play.

    Dixie’s Tupperware Party hosted at Stages (April 8-20)
    The queen of Tupperware sales is back in Houston and goes back to her (tastefully dyed) roots, with this original show that made her an off-Broadway and fringe festival star. Hosted by the fast-talking, gum-chewing, southern spitfire Dixie Longate, the interactive show showcases the history and wonders of Tupperware as Dixie tells stories of her wild adventures as a pitch-woman. Over the years, Dixie has visited Houston with other themed theatrical rides, but her Stages stop might be Dixie’s last roundup for plastic kitchenware sales. The show’s creator and Dixie’s alter ego, Kris Andersson, has announced this will be the final Tupperware Party tour.

    Mamma Mia! presented by Broadway at the Hobby Center (April 8-13)
    Here we go again, as a new touring production of the feel-good musical sets sail to that Greek island paradise where the sun always shines and everyone is a dancing queen. On the eve of her wedding, a daughter’s quest to discover the father she’s never known brings three men from her mother’s past back to the island they last visited decades ago. For the ultimate fun theatrical experience “Take a Chance” on this jukebox musical set to the music of ABBA hits, like “S.O.S” and “Money.” This “Super Trouper” of a show is always an audience fav.

    How to Die: The Life of Dietrich Bonhoeffer at A.D. Players (April 9-May 4)
    The faith-based company presents this world premiere historical biography chronicling the life of the pastor and theologian who tried and failed to assassinate Adolf Hitler. While the play depicts the dramatic events of Bonhoeffer’s life and his place in history, it also will portray his inner struggles as he must work through the changing theology of a fractured German church, his obligations to his loved ones, and his core question of the sinful nature of killing a human being in order to stop evil. Part of A.D. Players’ Metzler New Works Series, this complex production is definitely a labor of love for the company as it was written by local playwright Andy Pederson, the company’s director of education and theater for young audiences, with company artistic producer, Kevin Dean, directing and a cast of some of Houston’s favorite actors.

    Three Sisters from Classical Theatre Company (April 10-26)
    The Houston theater company that specializes in fresh interpretations of works at least a century old will perform one of the world's greatest dramas. Anton Chekhov's play depicts the lives, loves, and suffering of the Prozorov siblings as they long for an idealized past far from their present circumstance in the midst of social and political upheaval that will change Russia forever. Directed by CTC artistic director John Johnston, this will be the first full-length Chekhov play they’ve produced in a decade. Three Sisters was originally set in the part of the Russian Empire that is modern day Ukraine, with the unhappy Prozorov family being native born Russian Muscovites. Look for Johnston to draw some thought-provoking themes and contemporary connections between the literary past and our own interesting times.

    Spill at Rice Moody Center for the Arts (April 11-12)
    On the 15th anniversary of the Deep Water Horizon explosion, Moody presents the Houston premiere of this documentary play that's written by award-winning The Laramie Project playwright Leigh Fondakowski and features a cast of phenomenal local actors. One of the largest environmental disasters in contemporary times, the Deep Water accident left 11 workers dead, many injured, and triggered the largest oil spill in U.S. history. Using real life stories taken from hundreds of hours of interviews, Spill memorializes how Deepwater Horizon changed lives, the region, and the oil industry, and invites audiences to consider the precarious balance of danger and beauty found on the Gulf Coast.

    Waitress from Theatre Under the Stars (April 15-April 27)
    This feel-good musical about the love and heartache of a plucky waitress is only a decade old, so you might expect this to be another touring production. Well, grab your pie forks because this is a semi-homemade show baked to perfection from a delicious collaboration between Theatre Under the Stars and The 5th Avenue Theatre in Seattle. Based on the hit film by Adrienne Shelly, the show follows Jenna, a master baker and waitress in an abusive relationship with her husband. After Jenna unexpectedly becomes pregnant, she begins an affair with her doctor. Looking for ways out of her troubles, she sees a pie baking contest and its grand prize as her chance.

    Breaking the Waves from Houston Grand Opera (April 19-May 1)
    One of the most provocative and acclaimed operas of the 21st century finally crashes onto the Wortham stage, with this dramatic co-production from HGO, Opera Ventures, Scottish Opera, Théâtre National de l'Opéra Comique, and Adelaide Festival. Based on the acclaimed Lars von Trier film, composer Missy Mazzoli and librettist Royce Vavrek’s opera transport audiences to a strict religious community in 1970s Scotland. HGO Butler Studio alumna soprano Lauren Snouffer takes the starring role of Bess, a devout young woman who dares to marry an outsider, the offshore oil rigger Jan, played by fellow Butler Studio alumnus Ryan McKinny. With their marriage, Bess embarks on a journey of sexual exploration that is tragically interrupted when Jan is paralyzed in an accident, setting off a series of shocking events. Prepare for the passion and explicit themes, as this is one of the rare productions that HGO labels as intended for adult audiences only.

    Tannhäuser from Houston Grand Opera (April 25-May 11)
    Richard Wagner’s romantic masterpieces gets a new production as HGO once again collaborates with longtime friend and internationally-acclaimed director, Francesca Zambello. Houston audiences will be the first in the world to experience Zambello’s beautiful new vision of the opera before it moves to the Washington National Opera, where she is artistic director. Tannhäuser explores the tension between lust and love within the title character’s psyche after he abandons his spiritual love, Elisabeth, for the carnal delights of the goddess Venus. Renowned tenor Russell Thomas takes the title role, with Grammy winning stars Tamara Wilson as Elizabeth and Sasha Cooke as Venus.

