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    best november theater

    10 best Houston plays showcase high-flying fun, charming holiday treats, and singalong sensations

    Tarra Gaines
    Nov 9, 2021 | 9:45 am

    With the holidays approaching and the majority of Houston theater companies back to in-person performances, stage elves across the city are busy preparing for our favorite performance traditions.

    But, for those saying humbug to early carols and decked halls, there’s still plenty of musical fun as well as serious drama. From singing nuns to an Society of Performing Arts showcase of Houston artists, a Tony-winning Tootsie, to those soaring Cirque du Soleil performers, get ready to fall into a most vibrant and eclectic theater season.

    Sister Act from Theatre Under the Stars (now through November 14)
    If you’re looking for theatrical fun, always bet on singing nuns.

    Based on the Whoopi Goldberg early ’90s hit about a nightclub singer who has to disguise herself as a nun after witnessing a murder, the London to Broadway musical set the story back into the ’70s to allow the original music by Alan Menken and lyrics by Glenn Slater. Expect a funky time with a sometimes disco, sometimes soulful beat.

    Directed by TUTS artistic director Dan Knechtges, who also choreographs, the show stars The Voice alum Simone Gundy along with a cast of fellow Houston faves. From design to performances, everyone goes all in on the sequin and disco ball goodness that dress up a surprisingly moving girl (and sister) power message.

    El Huracán from Mildred’s Umbrella (November 11-21)
    The female-focused company begins their new season at the DeLuxe Theatre with this contemporary play by Cuban-American playwright, Charise Castro Smith and directed by local actor/director favorite, Patricia Duran.

    Set on the eve of a hurricane tells the story of four generations of Cuban American women with a production brought to the stage with an all LatinX cast and crew. Duran says that though the play is not necessarily a political play, its message of “ hope and forgiveness are timely.”

    Houston Artist Commissioning Project Live: Part 2 from Society for the Performing Arts (November 12 and 13)
    The culmination of SPA’s initiative to nurture local artists, giving them commission support and the Jones Hall stage, this performance features world premiere works of music, dance, and theater by Houston artists.

    Harrison Guy, director of Urban Souls Dance Company debuts history told in dance of Houston’s first Black library. Riyaaz Qawwali presents a new message of harmony for all faiths, expressed in the lyrics and rhythm of music with South Asian roots.

    And for theater lovers, the pandemic has inspired a new one act play, The World’s Intermission, from acclaimed writer, and former Houston poet laureate, Deborah D.E.E.P. Mouton.

    Alegría from Cirque du Soleil (November 13-December 12)
    A Cirque classic returns with a new look and high soaring spirit.

    The show originally set up the big circus-of-the-sun top in its usual spot in the Sam Houston Race Park grounds in March of 2020, but had to go dark after only about a week of performances.

    Now, it’s back and ready to bring gasps and delights to audiences of all ages once more. Cirque production’s overarching story usually takes a side ring to the physics-defying individual acts and performances.

    But Alegría’s fairytale story certainly holds some contemporary resonance as the show depicts a world where the aristocratic traditions of the old guard are challenged by the revolutionary ideals of a youth in revolt.

    A Motown Christmas from Ensemble Theatre (November 13-December 26)
    Your favorite holiday standards hit the town, Motown that is, in this musical revue by Nate Jacobs.

    In this very family-friendly production traditional carols get a soulful rendering and then paired with classic Motown songs originally from The Supremes, Marvin Gaye, Stevie Wonder, Gladys Night and the Pips, and the Jackson 5.

    Staying true to their name for their 45th season, Ensemble has assembled a large and stellar singing and dancing ensemble to bring the songs to life and ring in a joyful season.

    Tootsie from Broadway at the Hobby Center (November 16-21)
    This hysterical, almost-too–edgy for the ’80s, comedy about struggling actor, Michael Dorsey, centers on him creating a female persona to win a lead role on a soap opera.

    With original music and lyrics by David Yazbek and a Tony-winning book by Robert Horn, the show exchanges the daytime television world for some commentary satire on the world of stage musicals, as Michael tries to make it as a Broadway diva.

