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    encore!

    Houston theaters prove the show can go on with these summer premieres

    Tarra Gaines
    Jul 13, 2020 | 9:30 am

    Since March, most local, national, and international performing arts organizations have found themselves in a state of limbo about when and how live performance in front of an audience would begin again.

    Houston theater companies have endured much behind-the-scenes dramas as they've shuffled and reshuffled their seasons lineup. Now, more plans are afoot to bring Houston audiences live theater at home and back on stage.

    So let’s take a midsummer check in at the latest theater news for the fall. We even have a few theatrical virtual treats for this stay at home sizzling July and August.

    Stages
    The latest and biggest news comes from Stages who hopes to continue their tradition of eclectic seasons with a new mix of theatrical modes. They plan to debut online summer shows and then works with smaller casts in the fall when audiences might be ready to head back to the Gordy. While the 2021 winter/spring offerings remain mostly the same for the second half of their season, the rest of 2020 brings innovative changes.

    First up, Pieces of the Moon (July 20-August 2). What was to be a world premiere co-production from One Year Lease Theater Company in New York about the Apollo 11 moon landing, now becomes a world premiere radio play available for streaming. Stages and OYL partnered once before for Balls the highly-choreographed, kinetic feast for the eyes about the Billie Jean King and Bobby Riggs tennis match, so we’re intrigued by how they’ll once again tackle history but for an auditory audience this time.

    Later in the summer, Sensitive Guys (August 13-23), the production that had to be shelved right before its debut back in March gets new performance life as a streaming Zoom production. The five women all playing college men will now act practice a bit of stay at home acting to create together this satire on gender roles and collegial life.

    The last of the planned (for now) streaming performances comes with the one-woman show starring Stages fave, Sally Edmundson, in Woman of the World (September 10-20) about journalist, naturalist, and woman before her time, Mabel Loomis Todd.

    Stages hopes to be ready to bring audiences back to the newly opened Gordy with the return of Honky Tonk Laundry in October. The feel good music that probably just came out of the fluff cycle had to close after only a week in March and might be the fun welcome-back for those ready to join a live audience again.

    The other major change Stages has made for the 2019 half of their new season is to the holiday shows. Instead of their previously announced Great American Trailer Park Christmas Musical, the company will bring back married artist duo Ben Hope and Katie Barton, who created the popular Ring of Fire. They created and star in Holidays at the Hope’s (November 13-December 27), a musical inspired by their real life adventures buying their first house. Meanwhile, the planned revised version of the very first Stages’ original Texas Panto show, Panto Sleeping Beauty, gets a revision to the revision and becomes the world premiere one-man musical, Buttons’ Sleeping Beauty: A One-Man Outrageous Unbelievable COVID Lockdown Panto! (November 27-December 27).

    The final, or at least final so far, addition to the season comes in January with a Stages rendering of the Broadway smash Lady Day at Emerson’s Bar and Grill (January 29-March 7) and its portrayal of one of Billie Holiday’s final performances.

    Broadway at the Hobby Center
    With the announcement that a darken Broadway would continue to keep the lights off until January 2021, we expected that the huge touring production would likely be grounded for a time, as well. Confirmation came recently with the announcement that My Fair Lady and Blue Man Group Speechless tour, the first two shows of the Broadway at Hobby 2020-2021 season, would get pushed into next year.

    While no productions have been cut from the lineup, the new season doesn’t officially begin until January 5 with Tootsie. Most of the remaining winter and spring shows stick near the same runs with To Kill a Mocking Bird (February 23-28), Mean Girls (March 16-21), Jesus Christ Superstar (May 11-16) and Hadestown (June 8-13) maintaining their original dates. Now Blue Man Group gets slotted in for January 22-24 and My Fair Lady ends the season in very late summer style (September 14-19).

    As CultureMap earlier reported, Theatre Under the Stars also moved the new gender-inclusive revival of 1776 set for Broadway and their own production of Rock of Ages to summer 2021, so look for the lights to always be bright at the Hobby Center next year.

    Miller Outdoor Theatre

    The beloved theater on the hill announced early Monday, July 13 that all shows are cancelled through August. Miller released this statement:


    Due to the pandemic and current restrictions on gatherings and crowd size, we have made the decision to cancel all performances through the end of August.

    It breaks our hearts to announce more cancellations. We are working to identify new dates for all those companies that are able to move to later dates this season and hope we can begin performances in September.

    These decisions have not been easy to make and we appreciate your continued support through these trying times.

    Stay safe, stay healthy and we can't wait to meet you on the Hill again.

    Catastrophic Theatre
    It would hardly be summer in Houston without a big new musical from Catastrophic. For twenty years, and only a few exceptions, the warped, weird, and wonderful mind of Catastrophic co-founder, Tamarie Cooper has delivered a brand new bawdy, vaguely avant garde vaudevillian Houston-centric musical extravaganza. From elections to big birthdays to bigger regrets and the holidays, Cooper has tackled the best and worst of times. Obviously, a little thing like a global pandemic won’t stop her and her band of the Catastrophic regulars. Get set for the three-part, streaming world premiere, Tamarie Cooper’s 2020: Quarantine Edition! Beginning July 31, expect satire, songs, and jazz hands.

    New American Voices Playwriting Festival
    The nationally renowned reading festival from Houston’s own Landing Theatre Company goes virtual this year. The four new works from Amy Berryman, John Minigan, Angela J. Davis and Kirby Fields were selected from 550 submissions from around the country. Local actors (distancing) bring the scripts to live, giving at-home audiences a preview of some original new voices in theater. The festival also includes workshops featuring award winning national and Texas playwrights, directors, and theater artists.

