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    Wait Wait... Don't Tell Me!

    Behind the scenes at Wait Wait... Don't Tell Me!: Taping draws lots of laughs and out-of-this-world guest

    Elizabeth Rhodes
    Jun 26, 2015 | 12:35 pm

    Nearly 3,000 excited Houstonians filled Jones Hall to capacity on Thursday night to watch the taping of Wait Wait… Don't Tell Me!, NPR's wildly popular weekly news panel game show.

    Host Peter Sagal, along with announcer Bill Kurtis and panelists Maz Jobrani, Alonzo Bodden and Paula Poundstone, had crowds howling at topical gaffs during the nearly three-hour taping, which was followed by a brief question-and-answer session and a reception.

    The night was full of laughter, and if you weren't lucky enough to score tickets ― even the pricey "premium seats" sold out in only a few weeks ― the show will air on Houston Public Media's News 88.7 Saturday and Sunday at 10 a.m.

    There was plenty to note during the taping (some parts will be edited out to fit the 1-hour broadcast), but here are five things that captured my attention:

    1. Sagal does not like June weather in Houston

    While high temperatures in the low 90's don't sound like much to a vetted Houstonian, it's a different story for a Chicagoan like Sagal. He apparently ran along Buffalo Bayou in the morning before the performance and said it was nothing but "desiccated bull skeletons and random members of the Bush family."

    Of course, Poundstone disagreed with Sagal’s assertions: "I thought it was nice."

    During the question and answer session following the show, one audience member had a biting response to Sagal's disparaging comments about Houston’s weather: "Can I have your number so I can call you in Chicago in November?"

    2. It's fun to make jokes at the expense of conservatives

    "This might be the most exciting night for liberals in Houston," Sagal rightfully stated as he welcomed the NPR-loving crowd. Whether it's making fun of Supreme Court justice Antonin Scalia's use of phrases like "jiggery-pokery" and "pure applesauce" to describe the recent healthcare ruling or mocking Louisiana Gov. Bobby Jindal for hiding a camera in a tree in his yard to capture his family's reaction to his decision to run for president, conservatives were certainly the butt of many jokes — much to the delight of the audience.

    3. The questions aren't as hard as you might expect

    While you might expect the questions on an NPR news quiz to be extremely difficult, they are fairly easy if you keep even a wandering eye on current events.

    "One of my standard jokes is that one of the reasons our quiz is so easy — our questions are not hard — is because we want the people at home to be able to know the answers because in focus groups, the No. 1 hobby among public radio listeners is feeling smug," Sagal joked to CultureMap.

    Although some of the questions were tricky ― who knew bees contribute more to the British economy than the royal family? ― many were related to broader current issues like the Supreme Court ruling on health care and retailers refusal to sell anything bearing the image of the Confederate flag.

    4. Houstonians love our NASA ties

    The show paid special tribute to Space City as astronaut Sunita Williams appeared as the guest for the "Not My Job" segment. Williams, who spent nearly a year in total on the International Space Station, holds records for total space walks by a woman and most space walk time for a woman. Williams enlightened the crowd on her out-of-this-world experiences, ranging from living in close proximity with hyper-intelligent spiders to her unfortunate incident with a container of wasabi mayo that exploded all over her ― and the station.

    5. Everyone loves Sagal ― and with good reason

    From the moment Sagal stepped out onto Jones Hall's enormous stage, you could feel the crowd hanging on his every word. Whether he was interacting with the panelists, Kurtis or even the call-in contestants, it was clear that the Wait! Wait! host knows how to hold an audience. At several points during the taping, audience members clapped and hollered so loudly following the announcement of his name that he used hand signals to quiet the raucous crowd.

    ---

    Wait Wait... Don't Tell Me! airs at 10 a.m. on Saturday and Sunday on Houston Public Media's News 88.7.

    The segment's "Not My Job" guest was astronaut Sunita Williams, who spent nearly a year aboard the International Space Station.

    unspecified
    news/arts

    doubling down

    Shepherd School builds on 50 years with a 2026-27 season of discovery

    Joel Luks
    Jun 10, 2026 | 11:00 am
    Rice University Shepherd School of Music
    Photo by Michael Stravato
    The Shepherd School's 2026-27 season includes six world premieres.

    The next generation of classical music doesn’t wait in the wings at Rice University’s Shepherd School of Music.

    It walks onto the stage, often with a world premiere in hand, and slaps listeners with music so energetically performed that they might need a glass of wine or a Xanax to come down from the thrill.

    Fresh off its milestone 50th anniversary, the Shepherd School’s 2026–27 season doubles down on discovery. The lineup includes six world premieres, the Texas premiere of Matthew Aucoin and Sarah Ruhl’s opera Eurydice, celebrated guest artists, and a steady reminder that Houston audiences can hear rising talent before the rest of the world catches on.

    For students, Shepherd continues to function as a foundation where rigorous conservatory training meets the resources of a major research university. For audiences, it’s an invitation to witness artists in the midst of becoming, tackling ambitious repertoire in halls whose acoustics reward every nuance.

    The orchestral season, led primarily by Distinguished Resident Director of Orchestras Miguel Harth-Bedoya, embraces both pillars of the canon and brand-new voices. Opening night sets the tone with Ravel’s Alborada del gracioso, Richard Strauss’ Death and Transfiguration, the world premiere of Jake Berran’s Probabolophony, winner of the 2026 Cooper Prize, and Hindemith’s Symphonic Metamorphosis.

    The season also launches what is planned as a multi-year exploration of Gustav Mahler with Symphony No. 1, “Titan,” while spotlighting Shepherd faculty members as soloists, including pianist Jon Kimura Parker and oboist Erin Hannigan. Along the way come additional premieres by alumni composers, concerto appearances from competition winners, and opportunities for conducting students to take the podium.

    Shepherd will present a fully staged production of Richard Strauss’ Ariadne auf Naxos before mounting the Texas premiere — and first university performance — of Eurydice, with composer Aucoin visiting campus to work directly with students and audiences.

    Guest artists add another layer, from Aleko Endowed Artist Julia Bullock collaborating with Shepherd opera students to alumna Kate Soper returning with the acclaimed Wet Ink Ensemble. Chamber concerts, faculty recitals, festivals, and family programming round out a calendar of more than 400 events, many offered for free or at low cost.

    The season also includes the Adventurous Electric Guitar Festival at Wortham Theatre, where concerts, workshops, and presentations explore contemporary electric guitar and electroacoustic performance in collaboration with Rice Electroacoustic Music Labs (REMLABS).

    Notably, the school will also inaugurate its undergraduate orchestral conducting degree, the only program of its kind in the nation.

    This author recently caught Miguel Harth-Bedoya deep in score study before a concert, next to his visiting family, meticulously parsing Ravel’s Alborada del gracioso.

    It was a fitting snapshot of the institution itself: Craftsmanship behind moments that can feel effortless once the lights dim and the music begins. That dedication has defined Shepherd for more than 50 years, and the 2026–27 season suggests the next movement is well underway.

    performing-artsrice university
    news/arts

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