    The show, which won a Tony for best book, was lauded by critics for its comedy for making the era move from the ’80s80s to the 21st century with high-heeled stride.

    A Christmas Carol at Alley Theatre (November 19-December 29)
    The Alley first produced this adaption last season as a streaming performance and now brings it to the stage for in-person audiences.

    Playwright Doris Baizley’s imagining of the Dickens classic frames the ghostly tale with a timely spotlight on the magic of theater-making. In this Carol, a traveling theater company, going through hardships, resolves that the Christmas show will go on even with a barebones production.

    Alley company actors get meta as they all play actors or backstage crew putting together a Carol from scratch. David Rainey reprises his Ebenezer Scrooge, while also playing the company within a company’s stage manager.

    4.48 Psychosis from Catastrophic Theatre (November 19-December 12)
    After several outdoor shows and filmed projects, the avant-garde company returns to its on-stage and in-person MATCH home to follow their long tradition of offering holiday counter programming at its finest and sometimes strangest.

    This work by Sarah Kane will certainly become a gift for those eschewing any and all tinsel and sugarplums. Company co-founder Jason Nodler directs performing artist T. Lavois Thiebaud in this Theatre of Extremes production the company describes as “an abstract, experiential, highly poetic exploration of identity, dysphoria, depression, the body/soul dilemma, and the suicidal mind.”

    Miss Bennet: Christmas at Pemberley at Main Street Theater (November 20 – December 19)
    The new, and beloved, holiday tradition at Main Street Theater has become a production of one of the Lauren Gunderson and Margot Melcon penned sequels to Jane Austin’s Pride and Prejudice.

    This first one gives the bookish sister Mary the spotlight and her own love story, while gifting flighty sister Lydia, who cause all the commotion in Austen’s original, a nice bit of empathy and redemption.

    A sweet, funny holiday treat with some nutritional value of sisterly love, we can see why Main Street continues to spend the holidays with any and all of the Bennet sisters.

    The Christmas Shoes at A.D. Players at the George (November 24-December 26)
    Based on the novel by Donna VanLiere, this world premiere play tells the story of two families forever changed by a chance encounter.

    In this story, young Nathan Andrews' mother is terminally ill, yet he and his cash-strapped family are trying to live life to its fullest. Meanwhile, wealthy Robert Layton is a workaholic attorney on the brink of losing the sweet family he unwittingly neglects.

    Robert is long overdue for a wake-up call, which arrives when he crosses paths with Nathan on Christmas Eve.

    Cirque du Soleil brings the fire and high flying to the season with a new version of their classic Alegría.

    Cirque du Soleil Alegria Alegr\u00eda
    Photo courtesy of Cirque du Soleil
    Cirque du Soleil brings the fire and high flying to the season with a new version of their classic Alegría.
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    fall theater preview

    Sneak peek at the 2026 fall performance slates for 15 Houston companies

    Tarra Gaines
    Aug 18, 2026 | 1:00 pm
    Theatre Under the Stars presents The Music Man
    Photo courtesy of Theatre Under the Stars
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    For theater and performing arts lovers, late summer is the most wonderful time of the year, as stage companies across the city begin their new 2026-2027 seasons. But before the curtains rise, most of those companies also give us the gift of Houston Theater Week and all those buy-one-get-one-free discounts.

    To get ready, CultureMap has put together this fall theater guide with the opening shows and dates for each company, as well as taking an early look at what the rest of the fall and holidays will bring. So grab those discounted tickets for a fall filled with blockbuster musicals, dramas, comedies, as well as lots of classics and audience favorites.

    A.D. Players opens with Holly Street (August 19)
    The spiritual and family friendly theater company began its season a bit early with a poignant world premiere set in small town Kentucky in the 1940s after World War II. Holly Street tells the story of two sisters at Christmas time and two unexpected guests.

    The company takes a break for a month and then offers one of the funniest, yet heartwarming holiday plays for all ages withThe Best Christmas Pageant Ever, the beloved comedy about a children’s play that goes wrong.