    Strange Bird Immersive
    While indoor social distancing practices have made traditional theater difficult to manage, immersive theater has struggled with even bigger challenges. Houston’s Strange Bird local company that made quite a success for itself combining the immersive theater and escape room experiences together, has hit upon a unique means of escaping the metaphorical straight jacket of theatrical distancing. The mysterious and alluring Madame Daphne from their award-winning show The Man From Beyond will now do Zoom tarot card reading sessions, bringing a bit of the immersive experience into your home.

    My Fair Lady delays her all night dance until September 2021.

    National tour of My Fair Lady
    Photo by Joan Marcus
    My Fair Lady delays her all night dance until September 2021.
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    your attention please

    Houston Grand Opera names Rice alum James Gaffigan its next music director

    Tarra Gaines
    Nov 6, 2025 | 9:00 am
    ​Houston Grand Opera names James Gaffigan as next Music Director
    Photo by Claire McAdams
    Houston Grand Opera names James Gaffigan as next Music Director

    Opera lovers in the audience for the Houston Grand Opera’s magnificent season opening production of Porgy and Bess didn’t know it, but they were hearing HGO’s future. James Gaffigan, the acclaimed conductor of the performance will no longer be called an honored guest to the company and our city; instead, he’ll make the Wortham Center his new home.

    HGO announced on Thursday, November 6, that Gaffigan will serve as the fifth music director in its 70-year history, leading the company alongside general director and CEO Khori Dastoor. He replaces Patrick Summers, who announced last year that he would step down as artistic and music director at the end of the 2025-26 season.

    When Gaffigan begins his term as music director designate for the 2026-27 season and then assumes the full role of music director in the 2027-28 season, he won’t find Houston an unfamiliar landscape. Though originally from New York, Gaffigan once lived here while earning his master’s degree from the Shepherd School of Music at Rice University.

    After his time at Rice, he quickly rose to international superstardom in both symphonic and operatic circles. He has conducted some of the greatest orchestras around the country, including the New York Philharmonic, Chicago Symphony Orchestra, San Francisco Symphony, Los Angeles Philharmonic, and many others. In Europe he has taken the podium at the London Symphony Orchestra, London Philharmonic Orchestra, Deutsches Symphonie Orchester Berlin, and more.

    In 2011, he made both his HGO and American operatic debut with the company’s production of The Marriage of Figaro. He has also become a very welcome guest conductor for national and international opera houses, including the Metropolitan Opera, Bayerische Staatsoper, Opéra National de Paris, Lyric Opera of Chicago, and more.

    For the past several years, he has made a home in Europe serving as the general music director of Komische Oper Berlin, and he recently completed his fourth and final season as music director of the Palau de les Arts Reina Sofía in Valencia, Spain.

    Even with such a strong global presence, this Rice Owl continues to migrate back to Houston, guest conducting the Houston Symphony several times. Last year, he lead the first-ever performance by the HGO Orchestra at the annual Eleanor McCollum Competition for Young Singers Concert of Arias.

    Gaffigan’s ties to Houston are so strong that back in 2011, CultureMap’s own society king and classical music expert, Joel Luks, pondered if Gaffigan might be an excellent candidate for Houston Symphony director upon Han Graf ’s retirement. Luks, who attended the Shepherd School at the same time as Gaffigan, lauded the maestro’s sense of musical timing, charisma, and spirit.

    \u200bHouston Grand Opera names James Gaffigan as next Music Director

    Photo by Claire McAdams

    Houston Grand Opera has named James Gaffigan as its next Music Director.

    “He seems to understand music-making in a macro level, presenting a cohesive interpretation, while allowing musicians freedom of expression,” described Luks, also noting Gaffigan’s ability to connect with musicians and audiences, alike.

    It turns out Luks’s prediction for a musical directorship for Gaffigan was only off by 14 years and about a theater district block, the distance from Jones Hall to the Wortham Center.

    “I always knew that the first post I would take in the United States as music director had to be the perfect fit,” Gaffigan said in a statement. “All the boxes needed to be ticked. As I considered which institution, which city, and which community aligned with my dreams and goals for an American institution, I found HGO to be my ideal partner. In my opinion, HGO is the most exciting opera company in the United States. It is rare to find such a healthy institution, with tremendous potential, and a solid foundation on which to build.”

    Gaffigan went on to reminisce that he has admired HGO since his early twenties.

    “When walking into the building, I get a sense of community and excitement for our art form and the importance it has in our lives. I feel the same from the people in the greater Houston area. Houstonians want great art. Under Khori Dastoor’s leadership, the company has flourished, and it has become clear to me that the sky is the limit. I can’t wait to return to this city and start our thrilling new chapter together.”

    Dastoor sings similar praises for Gaffigan.

    “To welcome James Gaffigan back to Houston, and to HGO, as our new music director represents the fulfillment of an ambitious dream,” stated Dastoor. “This fall, Houston audiences have had the incredible opportunity to witness his passion, electric energy, and mind-blowing artistry at the podium. I am overjoyed that today’s leading American conductor — who embodies a new generation of music-making at the highest level — has chosen to invest fully in this company. James was steeped in the art and culture of Houston on his way to finding phenomenal international success. His return is both a testament to our city and a reflection of HGO’s ascendance as a force in the global opera industry.”

    For those wanting to get a taste of that passion and energy Gaffigan will bring to his role as Houston Grand Opera music director, he conducts Porgy and Bess November 7 and 9.

    performing-artshouston grand operajames gaffigan
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