    Das Barbecü at Stages (April 25-June 1)
    If you still can’t get enough opera this month, try this performance with a decidedly Texas twisty twang, as Stages makes a hootenanny of Wagner's Ring Cycle. In this musical comedy, the convoluted saga of Norse gods, goddess, heroes, and heroines all fighting over jewelry chronicled across Wagner’s four monumental operas gets whittled down to a hilarious evening where five actors play three generations of feuding Texas families. Expect a musical mashup of Broadway standards and twangy country, with show-stopping numbers like "Hog-Tie Your Man,” “Barbecue for Two” and “Makin’ Guacamole.”

    Forbidden Broadway: Merrily We Stole a Song presented by the Hobby Center (April 24-27)
    As the Hobby Center makes a larger push to bring touring shows and performers to Houston beyond their Broadway series, look for unique treats like this one. This off-Broadway sensation has lovingly parodied its Broadway elders for 35 years, becoming a New York theater staple in its own right. From Frozen to Phantom to Wicked, the show has always been a satirical roast of big Broadway hits and features outrageous costumes, silly spoofs of the songs you know by heart, and hilarious impressions by a cast of musical know-it-alls. They’re always refreshing the lineup, so looks for spoofs of the classics in the mix with the latest Broadway smashes.

    The Wiz presented by Broadway at the Hobby Center (April 29-May 4)
    The Wiz eases down the road to its week-long home at the Hobby Center in another all-new Broadway tour, the first one in 40 years. This groundbreaking take on The Wizard of Oz changed the face of Broadway–from its iconic score packed with soul, gospel, rock, and 70s funk to its stirring tale of Dorothy’s journey to find her place in a modern world. This revival is directed by Schele Williams (The Notebook, revival of Disney’s Aida), choreography by JaQuel Knight (Beyoncé’s “Single Ladies”) with new additional material by Tony and Emmy-nominated writer and TV host Amber Ruffin. The Wiz’s dynamic infusion of ballet, jazz, and modern pop brings a “Believe in Yourself” philosophy we’ll all take home.

    Todd Waite takes his final bow as an Alley company member in Baskerville: A Sherlock Holmes Mystery
    Photo by Lynn Lane

    Todd Waite takes his final bow as an Alley resident company member in Baskerville: A Sherlock Holmes Mystery.

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    building ballet's brand

    Houston Ballet recruits ex-Netflix exec to serve as first-ever CMO

    Holly Beretto
    Jan 15, 2026 | 9:45 am
    Adama Sall headshot
    Photo by Grace Hwang
    Adama Sall starts as the Houston Ballet's first-ever chief marketing officer on January 26, 2026.

    The Houston Ballet announced it has hired Adama Sall as the organization’s first-ever chief marketing officer.

    Sall, who starts her tenure with the Ballet on January 26, will oversee all marketing and brand strategy as part of the executive leadership team. Sall brings more than 20 years of experience building global, culturally influential brands to this newly created role.

    “Having worked with the best and the brightest, Adama is passionate about what Houston Ballet is set to accomplish, including building a brand that feels essential, modern, and deeply integrated into people’s lives,” executive director Sonja Kostich said in a statement. “We are focused on aligning how we show up across ticketing, digital platforms, public relations, events, education, and community engagement — so that every touchpoint tells a cohesive, compelling story. This is not about following traditional ballet marketing playbooks, this is a rare opportunity to shape the identity of an already stable, well-resourced organization and bring fresh creative energy to an institution poised for reinvention. We are thrilled to have her joining us at this pivotal moment for the Company’s growth.”

    Sall is excited for what comes next.

    “Sonja's vision for elevating Houston Ballet into a global cultural force resonates,” Sall tells CultureMap. “It reflects the kind of bold ambition I grew up with in advertising: building iconic brands, reshaping categories and setting aspirations that inspire not just an entire organization, but the culture at large.”

    Throughout her career, Sall has worked with both top creative agencies and held in-house leadership roles at some of the most innovative, culture-shaping companies in the country. She is known for collaborating with deeply creative teams and partners who are ready to think differently, and for translating big, imaginative ideas into scalable strategies. She has partnered with leading agencies including Mekanism, Ogilvy & Mather, BBDO, McCann, TBWA\Chiat\Day, and R/GA, and has led brand strategy for some of the world’s most recognized companies, including Disney, Coca-Cola, HBO, Gap, Peloton, Starbucks, Ben & Jerry’s, Samsung, Jeep, Nasdaq, HP, GE Appliances, and UPS.

    During her time as director of global brand strategy at Netflix, she helped create brands that maintained consistency in different mediums worldwide. That worked is credited with helping the streaming platform drive "global cultural conversation," according to press materials.

    “Arts marketing is similar to my work in entertainment at Netflix,” she said, explaining how marketing an organization like the Ballet can be unique. “We weren't just selling a product or a service. The marketing was centered on building meaning, emotion and cultural value. In the arts, brand doesn't just support the mission, it is the mission made visible. At its best, arts marketing invites people into something that matters, amplifying artistic intent.”

    As chief marketing officer, Adama will develop integrated marketing campaigns that elevate Houston Ballet locally, nationally, and globally. She will oversee digital, social, content creation, public relations, and brand storytelling, all designed to raise Houston Ballet's profile and make a compelling cultural case for ballet overall.

    “I'm eager to dive in,” Sall said. “One of my favorite parts of brand strategy is listening and learning, then translating those insights into a fresh perspective that inspires people to see ballet in a new light. Houston Ballet is a powerhouse, and I can't wait for more people to discover it.”

    Sall holds a degree in Cultural Anthropology from Columbia University and is a longtime mentor, educator, and advocate for diversity in the creative industries.

    In a press release announcing her appointment the Ballet noted that Sall’s hiring reflects a continued evolution toward a more integrated, future-facing approach to the Ballet’s brand and audience engagement.

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