    Houston Ballet opens with Pecos Bill (September 11)
    HB says howdy to a great fall season with a mixed rep program that holds something for all dance tastes. The performance includes Stanton Welch’s rollicking ballet version of cowboy folklore, Pecos Bill’s adventures. Performances also feature George Balanchine’s elegant and dynamic Symphonie Concertante, and an HB debut, Meadow, a work by celebrated choreographer Lar Lubovitch.

    For the first full story ballet of the fall (September 24), HB brings the opulence of Sir Kenneth MacMillan’s now classic and tragic Mamon, the doomed love story between an irresistibly beautiful femme fatale and impoverished student. Of course, in November, it wouldn’t be the holidays without Stanton Welch’s version of The Nutcracker Ballet that brings the story’s focus back to the adventurous Clara.

    4th Wall Theatre opens with Proof (September 11)
    The first of several Pulitzer Prize-winning plays produced this season comes from this intimate stage. Playwright David Auburn’s Proof is the story of the daughter of a genius mathematician who might have inherited both his aptitude for math and his mental instability. The play travels back and forth through the present and past to study the formulas of family, loss, and love

    Over the years, 4th Wall has produced several wild and moving adaptations of Jane Austen novels. This year, it will present Are the Bennet Girls Ok? This new version of the Pride and Prejudice story, that had a recent Off-Broadway debut to much critical praise, tells the Bennet girls’ marriage quests from their mother’s point of view.

    Main Street Theater opens with Cold War Choir Practice (September 12)
    Also earning lots of recent off-Broadway buzz, this genre-defying comedy with music is one of the most intriguing picks for the fall. In Reagan’s America, a young girl is embroiled in intrigue when her estranged uncle, a prominent Black conservative, brings his mysteriously ill, white wife home for the holidays and forces long-simmering tensions within the family to boil.

    From Victorian England to a fast food joint, theaters across the world and certainly in Houston have put Dickens’s Christmas Carol into a multitude of settings. For the holidays, MST invites Houstonians to a Dublin pub for An Irish Carol, where rich owner David has lost touch with his own humanity in the interest of self-protection and material success. Now on Christmas Eve, a voice from the past will ask David to look at his relationships in the past, present, and possible future to perhaps change his life for the better.

    Theatre Under the Stars opens presenting The Music Man (September 15)
    TUTS changes its usual mix of more self-produced shows than touring shows, leaning in on presenting this season. The season begins with this classic musical comedy about a charming con man who gets conned himself by small town sincerity and love.

    The touring hits continue in October with Mrs. Doubtfire, the musical based on the Robin Williams comedy about a divorced man who disguises himself as a British nanny to take care of his kids. Then for the holidays, TUTS brings back its own leviathan-sized production of Disney’s The Little Mermaid for under the sea family fun with a cast filled with Houston singing sensations, including students from the TUTS schools.

    Rec Room opens with Amadeus (September 17)
    The east-ish downtown theater company decided to take some time off after last year's productions of Angels in American to switch from a calendar year season to the traditional fall/spring season that most Houston companies use. Now they’re back and celebrating their 10 year anniversary with plays Houstonians haven’t seen in quite a while, or ever, on a local professional stage. The season begins with the now classic 20th century play about the (mostly one-sided) rivalry between composers Antonio Salieri and Wolfgang Amadeus Mozart, and its exploration of jealousy and the nature of genius.

    For the ultimate holiday show counter programming, Rec Room will produce a new adaptation of Nobel Prize-winning Italian playwright Dario Fo’s The Accidental Death of an Anarchist. It’s Christmas time at the police station, as Rec Room reimagines Fo’s groundbreaking political farce of the 1970s as a contemporary American satire infused with detective noir, Cold War paranoia, and sharp absurdity.

    Ensemble Theatre opens with Purpose (September 18)
    Ensemble celebrates its 50th season with this recent Best Play Tony and Pulitzer Prize winner by Brandon Jacobs-Jenkins about a prominent and political Black family, the Jenkins. While the patriarch was a leader in the Civil Rights movement, the adult sons are having trouble living up to their father’s legacy. Generational aspirations come to a comic clash for one particularly awkward but purposeful family dinner.

    For the holidays, the company brings back an audience favorite, the joyful and soulful A Motown Christmas, which melds Motown hits and choreography with traditional holiday classics.

