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    Take a bow

    Alley Theatre's managing director to retire after 19 years in Houston

    Holly Beretto
    Oct 14, 2024 | 12:06 pm

    After nearly two decades at The Alley Theatre, the organization announced that managing director Dean Gladden will retire at the end of the current fiscal year, in June 2025. Gladden’s 19-year tenure at the Tony Award-winning theater has left a lasting mark on the company and on Houston audiences.

    During his time at the Alley, Gladden led a number of successful initiatives and campaigns that brought further prominence to the already-lauded regional theater company with a national reputation. He produced more than 200 plays, attracting an audience of more than three million people. He led the two largest capital campaigns in the theater's history and oversaw the extensive renovation of the iconic Meredith J. Long Theatre Center.

    In addition, he brought the Alley from an organization with an $800,000 budget deficit when he started in 2006 to a powerhouse with a solid financial future. Nearly two decades after his start with the company, it doubled its operational budget, giving it the financial resources needed to bring its artistic visions to life, providing Houston with national and international-caliber productions.

    “I feel so lucky to have worked in partnership with Dean Gladden these past six years,” Alley artistic director Rob Melrose said in a statement. “Dean retires as a true legend in the American theater, having expertly guided the Alley through some of the most challenging times imaginable including a hurricane and a global pandemic. As his partner, I have benefited greatly from his unwavering support of the art, his commitment to fiscal responsibility, his passion for pushing himself and his teammates to new heights, his tireless fundraising, as well as his strategic mind. He deeply cares about the Alley, and I know that even after his retirement, he will continue to be the Alley’s lifelong friend and greatest advocate.”

    That advocacy has been apparent throughout his time with the company. Gladden turned the theater's Summer Chills murder mystery series into a major revenue generator, increasing its annual revenue by 370 percent from 2007 to 2024. He also led a 2015 capital campaign that raised $56.5 million for artistic initiatives and the renovation of the Meredith J. Long Theatre Center, as well as the ongoing $80 million campaign for endowment, artistic initiatives, Hurricane Harvey damage recovery, and capital/operating reserves.

    When Hurricane Harvey tore through Houston in 2017, five million gallons of water flooded the Alley, destroying the Neuhaus Theatre, lobby, dressing rooms, and 81,000 props. The losses totaled $26 million. Gladden mounted an aggressive restoration plan, fully restoring the theater in two and half months, allowing A Christmas Carol to open on Thanksgiving weekend 2017.

    During the Covid-19 pandemic, the Alley retained as many employees as possible, despite having no earned income. The theater employed more people during the pandemic than any other theater in the U.S., including its Resident Acting Company.

    Alley managing director Dean Gladden outside the theater's front door

    Courtesy of The Alley Theatre

    The Alley Theatre announced that managing director Dean Gladden will retire at the end of this fiscal year.

    Gladden’s career spans 48 years in the arts, at organizations around the country. Prior to joining the Alley, he was associate managing director and then managing director of The Cleveland Playhouse, another of the country’s Tony Award-winning regional theaters. From 1982 to 1985, he was director of development and administration for the Great Lakes Theater Festival in Cleveland, and simultaneously served as director of the Graduate Arts Management Program at the University of Akron. He also served as executive director of the Arts Commission of Greater Toledo and the Council for the Arts of Greater Lima, Ohio in the 1970s and ‘80s. He holds an MS in urban arts administration and a bachelor’s degree in music education from Miami University. He is also a graduate of the Harvard Business School Executive Education Program in Strategic Perspectives in Nonprofit Management.

    Management Consultants for the Arts has been engaged to identify Gladden’s successor, with Craig Jarchow, president of the board of directors, leading the board search committee. The new managing director is expected to begin on July 1, 2025.

    news/arts

    Best April Theater

    The 9 best plays, musicals, and operas to see in Houston this month

    Tarra Gaines
    Apr 2, 2026 | 2:00 pm
    National tour of Six
    Photo by Joan Marcus
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    Houston theater companies seem to be feeling a bit nostalgic as they offer up some timeless and contemporary classics shows for audiences this month. Drama gets political, comedy gets historical, and an array of queens, knights, lunching ladies, and barbers sing. Celebrate the classics, and one world premiere, as theater blossoms across the city this month.

    Brother Andrew at A.D. Players (now through April 26)
    The family friendly and spiritual theater company's latest new work is this musical inspired by the New York Times Bestseller, God's Smuggler. The true story follows a young Dutch man who, after a dramatic conversion, takes on a new calling as Brother Andrew and risks his life to smuggle Bibles behind the iron curtain during the cold war. With music and lyrics by Christian rock star Neal Morse, Brother Andrew becomes an inspirational, thrilling musical, and Houston theater goers can be the first to see it.

    Six presented by Broadway at the Hobby Center (April 7-12)
    Let’s sing out “Yas, Queens!” as six divas take the Hobby stage once more to have (and belt) it out over who had a worst marriage to the king of bad husbands, Henry VIII. With those marriage outcomes being: divorced, beheaded, died, divorced, beheaded, survived, they’ve got a lot to sing about. Coincidentally resembling some of the hottest pop stars of our age, the 16th century royals: Catherine, Anne, Jane, Anna, Katherine with aK, and the second Catherine with a C (Henry had a type for names), finally get to tell their own side of the story in this theatrical concert extravaganza. Six is one of those rare musicals that after many years is still going strong on Broadway, but you don’t have book a flight to seek an audiences with the queens, as Broadway at Hobby brings them back to Houston.

