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    Take a bow

    Alley Theatre's managing director to retire after 19 years in Houston

    Holly Beretto
    Oct 14, 2024 | 12:06 pm

    After nearly two decades at The Alley Theatre, the organization announced that managing director Dean Gladden will retire at the end of the current fiscal year, in June 2025. Gladden’s 19-year tenure at the Tony Award-winning theater has left a lasting mark on the company and on Houston audiences.

    During his time at the Alley, Gladden led a number of successful initiatives and campaigns that brought further prominence to the already-lauded regional theater company with a national reputation. He produced more than 200 plays, attracting an audience of more than three million people. He led the two largest capital campaigns in the theater's history and oversaw the extensive renovation of the iconic Meredith J. Long Theatre Center.

    In addition, he brought the Alley from an organization with an $800,000 budget deficit when he started in 2006 to a powerhouse with a solid financial future. Nearly two decades after his start with the company, it doubled its operational budget, giving it the financial resources needed to bring its artistic visions to life, providing Houston with national and international-caliber productions.

    “I feel so lucky to have worked in partnership with Dean Gladden these past six years,” Alley artistic director Rob Melrose said in a statement. “Dean retires as a true legend in the American theater, having expertly guided the Alley through some of the most challenging times imaginable including a hurricane and a global pandemic. As his partner, I have benefited greatly from his unwavering support of the art, his commitment to fiscal responsibility, his passion for pushing himself and his teammates to new heights, his tireless fundraising, as well as his strategic mind. He deeply cares about the Alley, and I know that even after his retirement, he will continue to be the Alley’s lifelong friend and greatest advocate.”

    That advocacy has been apparent throughout his time with the company. Gladden turned the theater's Summer Chills murder mystery series into a major revenue generator, increasing its annual revenue by 370 percent from 2007 to 2024. He also led a 2015 capital campaign that raised $56.5 million for artistic initiatives and the renovation of the Meredith J. Long Theatre Center, as well as the ongoing $80 million campaign for endowment, artistic initiatives, Hurricane Harvey damage recovery, and capital/operating reserves.

    When Hurricane Harvey tore through Houston in 2017, five million gallons of water flooded the Alley, destroying the Neuhaus Theatre, lobby, dressing rooms, and 81,000 props. The losses totaled $26 million. Gladden mounted an aggressive restoration plan, fully restoring the theater in two and half months, allowing A Christmas Carol to open on Thanksgiving weekend 2017.

    During the Covid-19 pandemic, the Alley retained as many employees as possible, despite having no earned income. The theater employed more people during the pandemic than any other theater in the U.S., including its Resident Acting Company.

    Alley managing director Dean Gladden outside the theater's front door
      

    Courtesy of The Alley Theatre

    The Alley Theatre announced that managing director Dean Gladden will retire at the end of this fiscal year.

    Gladden’s career spans 48 years in the arts, at organizations around the country. Prior to joining the Alley, he was associate managing director and then managing director of The Cleveland Playhouse, another of the country’s Tony Award-winning regional theaters. From 1982 to 1985, he was director of development and administration for the Great Lakes Theater Festival in Cleveland, and simultaneously served as director of the Graduate Arts Management Program at the University of Akron. He also served as executive director of the Arts Commission of Greater Toledo and the Council for the Arts of Greater Lima, Ohio in the 1970s and ‘80s. He holds an MS in urban arts administration and a bachelor’s degree in music education from Miami University. He is also a graduate of the Harvard Business School Executive Education Program in Strategic Perspectives in Nonprofit Management.

    Management Consultants for the Arts has been engaged to identify Gladden’s successor, with Craig Jarchow, president of the board of directors, leading the board search committee. The new managing director is expected to begin on July 1, 2025.

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    Salutations, Soon Youn

    Houston Ballet principal dancer announces retirement after 13 years

    Holly Beretto
    Jun 20, 2025 | 10:00 am
    ​Houston Ballet Principal Soo Youn Cho
    Photo by Amitava Sarkar (2016). Courtesy of Houston Ballet.
    Houston Ballet Principal Soo Youn Cho and in Theme and Variations.

    Houston Ballet principal dancer Soon Youn Cho has announced her retirement, after 13 years with the company.

    For more than a decade, she has captivated audiences with her elegance, emotional authenticity, and technical brilliance. Audiences have seen her in roles such as Aurora in The Sleeping Beauty, Kitri in Don Quixote, Odette/Odile in Swan Lake, the Sugar Plum Fairy in The Nutcracker, and Suzuki in Madame Butterfly, among many others.

    Cho’s retirement follows a period of recovery from spinal surgery prompted by chronic back issues that intensified during and after her pregnancy.

    "This decision was not made lightly, but with a great deal of reflection and acceptance over the past year," said Cho. “Since I first began ballet at the age of four, it has been the greatest love of my life. Even through pain and injury, I felt joy and purpose in every moment. I gave my best to every step along the way, and I now leave the stage with a peaceful heart and deep gratitude.”

    Cho further said that even before becoming pregnant, she had been managing chronic back issues throughout her career.

    “With dedication, careful conditioning, and the unwavering support of those around me, I was able to continue dancing for many years,” she said. “Despite my best efforts to recover, I’ve come to the difficult realization that I won’t be able to return to dancing at the level I once did. With a heavy but full heart, I’ve decided to retire from the stage.”

    Born in Korea and trained there, as well as in Canada and Germany, Cho danced with Opera Leipzig Ballet in Leipzig, Germany and the Tulsa Ballet in Tulsa, Oklahoma, where she was promoted to principal in 2010. She joined the Houston Ballet in 2012 as a demi soloist. She quickly rose through the ranks, promoted to soloist in 2014, then first soloist in 2016. In 2018, she became the Houston Ballet’s first Korean principal.

    Upon achieving the designation, she said, “I feel like I have made an important mark in history, along with other great dancers, for my people in such a great company.”

    Cho’s roles onstage reflected her wide artistic range and commitment to storytelling through dance. Her Houston Ballet colleagues and audiences admire and praise the passion and sincerity she brought to every performance. One of those, Cho’s portrayal of Suzuki in Madame Butterfly, is especially close to her heart, not only for its emotional depth but for the lifelong friendship it sparked with fellow principal Yuriko Kajiya.

    “Becoming part of this Company and working alongside such extraordinary people has been one of the greatest blessings and privileges of my life. I close this chapter with a full heart and immense appreciation for the art, the audiences, and the people who made it all so meaningful.”

    Cho said that while she doesn’t yet know what will come next, she departs the company filled with gratitude.

    “Looking back, I feel nothing but gratitude,” she said. “Gratitude for the incredible colleagues and mentors I’ve shared the studio with. Gratitude for the audiences who supported us performance after performance. And gratitude for the art form itself — so demanding, so beautiful, and so deeply rewarding. I leave the stage with peace in my heart. Because I gave everything I had to this journey, I can move forward without regret.”

    \u200bHouston Ballet Principal Soo Youn Cho
      

    Photo by Amitava Sarkar (2016). Courtesy of Houston Ballet.

    Houston Ballet Principal Soo Youn Cho and in Theme and Variations.

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