    Stages opens with Come From Away (September 19)
    Based on the true story, this poignant and hopeful musical tells the story of a small town in Newfoundland that rallied together to host thousands of stranded international travelers after planes were grounded September 11, 2001. It’s been a few years since Come From Away toured nationally, so Houstonians are definitely looking forward to seeing Stages begin its season with an intimate and homegrown production.

    In October, Stages jumps from a musical with a large cast of characters to The Roommate, the Jen Silverman comedy about two 50-something women with very different personalities and life experiences who begin living together. For the holidays, it brings back another audience favorite with all the music, fun, and wild plots found in The Great American Trailer Park Christmas Musical.

    Alley Theatre opens fall with Romeo and Juliet (September 25)
    While technically the thrilling Girl on the Train began its 26-27 season, the Alley heats up the fall with the play that originated the term star-crossed lovers and is arguably the greatest romantic tragedy in literature. The entire resident acting company will take the stage in Shakespeare’s wrenching tale of young lovers crushed between their warring families.

    In October, the Alley leaps from a classic of world literature to a world premiere satire with Uhuru. This play explores very contemporary themes of access and identity as it follows a group of climbers up Mount Kilimanjaro. Uhuru was developed as part of the Alley All New play reading season. For the holidays, look for both Alley artistic director, Rob Melrose’s, lovely adaptation of A Christmas Carol as well as its very contemporary Texas version of The Night Shift Before Christmas.

    Broadway at the Hobby Center opens with The Sound of Music (September 29)
    Musical lovers might want to see if the Hobby Center will rent a room this fall, because the TUTS and Broadway combined schedules will fill Sarofim Hall with the sound of music almost every week, including the actual Sound of Music. One of the most beloved musicals of all time, Richard Rodgers and Oscar Hammerstein’s story of the von Trapp family and the woman who brought music into their lives tours the country again with new direction from three-time Tony Award winner Jack O’Brien (Hairspray).

    Then, just in time for spooky season, the ghost-est with the mostest, the irrepressible Beetlejuice, returns to haunt Houston after being a surprising comic hit a few seasons ago. Then, the Tony Award-winning Buena Vista Social Club arrives. Depicting the backstage story of the Grammy-winning album of the same name, the show transports audiences into the heart of Cuba, beyond the glitz of the Tropicana into the soul of the music.

    Houston Grand Opera opens with Susannah (October 23)
    Continuing its centenary celebration for the great American composer Carlisle Floyd, HGO opens its season with this tragic beauty of an opera inspired by Floyd’s childhood as a minister’s son. With a score infused with revival hymns and Appalachian folksong, the opera depicts life in a small Tennessee town and the gossip, judgement, and hypocrisy that leads to the ruin of one innocent woman.

    HGO elevates spooky season with upGounod’s masterpiece Faust in late October. This production from acclaimed Scottish director David McVicar reimagines Faust as a tormented composer in Belle Époque Paris, before making a deal with the devil for youth and earthly pleasures.

    Other fall debuts

    While it might only be producing one show this fall, Houstonians still have these plays from some of the city's mid-sized and smaller companies on their must-see lists. In early September, Mildred’s Umbrella gets mad with Jen Silverman’s Collective Rage: A Play in 5 Betties, a sharp comedy with its synopsis in the title as it depicts the lives of five very different women all named Betty. The recently announced Catastrophic Theatre season scheduled the majority of its shows in 2027, but in September the company will revive Eugene Ionesco’s epic absurdest play, Rhinoceros, about a small town whose citizens begin to transform into a herd of giant horned mammals.

    In mid-October, Dirt Dogs presents one of those great dinner parties from hell plays with Donald Margulies’ Pulitzer Prize-winning Dinner with Friends about one couple’s divorce that leads their best friends to question their own marriages. Also in October, Classical Theatre opens its season with one of George Bernard Shaw’s wittiest works from his “Plays Pleasant” collection, Arms and the Man, about a young woman who has romanticized war until she decides to shelter a war-weary enemy soldier.

    Theatre Under the Stars presents The Music Man
    Photo courtesy of Theatre Under the Stars

    Theatre Under the Stars presents The Music Man

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