    Company from Garden Theatre (April 10-19)
    Garden continues to celebrate its fifth season by remounting some of its audience's favorite shows, and the final musical of the season is no exception. Stephen Sondheim’s exploration of New York marriages through the eyes of a single and singular man, Bobby, also gave us Sondheim fans some of our most adored songs, like “Ladies Who Lunch” and “Being Alive.” Through a series of dinner parties, first dates, and candid conversations, Bobby explores the highs, lows, and absurdities of modern relationships, gaining insight into marriage, commitment, and his own persistent bachelorhood. Garden Theatre’s founding artistic director Logan Vaden, plays Bobby, alongside a cast of Garden regulars.

    The Designated Mourner from Catastrophic Theatre (April 10-25)
    Because of scheduling and production issues, Catastrophic made some changes to its announced season and brought back this contemporary political classic by American playwright and actor Wallace Shawn. Unfolding in a series of monologues and short scenes, three characters, a husband, wife, and her father, talk us through a labyrinthine tale spanning the years before, during, and after a populist uprising in an unnamed country. Now teetering on the edge of authoritarianism, the government has targeted artists and intellectuals for imprisonment and execution. Catastrophic co-founder Jason Nodler, who will direct, says the power of Designated Mourner is that it pushes audiences to reflect on their own beliefs and ideals if confronted by such circumstances. Previous productions have left audiences thinking and questioning long after the final lines.

    Spamalot presented by Theatre Under the Stars (April 15-26)
    Clap your coconut shells together as the revival of the smash Broadway hit clops into Houston. As the original description so honestly stated, Spamalot is lovingly ripped from the film classic, Monty Python and the Holy Grail, but fans know the musical definitely expands on the film.

    Follow King Arthur and his nights of the Round Table on a set of meandering adventures through ancient England, a land full of flying cows, killer rabbits, French taunters, dancing girls, shrubbery, and watery lake tarts dispensing swords. While this revival garnered critical acclaim on Broadway for its new design and staging, the original book, lyrics, and music by Python member Eric Idle still remain, so expect to sing along with knightly songs like “Always Look on the Bright Side of Life,” “The Song That Goes Like This,” and “Find Your Grail.”

    Othello from Classical Theatre Company (April 16-May 2)
    The Houston theater company that specializes in bringing new perspectives to theatrical masterpieces describes its 18th season as “sad plays for sad days.” In keeping with that theme, it brings the always complex and provocative Othello to the DeLuxe stage.

    The play follows the heroic Moorish general in the Venetian army, Othello, whose life is destroyed by his insidious and conniving ensign, Iago. Calling Othello his favorite Shakespeare play, company founder John Johnston finds many parallels between the play and our current political landscape, especially Othello’s blight and Iago’s ability to manipulate others using fear and racism as a wedge.

    Messiah from Houston Grand Opera (April 17-May 3)
    As the music rises to the heavens, the Wortham stage will be filled with images reminiscent of fantastic dreams in this rare staging of Handel’s Messiah, arranged by Mozart, as a full operatic production. Though classical music lovers likely are more accustomed to hearing Handel’s Messiah as a holiday tradition in concert halls, Wilson’s acclaimed production becomes a surreal, transformative experience.

    Performed by the HGO Orchestra and Chorus alongside soprano Ying Fang, countertenor Aryeh Nussbaum Cohen, tenor Benjamin Bliss, and bass-baritone Nicholas Newtona, as well as internationally celebrated dancer Alexis Fousekis, this Messiah production will be one audiences will not soon forget.

    Fences at Alley Theatre (April 17-May 10)
    It’s been some time since the Alley produced a work by August Wilson, one of the great American playwrights of the late 20th century, but this Pulitzer and Tony winner is certainly a momentous one to welcome Wilson’s work back to the Hubbard stage. Fences tells the story of a former baseball player, Troy Maxson, who struggles with the realities of life and the pursuit of happiness. The play explores themes of racial prejudice and unfulfilled dreams, while depicting the challenges of parenthood and the strength and bonds of family when they are tested.

    The Barber of Seville from Houston Grand Opera (April 24-May 10)
    One of the most beloved comic operas, Rossini’s The Barber of Seville gets a colorful and exhilarating new staging created and directed by Joan Font, founding director of the Barcelona-based company Comediants. The opera follows the story of the dashing Count Almaviva, who is captivated by the mysterious Rosina but thwarted in his pursuit by her pompous old guardian, Dr. Bartolo. In order to get close to the cloistered beauty, Almaviva enlists the help of the scheming barber Figaro and his clever tricks, leading to a series of elaborate disguises, intercepted letters, and outrageous mix-ups before true love triumphs at last.

    National tour of Six
    Photo by Joan Marcus

    Broadway at the Hobby Center presents Six.

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