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    back to the drawing board

    Cherished Houston art collection and drawing institute reveals reopening date

    Steven Devadanam
    Sep 2, 2020 | 4:05 pm
    Menil Collection Installation view of Helen Frankenthaler, Hybrid Vigor, 1973
    Helen Frankenthaler's specially loaned Hybrid Vigor, 1973 will be on view at the Menil.
    Photo by Paul Hester

    On March 18, the Menil Collection, like so many arts organizations, closed its doors due to the COVID-19 pandemic. Now, the beloved destination has announced a reopening date for its main building and the Menil Drawing Institute. Both the collection and institute will reopen on Saturday, September 12.

    In the main building galleries, visitors will be greeted with a fresh installation of works by John Chamberlain, Mary Corse, Dan Flavin, Barkley Hendricks, Leslie Hewitt, Jasper Johns, Louise Nevelson, Robert Rauschenberg, Andy Warhol, and more, according to a press release.

    On special loan is a painting by Helen Frankenthaler, Hybrid Vigor, 1973, which has not been publicly exhibited in more than 40 years. Visitors can also look for the exhibition “Photography and the Surreal Imagination,” and in the Menil Drawing Institute, the “Think of Them as Spaces: Brice Marden’s Drawings.” Both exhibitions have been extended since opening earlier this year, according to the institute.

    Two other exhibitions will be on view starting September 26: “Allora & Calzadilla: Specters of Noon” and “Virginia Jaramillo: The Curvilinear Paintings, 1969–1974.” The new “Specters” exhibit is made up of seven newly commissioned works created by the internationally renowned Puerto Rico-based artists Jennifer Allora and Guillermo Calzadilla. Pieces are inspired by the duo’s four-year immersion in the Menil Collection’s holdings of Surrealism and respond to contemporary economic and ecological issues shared by Houston and San Juan, Puerto Rico.

    Meanwhile, Virginia Jaramillo’s first solo museum show, features eight canvases from the early 1970s. The exhibition marks the 50th anniversary of The De Luxe Show, a trailblazing racially integrated exhibition that was organized by the Menil Foundation in 1971 and curated by New York-based artist Peter Bradley. Jaramillo was the only woman whose works were included in the historic presentation, according to the Menil.

    “The Menil Collection's mission is to foster direct personal encounters with works of art, and reopening the museum is something we celebrate,” said Rebecca Rabinow, director of the Menil Collection, in a statement. “We welcome back visitors to our galleries with new installations and thought-provoking exhibitions.”

    As part of that welcome back, the Menil has implemented the following safety measures: face masks are mandatory for all visitors, social distancing is encouraged, coat check is unavailable, and visitor capacity is reduced and monitored at all locations.

    Entry to all the museum buildings and exhibitions is free, but reservations should be made in advance online.

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    A Roman Holiday (Season)

    All roads lead to Houston museum's blockbuster exhibit of Imperial Rome

    Tarra Gaines
    Jun 11, 2025 | 3:15 pm
    ​The Museum of Fine Arts Houston presents "Art and Life in Imperial Rome: Trajan and His Times"
    Photo courtesy of Museum of Fine Arts, Houston
    The Museum of Fine Arts Houston presents "Art and Life in Imperial Rome: Trajan and His Times" ("Statue of Trajan" Minturno, Italy, 2nd century, marble, National Archaeological Museum, Naples)

    Houston's holiday season will have a distinctly Roman feeling this year, as the Museum of Fine Arts, Houston is bringing the glory of the Gladiator era to Texas. On November 2, 2025 through January 25, 2026 the MFAH presents the monumental new exhibition “Art and Life in Imperial Rome: Trajan and His Times.”

    Featuring 160 objects of antiquity, including marble sculptures, frescoes, mosaics, delicate glass vessels, and exquisite bronze artifacts, the exhibition will transport visitors back in time to the Roman Empire during a flowering of art and architecture. The MFAH partnered with the Saint Louis Art Museum to organize the exhibition, which will showcase many pieces that have never been on view in the U.S.

    While Emperor Trajan might not be the most famous — or in some cases, most infamous — of the Roman emperors, he ruled between 98 and 117 C.E. during the empire’s height and was the second of the so-called “Five Good Emperors” of the Nerva-Antonine dynasty. He was also the first emperor born outside of present-day Italy, in what is now Andalusia, Spain. During his reign, he granted citizenship and rights to some peoples from conquered lands. The exhibition will explore how this time period expanded what it meant to be a Roman and how art reflected Rome’s power and promoted the empire’s values and ideals.

    \u200bThe Museum of Fine Arts Houston presents "Art and Life in Imperial Rome: Trajan and His Times"
      

    Photo courtesy of Museum of Fine Arts, Houston

    The Museum of Fine Arts Houston presents "Art and Life in Imperial Rome: Trajan and His Times" ("Statue of Trajan" Minturno, Italy, 2nd century, marble, National Archaeological Museum, Naples)

    From statues of prominent men and women of the era, including Trajan, to vivid frescoes and furnishing from the villas of Pompeii, the objects in the exhibition will tell fascinating cultural and political stories of life in imperial Rome. To add context to the artworks and objects of antiquity, the MFAH will recreate a section of Trajan’s Column, which was a towering pillar with a spiraling narrative frieze, one of the few monumental sculptures to have survived the fall of Rome.

    “Art and Life in Imperial Rome: Trajan and His Times” brings such a wealth of objects to Houston thanks to unprecedented loans from the renowned antiquities collections of Italian museums including Museo Nazionale Romano, the Museo Archeologico Nazionale di Napoli, the Parco Archeologico di Ostia, and the Musei Vaticani. It would would likely take months of travel across Italy to see this much art.

    “This is truly a rare opportunity for U.S. audiences to experience spectacular objects from this glorious era of the Roman Empire,” said Gary Tinterow, director and Margaret Alkek Williams chair of the MFAH, in a statement. “We are enormously grateful to our colleagues in Rome, Naples, and Vatican City for lending these treasures to us and broadening the appreciation of Italy’s cultural heritage.”

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